From relationships, religion, and the rise of ISIS, to porn, fatherhood and the oppression of office life. Nothing is taboo: Is it less serious when a man has an affair? Why don’t new parents want boys?Who Stole My Spear? is an inspiring rallying call for men and ‘good masculinity’ which cannot be ignored – that will leave you rethinking much about life’s big questions. And for women who wonder what’s on a man’s mind, this is the book that offers the entertainingly explosive answer.

    Her celebrity, however, has obscured other mid-century trans narratives—ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence.Drawing on a deep and varied archive of materials—early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films—Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the “father of American gynecology,” to the negation of blackness that makes transnormativity possible.Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of “cross dressing” and canonical black literary works that express black men’s access to the “female within,” Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don’t Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.

    An essential handbook on a favorite topic—love—it will help women understand the wider meaning of love as a tool, a resource, and a force. It encourages girls to love themselves first and then reflect on the significance of love outside the common perceptions of romantic love and its role in their friendships and the world at large. It is a road map for every woman to navigate long-distance relationships, determine the real Prince Charmings, overcome icon infatuations, rediscover childhood dreams, and rule in all affairs of the heart.

    Two ganders who work together as a mated pair? Two female bears raising their four cubs together? A kangaroo with both a female pouch and male sex organs? Who's been keeping all this a secret? Homosexual mating and pairing occur in all species, so contends author Bruce Bagemihl in this well-researched book on animal homosexualities. Bagemihl is a biologist and researcher who went from teaching to working at Microsoft, and now he's produced one phenomenal book on gay, lesbian, bisexual, and tr ansgendered animal life. Bagemihl first shows how past biologists and anthropologists have made their errors in reportage regarding observations in the field of homosexual behavior among the beasts (interestingly enough, all homosexual behavior tended to be called either aggressive or passive, and not about mating or affection between animals, even though it was often the identical mating behavior as the heterosexually-oriented animals). In this often lively, but sometimes overwhelmingly encyclopedic study and listing of homosexual diversity in the animal kingdom, the author has done a phenomenal job of bringing science into a popular idiom so that the animal behavior he details i s understandable to the layperson.Biological Exuberance is divided into two main sections, "A Polysexual, Polygendered World" and "A Wondrous Bestiary: Portraits of Homosexual, Bisexual, and Transgendered Wildlife." The first section primarily deals with how we as a civilization have viewed animal sexuality in the past, and themyths we'vebuilt up around it, and the author's term, "biological exuberance." Here's how Bagemihl himself describes it. The essence ofBiological Exuberanceis that natural systems are driven as much by abundance and excess as they are by limitation and practicality. Seen in this light, homosexuality and nonreproductive heterosexuality are "expected" o ccurrences — they are one manifestation of an overall "extravagance" of biological systems that has many other expressions. In the second major section of the book, the author breaks his studies down into individual animal species and subgroupings of species. Fascinating, page-turning in its own way, and full of pictures of homosexual matings and sexual congress among our furry and feathered friends,Biolobical Exuberance is one of the most readable scientifically-based books of the year. Get this one. It is amazing.

    Suddenly, Boyd was confronted with the reality of what it would mean if her husband were actually to become a woman socially, legally, and medically. Would Boyd love and desire her partner the same way?Boyd's first book, My Husband Betty, explored the relationships of cross-dressing men and their partners. Now, She's Not the Man I Married is both a sequel and a more expansive examination of gender in relationships. It's for couples who are homosexual or heterosexual, and for readers who fall anywhere along the gender continuum. As Boyd struggles to understand the nature of marriage, passion, and love, she shares her confusion and anger, providing a fascinating observation of the ways in which relationships are gendered, and how we cope, or don't, with the emotional and sexual pressures that gender roles can bring to our marriages and relationships.

    It raises the issues our girls might not be talking about publicly, and guides their parents on how experts believe we should deal with it.At ten, we know how girls are pigeonholing themselves into what they think they should be. Whether they see themselves as academic or not, whether they are interested in boys, puberty is a reality, friendship fights are underway, and the influence of social media is impacting.With heightened pressure from what they see in the media, in movies and on TV, our girls are leaving childhood behind well before they hit their teens. Not surprisingly, emotions can be heightened and relationships can be fraught. So many parents struggle to understand the pressures our girls are under and how to deal with their emotional volatility. Journalist and social commentator Madonna King has an extraordinary ability to connect with experts, schools and the girls themselves to deliver the answers parents need and the communication our girls want.TEN-AGER is the perfect guide to help parents understand how their daughter is feeling, what they need to know, what to say, and when to stay silent and listen., ,

    In these pages we encounter the awesome burdens -- and the considerable power -- of a New England housewife's domestic life and witness her occasional forays into the world of men. We see her borrowing from her neighbors, loving her husband, raising -- and, all too often, mourning -- her children, and even attaining fame as a heroine of frontier conflicts or notoriety as a murderess. Painstakingly researched, lively with scandal and homely detail, Good Wives is history at its best.

    Part I examines the latest work in biology, anthropology, psychology, and sociology; Part II provides an original analysis of the gendered worlds of family, education, and work; and Part III focuses on the gendered interactions of friendship and love, sexuality, and violence. As a result of his research, author Michael S. Kimmel makes three claims about gender. First, he argues that the differences between men and women are not as great as we often imagine, and that in fact women and men have far more in common with one another than we think they do. Second, he challenges the notions of the many pop psychologists who suggest that gender difference is the cause of the dramatic observable inequality between the sexes. Instead, Kimmel reveals that the reverse is true: gender inequality is the cause of the differences between women and men. Third, he argues that gender is not simply an aspect of individual identity but is also an institutional phenomenon, embedded in the organizations and institutions in which we interact daily. Kimmel concludes with a brief epilogue looking ahead to gender relations in the new century. The second edition includes a new chapter, The Gendered Body, and a sharper critique of biological differences. The Gendered Society, 2/e, is a well-reasoned, authoritative, and keenly animated statement about contemporary gender relations, written by one of the country's foremost thinkers on the subject. It is an essential text for both scholars and students alike. Kimmel's companion book, The Gendered Society Reader, 2/e, (OUP, 2003), provides a perfect complement for classroom use.

    Though referenced like a work of research, Brizedine's writing style is fully accessible. Brizendine provides a fascinating look at the life cycle of the female brain from birth ("baby girls will connect emotionally in ways that baby boys don't") to birthing ("Motherhood changes you because it literally alters a woman's brain-structurally, functionally, and in many ways, irreversibly") to menopause (when "the female brain is nowhere near ready to retire") and beyond. At the same time, Brizedine is not above reviewing the basics: "We may think we're a lot more sophisticated than Fred or Wilma Flintstone, but our basic mental outlook and equipment are the same." While this book will be of interest to anyone who wonders why men and women are so different, it will be particularly useful for women and parents of girls.

    Maurice Beebe calls it "a distinguished contribution to modern literary history." Jane Marcus hails it as "the first serious literary history of the period and its women writers, making along the way no small contribution to our understanding of the relationships between women artists and their male counterparts, from Henry James to Hemingway, Joyce, Picasso, and Pound."

    Reports of sexual harassment, misconduct, and rape saturate the news in the era of #MeToo. Straight men and women spend thousands of dollars every day on relationship coaches, seduction boot camps, and couple’s therapy in a search for happiness.In The Tragedy of Heterosexuality, Jane Ward smartly explores what, exactly, is wrong with heterosexuality in the twenty-first century, and what straight people can do to fix it for good. She shows how straight women, and to a lesser extent straight men, have tried to mend a fraught patriarchal system in which intimacy, sexual fulfillment, and mutual respect are expected to coexist alongside enduring forms of inequality, alienation, and violence in straight relationships.Ward also takes an intriguing look at the multi-billion-dollar self-help industry, which markets goods and services to help heterosexual couples without addressing the root of their problems. Ultimately, she encourages straight men and women to take a page out of queer culture, reminding them “about the human capacity to desire, fuck, and show respect at the same time.”

    Although their presence has largely been ignored and obscured, in this provocative history Melinda Chateauvert recasts sex workers as savvy political organizers—not as helpless victims in need of rescue.   Even before transgender sex worker Sylvia Rivera threw a brick and sparked the Stonewall Riot in 1969, these trailblazing activists and allies challenged criminal sex laws and “whorephobia,” and were active in struggles for gay liberation, women’s rights, reproductive justice, union organizing, and prison abolition.   Although the multibillion-dollar international sex industry thrives, the United States remains one of the few industrialized nations that continues to criminalize prostitution, and these discriminatory laws put workers at risk. In response, sex workers have organized to improve their working conditions and to challenge police and structural violence. Through individual confrontations and collective campaigns, they have pushed the boundaries of conventional organizing, called for decriminalization, and have reframed sex workers’ rights as human rights.  Telling stories of sex workers, from the frontlines of the 1970s sex wars to the modern-day streets of SlutWalk, Chateauvert illuminates an underrepresented movement, introducing skilled activists who have organized a global campaign for self-determination and sexual freedom that is as multifaceted as the sex industry and as diverse as human sexuality.

    In 1986, the first-ever meeting of the Baby-Sitters Club was called to order in a messy bedroom strewn with Ring-Dings, scrunchies, and a landline phone. Kristy, Claudia, Stacey, and Mary Anne launched the club that birthed an entire generation of loyal readers. The Baby-Sitters Club series featured a diverse, complex cast of characters and touched on an impressive range of issues that were underrepresented at the time: divorce, adoption, childhood illness, class division, and racism, to name a few. In We Are the Baby-sitters Club, writers and a few visual artists from Generation BSC will reflect on the enduring legacy of Ann M. Martin's beloved series, thirty-five years later—celebrating the BSC's profound cultural influence. Contributors include author Gabrielle Moss, illustrator Siobhán Gallagher, and filmmaker Sue Ding, as well as New York Times bestselling author Kristen Arnett, Lambda Award–finalist Myriam Gurba, Black Girl Nerds founder Jamie Broadnax, and Paris Review contributor Frankie Thomas. The first anthology of its kind from editors Marisa Crawford and Megan Milks, We Are the Baby-Sitters Club will look closely at how Ann M. Martin's series shaped our ideas about gender politics, friendship, fashion and beyond—and what makes the series still a core part of many readers' identities so many years later.

    In this fascinating study, Rozsika Parker traces a hidden history--the shifting notions of femininity and female social roles--by unraveling the history of embroidery from medieval times until today.

    Provides an overview of 20th century women's lives, covering what the reader want to know about the suffragettes, early 'type-writers', contraception, and work in wartime; and it complements Persephone's other books by exploring factually what they, indirectly, explore in fiction.