It's a tough-guy mystery to please even the most bloodthirsty of fans!

    Little has changed in the three centuries since white settlers drove the Montaukett Indians from the land. But for Conrad Labarde, a second-generation Basque immigrant recently returned from the Second World War, and his fellow fisherman Rollo Kemp, this stability is shattered when a beautiful New York socialite turns up dead in their nets.On the face of it, her death was accidental, but deputy police chief Tom Hollis - an incomer from New York - is convinced the truth lies in the intricate histories and family secrets of Amagansett's inhabitants. Meanwhile the enigmatic Labarde is pursuing his own investigation.

    When he’s picked out of a photo array in a vicious rape case, the cops find his apartment empty. A stakeout catches Sugar when he returns . . . carrying a loaded pistol. The sex-crime cops get nothing from their interrogation, but a streetwise detective figures out why Sugar offers no alibi: at the time of the rape, a holiday-weekend break-in job was being pulled at a jewelry store. The DA offers Sugar two options: give up his partners in the jewelry heist and walk, or plead to the rape he didn’t commit—and he’ll toss in the gun charge. For Sugar, that’s not two options; he takes the weight.  When Sugar finishes his time, his money is waiting for him, held by Solly, the mastermind behind the jewelry heist. But Solly tells Sugar that one of the heist crew was actually sent by another planner—and that planner has just died. In Sugar’s world, all loose threads must be cut. He suspects that there’s more to this job than what Solly is telling him. But nothing he suspects or imagines can prepare him for what he finds . . .

    He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

    The novel pits Ted Cogan, a forty-three-year- old surgeon and self-described womanizer, against Hank Madden, a handicapped veteran detective. From the outset it's not clear who is victim and who is victimizer, as the usually dispassionate Madden grapples with his long-suppressed prejudices and his obsession with bringing Ted Cogan to justice at any cost. It all leads up to the most stunning surprise ending since Scott Turow's Presumed Innocent.

    A chance to lead on a possible serial killing is all it takes to fuel Underhill's reckless ambition - and it propels him into a dangerous alliance with certain mad and unstable elements of the law enforcement hierarchy. When the case implodes with disastrous consequences, it is Fred Underhill who takes the fall. His life is in ruins, his promising future suddenly a dream of the past. And his good and pure love for a crusading woman lawyer has been corrupted and may not survive. But even without the authority of a badge, Fred Underhill knows that his only hope for redemption lies in following the investigation to its grim conclusion. And the Hell to which he has been consigned for his sins is the perfect place to hunt for a killer who hungers but has no soul.

    Dennis Lehane (Mystic River, The Given Day) has proven himself to be a master of both crime fiction and literary fiction. Here, he extends his literary prowess to that of master curator. In keeping with the Akashic Noir series tradition, each story in Boston Noir is set in a different neighborhood of the city—the impressively diverse collection extends from Roxbury to Cambridge, from Southie to the Boston Harbor, and all stops in between. Lehane’s own contribution—the longest story in the volume—is set in his beloved home neighborhood of Dorchester and showcases his phenomenal ability to grip the heart, soul, and throat of the reader. In 2003, Lehane’s novel Mystic River was adapted into film and quickly garnered six Academy Award nominations (with Sean Penn and Tim Robbins each winning Academy Awards). Boston Noir launches in November 2009 just as Shutter Island, the film based on Lehane’s best-selling 2003 novel of the same title, hits the big screen. Dennis Lehane is the author of The New York Times bestseller Mystic River (also an Academy Award–winning major motion picture); Prayers for Rain; Gone, Baby, Gone (also a major motion picture); Sacred; Darkness, Take My Hand; A Drink Before the War, which won the Shamus Award for Best First Novel; and, most recently, The Given Day. A native of Dorchester, Massachusetts, he splits his time between the Boston area and Florida.PART I: FEAR & LOATHINGLYNNE HEITMANExit InterviewFinancial DistrictDENNIS LEHANEAnimal RescueDorchesterJIM FUSILLIThe Place Where He BelongsBeacon HillPATRICIA POWELLDark WatersWatertownPART II: SKELETONS IN THE CLOSETDANA CAMERONFemme SoleNorth EndBRENDAN DUBOISThe Dark IslandBoston HarborSTEWART O'NANThe RewardBrooklineJOHN DUFRESNEThe Cross-Eyed BearSouthiePART III: VEILS OF DECEITDON LEEThe Oriental Hair PoetsCambridgeITABARI NJERIThe CollarRoxburyRUSS ABORNTurn SpeedNorth Quincy

    Notoriously cunning and ruthless, Gloria shows her eager young protégée the ropes, ushering her into a glittering demimonde of late-night casinos, racetracks, betting parlors, inside heists, and big, big money. Suddenly, the world is at her feet--as long as she doesn't take any chances, like falling for the wrong guy. As the roulette wheel turns, both mentor and protégée scramble to stay one step ahead of their bosses and each other.

    But now Hank is here, working as a bartender and taking care of a cat named Bud who is surely going to get him killed.It begins when Hank’s neighbor, Russ, has to leave town in a rush and hands over Bud in a carrier. But it isn’t until two Russians in tracksuits drag Hank over the bar at the joint where he works and beat him to a pulp that he starts to get the idea: Someone wants something from him. He just doesn’t know what it is, where it is, or how to make them understand he doesn’t have it.Within twenty-four hours Hank is running over rooftops, swinging his old aluminum bat for the sweet spot of a guy’s head, playing hide and seek with the NYPD, riding the subway with a dead man at his side, and counting a whole lot of cash on a concrete floor.All because of two cowboys, two Russian mafia men, and some of the weirdest goons ever assembled in one place. All because of Bud. All because once, in another life, in another world, the only thing Hank wanted was to take third base—without getting caught.

    "Red Harvest" is more than a superb crime novel: it is a classic exploration of corruption and violence in the American grain.The Op was in Personville, derogatory nickname aside, as the result of a letter to the Continental Detective Agency in San Francisco from Donald Willsson, publisher of the local paper, asking for an agent to visit. No other information. As soon as the OP arrives, the body count begins. It starts with his client!

    Joe Bailey is the Spirit Basher. Formerly a professional magician, he's become an ace police detective in Atlanta, debunking phony psychics and spiritualists who prey on the gullible. And he's just caught his first sensational murder case.The victim is someone Joe knew. Dr. Robert Nelson was a professor at Landwyn University, head of the parapsychology program. He was killed in his own home, a sculpture of massive chrome spikes driven through his body and into a wall. A sculpture that no one could possibly have lifted. But Nelson's girlfriend claims to know the murderer: an eight-year-old boy. Jesse Randall is not just any child. Some people say he can move objects using nothing more than his will. Nelson had been studying the boy, and Jesse's anger at the professor was erupting in "shadow storms" — violent telekinetic activity — while Jesse slept. Nelson's girlfriend swears that one of these episodes was responsible for Nelson's brutal death. Joe is far from convinced. He's certain that Jesse's power is a hoax and Nelson's killer is a master of deception. Driven to seek out the truth that surely lies behind the psychic fakery, Joe must rely on his wits to separate what's real from what's illusion — even if it means drawing Jesse's anger on himself. Soon mysterious incidents thrust him and his own child into grave peril. Are they examples of Jesse's shadow storms? Or deadly warnings from someone who cannot allow the Spirit Basher to discover the truth? Joe cannot abandon his search for answers. And he'd better find them fast before whoever — or whatever — impaled Robert Nelson like an insect does the same to him and his daughter.

    There's no identification on the body. Only the dogged work of a pair of local newspapermen and a graduate student in forensics turns up any clues. But that's just the beginning of the mystery. Because the more they learn about the man and the baffling circumstances of his death, the less they understand. Was it an impossible crime? Or something stranger still...? No one but Stephen King could tell this story about the darkness at the heart of the unknown and our compulsion to investigate the unexplained. With echoes of Dashiell Hammett's The Maltese Falcon and the work of Graham Greene, one of the world's great storytellers presents a surprising tale that explores the nature of mystery itself...

    The thriller that introduces Parker. “A brilliant invention”. Played by Lee Marvin in the John Boorman movie. “The funnies call it the syndicate. The goons and hustlers call it the Outfit. You call it the Organization. But I don’t care if you call yourselves the Red Cross, you owe me forty-five thousand dollars and you’ll pay me back whether you like it or not.”This novel was originally titled The Hunter, later retitled Point Blank because of the movie, later retitled Payback because of the other movie.

    Yet Brek longs for her lost life, and the cause of her death remains a mystery. Searching for answers, Brek attempts to re-create the world she once knew and visits her family in their dreams; but it is her first client in heaven, a young convict, who holds the secret-a shocking crime long repressed. Guided by her mentor, Luas, a lawyer who has been prosecuting souls for thousands of years, Brek embarks on a quest traversing heaven and earth to bring her killer to justice, uncovering an interlocking past that places her own soul in jeopardy. Entering the courtroom to face her killer at the Final Judgment, Brek must make a momentous choice that will alter her eternity. POSTHUMOUS PRAISE FOR FORGIVING ARARAT: "This glorious, triumphant work leads its readers from the wrathful lands of the east...and back to the Garden of Eden." -John Steinbeck, author of Grapes of Wrath and East of Eden. "With mythical prose at times approaching verse, Forgiving Ararat works a miracle, bridging the chasm between life and death." -Emily Dickinson, author of Poems. "At the center of Forgiving Ararat is the Trial each of us must one day face-and the profound metamorphosis each of us must undergo to win." -Franz Kafka, author of The Trial and The Metamorphosis. "This book is the next 'Lovely Bones '" -Anonymous Recently Departed Reader

    Then three stories break: an attempted suicide, a hijack, and a takeover bid. They seem unrelated – until Evening Post reporters ask questions. Why is a Jamaican bank in trouble? Who drove the Rolls-Royce seen near the raid? Who was the man with gunshot wounds? As the day wears on, new questions arise – about paper money.