From the fish-shaped Japanese felted bag to the Persian carpet–inspired handbag, each bag is a product of its cultural history. Each pattern begins with a brief history describing the source behind these contemporary interpretations of folk designs. Folk stories also accompany many projects. Included are designs for bags for work or play, and bags of all shapes, colors, textures, and sizes. Using this collection, knitters can create bags for children, for market, for everyday, or for a special evening event.

    In "Night of Stone," Catherine Merridale asks Russians difficult questions about how their country's volatile past has affected their everyday lives, aspirations, dreams, and nightmares. Drawing upon evidence from rare Imperial archives, Soviet propaganda, memoirs, letters, newspapers, literature, psychiatric studies, and interviews, "Night of Stone" provides a highly original and revealing history of modern Russia.

    They are looked down upon by all around them, including the bun bakers. Their only seeming solace is the sixteen-year-old Tanya who visits them every morning for the kringles they give her.

    Though world famous and revered by classical music lovers everywhere, he guarded himself and his thoughts as carefully as his talent. Fascinated, author and filmmaker Bruno Monsaingeon tried vainly for years to interview the enigmatic pianist. Richter eventually yielded, granting Monsaingeon hours of taped conversation, unlimited access to his diaries and notebooks, and, ultimately, his friendship. This book is the product of that friendship.Richter reveals himself as a man and an artist. Unsentimentally and with his characteristic dry humor and intelligence, the musician describes his poignant childhood and spectacular career, including his tumultuous early days at the Moscow Conservatory and his triumphant 1960 tour of the United States. His laconic recounting of playing in the orchestra at Stalin's surreal, interminable state funeral is riveting. Most important for music lovers, Richter discusses his influences and views on musical interpretation. He describes his encounters with other great Russian performers and composers, including Prokoviev, Shostakovich, Oistrakh, and Gilels. Candid sections from his personal journals offer his sober and unguarded impressions of dozens of performances and recordings--both his own and those of other musicians.This volume offers readers the sizable pleasure of lingering in the thoughts and words of one of the most important pianists of the twentieth century. Unlike many other star performers, Richter was also an intellectual who had interesting things to say, particularly about the musician's proper role as interpreter of the composer's art. This alone makes the book worth reading. Sviatoslav Richter belongs on the shelves of everyone with a classical music collection and will also appeal to lovers of autobiography and admirers of Russian musical culture.

    Everything you need to know from set-up to finished product in order to create distinctive yarns for use in knitting, weaving, crocheting, needlepoint, embroidery, and macrame. Author's preface. 33 illustrations, 10 black-and-white photographs. Bibliography. Sources of Supply.

    The dogs are the comfortable, assimilated rich Jews up on the hill, while the wolves, their distant cousins, struggle below in the ghetto. Ada grows up motherless, looked after first by her father, then by an indomitable, social-climbing aunt, and eventually moves to Paris with her aunt's family, all of them looking for a brighter future. Ada makes a living in Paris as an artist, painting scenes from the world she has left behind. Her cousin Ben, intense and ferociously intelligent, has loved her for years; they share memories - together they survived the terrible pogroms of their childhood - and he presses her to marry him. But Harry Sinner is also in Paris, moving in exclusive circles, and infatuated with the daughter of a wealthy gentile banker. One day he buys two paintings which remind him of his past... and the course of Ada's life changes once more.But as recession and revolutions shake previously rich regimes, even a solid international bank can find itself over-extended and vulnerable to greed. Ben, now working for the Sinner family bank in Paris, is well-placed to take the kind of risks he could only dream of in the past. And as summer draws to a close, Ada's world is disintegrating and she is faced with a fateful decision.The Dogs and the Wolves, painted on a broad, vibrant canvas, with Némirovsky's acute eye for small cruelties and everyday sacrifice, is an achingly poignant novel about blood and belonging, dreams and desire.

    Baldaev's father, a respected ethnographer, taught him techniques to record the tattoos of criminals in St. Petersburg's notorious Kresty prison, where Danzig worked as a guard. He was reported to the K.G.B. who unexpectedly offered support for his work, allowing him the opportunity to travel across the former U.S.S.R. Witnessing scenes of everyday life in the Gulag, he chronicled this previously closed world from both sides of the wire. With every vignette, Baldaev brings the characters he depicts to vivid life: from the lowest zek (inmate) to the most violent tattooed vor (thief), all the practices and inhabitants of the Gulag system are depicted here in incredible and often shocking detail. In documenting the attitude of the authorities to those imprisoned, and the transformation of these citizens into survivors or victims of the Gulag system, this graphic novel vividly depicts methods of torture and mass murder undertaken by the administration, as well as the atrocities committed by criminals upon their fellow inmates.Danzig Baldaev was born in 1925 in Ulan-Ude, Buryatiya, Russia. In 1948, after serving in the army in World War II, he was ordered by the N.K.V.D. to work as a warden in the infamous Leningrad prison, Kresty, where he started drawing the tattoos of criminals. His collection of drawings, which he made in different reformatory settlements for criminals all over the former U.S.S.R. over a period of more than 50 years, have been published by Fuel in three volumes, in the bestselling Russian Criminal Tattoo Encyclopaedia series.

    

    She accepted the invitation eagerly, though she had every intention of returning home. As it happened, her trip ended four years later in Paris, where she would spend the rest of her life in exile. None of this was foreseeable when she arrived in German-occupied Kiev to discover a hotbed of artistic energy and experimentation. When Kiev fell several months later to Ukrainian nationalists, Teffi fled south to Odessa, then on to the port of Novorossiysk, from which she embarked at last for Constantinople. Danger and death threaten throughout Memories, even as the book displays the brilliant style, keen eye, comic gift, and deep feeling that have made Teffi one of the most beloved of twentieth-century Russian writers.

    "A rich and readable introduction to the whole sweep of Russian cultural and intellectual history from Kievan times to the post-Khruschev era." --Library Journal.Complete with Illustrations, references and 32 pages of index, this is an exhaustive history of Russia and its peoples.

     With détente, however, the U.S. Government arranges an exchange to save Grant. But the Russians will only release him if the United States finds and delivers the priceless imperial treasure that vanished during the Russian Revolution – the twelve Imperial Easter Eggs crafted by Faberge for the family of Czar Nicholas, each lavishly decorated with enamels and jewels, each worth a fortune. Although their recovery seems unlikely, the CIA assigns agency veteran Henryk Kessel to find them. He and his assistant, the beautiful Leslie Monroe, try to piece together the vanished past, combing the archives and museums of the world for a clue. In a hunt that takes them from the elegant drawing rooms of Georgetown to the busy bars of Stockholm, they pursue their mission. But it soon becomes evident that others, including the KGB, are on the same trail. As suspicion grows that not all the Romanovs are dead, Leslie quickly becomes target as well as pursuer, while Ward’s life hangs in the balance. The Romanov Ransom is haunting in its intensity. Complete with danger and romance, it brings novelist Thompson into the front ranks of espionage literature. Praise for Anne Armstrong Thompson ‘Anne Armstrong Thompson goes from strength to strength. The ingredients of her new book — espionage, a treasure hunt, the still unsolved mystery of the Romanovs, and a pair of fire-and-ice lovers — make marvelous reading.’ - Dorothy Eden ‘…silk-stocking suspense story’ – Kirkus Reviews Anne Armstrong Thompson was born in Lexington, Kentucky and received a B.S. degree in Economics from the University of Kentucky and an M.A. degree in Diplomacy from the Fletcher School of Law and Diplomacy. She has worked in Washington and lived in Georgetown. Upon her marriage to architect Milton Thompson, Jr., she returned to Kentucky, where she served as Medicaid Director in the Department of Health. Mrs. Thompson has travelled extensively and now lives, with her husband and two sons, in Kentucky.

    Valentina Ivanova is the darling of St. Petersburg's elite aristocracy-until her romance with a Danish engineer creates a terrible scandal and her parents push her into a loveless engagement with a Russian count. Meanwhile, Russia itself is bound for rebellion. With the Tsar and the Duma at each other's throats, and the Bolsheviks drawing their battle lines, the elegance and opulence of Tsarist rule are in their last days. And Valentina will be forced to make a choice that will change not only her own life, but the lives of those around her forever...

    Wassily Kandisnsky’s Sounds (Klänge), a volume of poems written and illustrated by the Russian artist and pioneer of abstract painting, was originally published in a limited edition in Munich in 1912.  Although it was highly regarded by such artists as Hugo Ball and Jean Arp and acclaimed by the Zurich Dadaists, it remains one of the least known of Kandinsky’s major writings.  This is the first complete English translation of Kandinsky’s text.  Sounds is one of the earliest, most beautiful examples of a twentieth-century livre d’artiste and a rare instance of a book in which text and illustrations are the work of a single artist.  The poems, alternately narrative and expressive in quality, are witty, simple in structure and vocabulary, and often startling in content.  They repeatedly treat questions of space, color, physical design, and the act of seeing in a world that offers multiple and often contradictory possibilities to the viewer.  The woodcuts range from early Jugendstil-inspired, representational designs to vignettes that are purely abstract in form.  Published in the same year as his Concerning the Spiritual in Art, Sounds sheds a different but equally significant light on Kandinsky’s movement toward abstraction—a movement that was to exercise a profound influence on future directions in art.  In addition to the 38 poems and 56 woodcuts, which are arranged as in the original edition, the volume includes an introduction, the German text of the poems, and the artist’s chronology.

    Originally published in 1906, the book captures Eager’s years as governess to the four daughters of the Emperor and Empress Nicholas II and Alexandra Feodorovna: the Grand Duchesses Olga, Tatiana, Maria, and Anastasia. All of whom would be executed during the Russian civil war just over a decade later.This first-person account provides a fascinating insight into what was everyday life for the Romanov family. From religious celebrations and family illness to assassination attempts and life during the war; Eager’s central role gained her access to some of the family’s most precious and testing times. In addition to documenting the time spent with her royal employers, Eager also reveals intriguing aspects of Russian society as whole. Through a series of anecdotal references she includes recollections of her time in Russia regarding such things as the tough life of the peasantry, criminal activity and even the national post service.This classic, written from the unsuspecting eyes of a foreign nanny, shows early twentieth century Russia and the last Russian royal family like you’ve never seen before. Margaret Eager (1863-1936) left the Russia in 1904 and returned to Ireland where she received a pension from the Russian government for her time as a nurse. She kept in contact with the family she had known so well right up to their brutal deaths in 1918. Eager’s family stated that she never fully recovered from the news.Albion Press is an imprint of Endeavour Press, the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.