This is also the story of the Houston brothers, Bill and James, young men who drift out of the Arizona desert into a war in which the line between disinformation and delusion has blurred away. In its vision of human folly, and its gritty, sympathetic portraits of men and women desperate for an end to their loneliness, whether in sex or death or by the grace of God, this is a story like nothing in our literature. Tree of Smoke is Denis Johnson’s first full-length novel in nine years, and his most gripping, beautiful, and powerful work to date.Tree of Smoke was the 2007 National Book Award Winner for Fiction.

    Into his life wanders Linus Steinman, nine years old and mute, who has escaped from Nazi Germany with his sole companion: an African gray parrot.What is the meaning of the mysterious string of German numbers the bird spews out - a top secret SS code? The keys to a series of Swiss bank accounts perhaps? Or something more sinister? Is the solution to this last case - the real explanation of the mysterious boy and his parrot - beyond even the reach of the once-famed sleuth?A short, suspenseful tale of compassion and wit that reimagines the classic nineteenth-century detective story.

    It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

    Alizée Benoit, an American painter working for the Works Progress Administration (WPA), vanishes in New York City in 1940 amid personal and political turmoil. No one knows what happened to her. Not her Jewish family living in German-occupied France. Not her artistic patron and political compatriot, Eleanor Roosevelt. Not her close-knit group of friends, including Mark Rothko, Jackson Pollock, and Lee Krasner. And, some seventy years later, not her great-niece, Danielle Abrams, who while working at Christie’s auction house uncovers enigmatic paintings hidden behind recently found works by those now famous Abstract Expressionist artists. Do they hold answers to the questions surrounding her missing aunt? Entwining the lives of both historical and fictional characters, and moving between the past and the present, The Muralist plunges readers into the divisiveness of prewar politics and the largely forgotten plight of European refugees refused entrance to the United States. It captures both the inner workings of today’s New York art scene and the beginnings of the vibrant and quintessentially American school of Abstract Expressionism. B.A. Shapiro is a master at telling a gripping story while exploring provocative themes. In Alizée and Danielle she has created two unforgettable women, artists both, who compel us to ask, What happens when luminous talent collides with inexorable historical forces? Does great art have the power to change the world? And to what lengths should a person go to thwart evil?

    The next, Benevolence is split in two by a torpedo, killing almost everyone on board. A small band of survivors, including an injured Japanese soldier and a young American nurse whom he saves from drowning, makes it to the deserted shore of a nearby island.Akira has suffered five years of bloodshed and horror fighting for the Japanese empire. Now, surrounded by enemies he is supposed to hate, he instead finds solace in their company--and rediscovers his love of poetry. While sharing the mystery and beauty of this passion with Annie, the captivating but tormented woman he rescued, Akira grapples with the pain of his past while helping Annie uncover the promise of her future. Meanwhile, the remaining castaways endure a world not of their making--a world as barbaric as it is beautiful, as hateful as it is loving.With the blend of epic storytelling and emotional intensity that distinguishes him as a unique talent, John Shors reveals a powerful story of redemption focusing on unlikely lovers, heroes and villains, and war-torn countries--all, in their own ways, fighting to survive.

    But this is no ordinary time, for it is 1935 and the Second World War is fast approaching; and this is no ordinary house, for this is the Berghof, the home of Adolf Hitler.Quickly, Pierrot is taken under Hitler's wing, and is thrown into an increasingly dangerous new world: a world of terror, secrets and betrayal, from which he may never be able to escape.

    Victoria Hislop, internationally bestselling author of The Island and The Return, has written a wonderfully evocative and enthralling saga enriched by deep emotion and sweeping historical events, from fire to civil war to Nazi brutality and economic collapse. The Thread is historical fiction at its finest, colorful and captivating with truly unforgettable characters--a novel that brilliant captures the energy and life of this singular Greek city.

    But the memories of that childhood ordeal have proven impossible to sweep away.For most of her new life spent settled in sleepy North Carolina, the flashbacks have been a lonely obsession—one she has hidden from her family, and about which her heart is torn. Because for all the pain and the cruelty of those terrible years, she harbours sweet memories too, of unexpected friends who risked their own lives in order to save hers. As Susannah’s time on earth draws to a close, her innermost thoughts of those long-gone days become questions—ones that demand answers.Against the wishes of her children, Susannah returns to Germany and the scene of unspeakable crimes. There she will come face to face with the Holocaust’s terrible, wretched legacy, and will finally make peace with the ghosts of her past.

    David, had served in World War II, but had told very little about his experiences. When he finds, after his father's death, a packet of wartime letters to a former fiancee and learns of David's court-martial, Stewart is driven to uncover the truth about the enigmatic distant man he never knew. Using military archives, old letters, and David's own notes, he discovers that David, a JAG lawyer, had pursued a maverick U.S. officer in Europe, fallen in love with a beautiful resistance fighter, and fought in the war's deadliest conflicts. In reconstructing the terrible events and agonizing choices his father faced on the battlefield, in the courtrfoom, and in love, Stewart gains a closer understanding of his father's secret past and of the brutal nature of war itself.-- back cover

    It has been boarded up for decades, but now the new owner has discovered the belongings of Japanese families who were sent to internment camps during World War II. As the owner displays and unfurls a Japanese parasol, Henry, a Chinese American, remembers a young Japanese American girl from his childhood in the 1940s—Keiko Okabe, with whom he forged a bond of friendship and innocent love that transcended the prejudices of their Old World ancestors. After Keiko and her family were evacuated to the internment camps, she and Henry could only hope that their promise to each other would be kept. Now, forty years later, Henry explores the hotel's basement for the Okabe family's belongings and for a long-lost object whose value he cannot even begin to measure. His search will take him on a journey to revisit the sacrifices he has made for family, for love, for country.

    This novella, first published in 1947 and now translated into English for the first time, shows Hans Keilson at his best: deeply ironic, penetrating, sympathetic, and brilliantly modern, an heir to Joseph Roth and Franz Kafka. In 2008, when Keilson received Germany’s prestigious Welt Literature Prize, the citation praised his work for exploring “the destructive impulse at work in the twentieth century, down to its deepest psychological and spiritual ramifications.” Published to celebrate Keilson’s hundredth birthday, Comedy in a Minor Key — and The Death of the Adversary, reissued in paperback — will introduce American readers to a forgotten classic author, a witness to World War II and a sophisticated storyteller whose books remain as fresh as when they first came to light.

    However, Life and Fate is only the second half of a two-part work, the first half of which was published in 1952. Grossman wanted to call this earlier work Stalingrad—as it will be in this first English translation—but it was published as For a Just Cause. The characters in both novels are largely the same and so is the story line; Life and Fate picks up where Stalingrad ends, in late September 1942. The first novel is in no way inferior to Life and Fate; the chapters about the Shaposhnikov family are both tender and witty, and the battle scenes are vivid and moving. One of the most memorable chapters of Life and Fate is the last letter written from a Jewish ghetto by Viktor Shtrum’s mother—a powerful lament for East European Jewry. The words of this letter do not appear in Stalingrad, yet the letter’s presence makes itself powerfully felt and it is mentioned many times. We learn who carries it across the front lines, who passes it on to whom, and how it eventually reaches Viktor. Grossman describes the difficulty Viktor experiences in reading it and his inability to talk about it even to his family. The absence of the letter itself is eloquent—as if its contents are too awful for anyone to take in.

    Leaving behind his beloved wife, Helen, he heads north to investigate the Japanese invasion of Alaska's Aleutian Islands, a story censored by the U.S. government. While John is accompanying a crew on a bombing run, his plane is shot down over the island of Attu. He survives only to find himself exposed to a harsh and unforgiving wilderness, known as “the birthplace of winds.” There, John must battle the elements, starvation, and his own remorse while evading discovery by the Japanese. Alone at home, Helen struggles with the burden of her husband's disappearance. Caught in extraordinary circumstances, in this new world of the missing, she is forced to reimagine who she is—and what she is capable of doing. Somehow, she must find John and bring him home, a quest that takes her into the farthest reaches of the war, beyond the safety of everything she knows.

    The United States teeters on the edge of war. The roundup of allegedly treasonous Japanese Americans is about to begin. And in L.A., a Japanese family is found dead. Murder or ritual suicide? The investigation will draw four people into a totally Ellroy-ian tangle: a brilliant Japanese American forensic chemist; an unsatisfiably adventurous young woman; one police officer based in fact (William H. "Whiskey Bill" Parker, later to become the groundbreaking chief of the LAPD), the other the product of Ellroy's inimitable imagination (Dudley Smith, arch villain of The Big Nowhere, L.A. Confidential, White Jazz). As their lives intertwine, we are given a story of war and of consuming romance, a searing exposé of the Japanese internment, and an astonishingly detailed homicide investigation. In Perfidia, Ellroy delves more deeply than ever before into his characters' intellectual and emotional lives. But it has the full-strength, unbridled story-telling audacity that has marked all the acclaimed work of the Demon Dog of American Crime Fiction.

    In recent years it has been named to “best novels” lists by Time, Newsweek, the Modern Library, and the London Observer.Set in Italy during World War II, this is the story of the incomparable, malingering bombardier, Yossarian, a hero who is furious because thousands of people he has never met are trying to kill him. But his real problem is not the enemy—it is his own army, which keeps increasing the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempt to excuse himself from the perilous missions he’s assigned, he’ll be in violation of Catch-22, a hilariously sinister bureaucratic rule: a man is considered insane if he willingly continues to fly dangerous combat missions, but if he makes a formal request to be removed from duty, he is proven sane and therefore ineligible to be relieved.This fiftieth-anniversary edition commemorates Joseph Heller’s masterpiece with a new introduction by Christopher Buckley; a wealth of critical essays and reviews by Norman Mailer, Alfred Kazin, Anthony Burgess, and others; rare papers and photos from Joseph Heller’s personal archive; and much more. Here, at last, is the definitive edition of a classic of world literature.