In it, twelve southerners-Donald Davidson, John Gould Fletcher, Henry Blue Kline, Lyle H. Lanier, Stark Young, Allen Tate, Andrew Nelson Lytle, Herman Clarence Nixon, Frank Lawrence Owsley, John Crowe Ransom, John Donald Wade, and Robert Penn Warren-defended individualism against the trend of baseless conformity in an increasingly mechanized and dehumanized society. In her new introduction, Susan V. Donaldson shows that the Southern Agrarians might have ultimately failed in their efforts to revive the South they saw as traditional, stable, and unified, but they nonetheless sparked debates and quarrels about history, literature, race, gender, and regional identity that are still being waged today over Confederate flags, monuments, slavery, and public memory.

    McPhail offers a powerful, profoundly emotional novel that explores a little-known aspect of Civil War history--Southern Abolitionists--and the timeless struggle to do right even amidst bitter conflict. On a Mississippi morning in 1859, Emily Matthews begs her father to save a slave, Nathan, about to be auctioned away from his family. Judge Matthews is an abolitionist who runs an illegal school for his slaves, hoping to eventually set them free. One, a woman named Ginny, has become Emily's companion and often her conscience--and understands all too well the hazards an educated slave must face. Yet even Ginny could not predict the tangled, tragic string of events set in motion as Nathan's family arrives at the Matthews farm.A young doctor, Charles Slate, tends to injured Nathan and begins to court Emily, finally persuading her to become his wife. But their union is disrupted by a fatal clash and a lie that will tear two families apart. As Civil War erupts, Emily, Ginny, and Emily's stoic mother-in-law, Adeline, each face devastating losses. Emily--sheltered all her life--is especially unprepared for the hardships to come. Struggling to survive in this raw, shifting new world, Emily will discover untapped inner strength, an unlikely love, and the courage to confront deep, painful truths. In the tradition of Cold Mountain, The Abolitionist's Daughter eschews stereotypes of the Civil War South, instead weaving an intricate and unforgettable story of survival, loyalty, hope, and redemption.

    Critics and readers alike fell in love with the voice of ninety-nine-year-old Lucy Marsden, one of the most entertaining and loquacious heoines in American literature.Lucy married at the turn of the last century, when she was fifteen and her husband was fifty. If Colonel William Marsden was a veteran of the "War for Southern Independence", Lucy became a "veteran of the veteran" with a unique perspective on Southern history and Southern manhood. Her story encompasses everything from the tragic death of a Confederate boy soldier to the feisty narrator's daily battles in the Home--complete with visits from a mohawk-coiffed candy-striper. Oldest Living Confederate Widow Tells All is proof that brilliant, emotional storytelling remains at the heart of great fiction.From the Trade Paperback edition.

    Adventurous and precocious, Jess is enormously protective of his older brother, Christopher, a mute whom everyone calls Stump. Though their mother has warned them not to snoop, Stump can't help sneaking a look at something he's not supposed to — an act that will have catastrophic repercussions, shattering both his world and Jess's. It's a wrenching event that thrusts Jess into an adulthood for which he's not prepared. While there is much about the world that still confuses him, he now knows that a new understanding can bring not only a growing danger and evil — but also the possibility of freedom and deliverance as well.Told by three resonant and evocative characters — Jess; Adelaide Lyle, the town midwife and moral conscience; and Clem Barefield, a sheriff with his own painful past — A Land More Kind Than Home is a haunting tale of courage in the face of cruelty and the power of love to overcome the darkness that lives in us all. These are masterful portrayals, written with assurance and truth, and they show us the extraordinary promise of this remarkable.

    A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's fourteen and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt, while brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting. As the twelve days that comprise the novel's framework yield to the final day and Hurricane Katrina, the unforgettable family at the novel's heart—motherless children sacrificing for each other as they can, protecting and nurturing where love is scarce—pulls itself up to struggle for another day. A wrenching look at the lonesome, brutal, and restrictive realities of rural poverty, "Salvage the Bones" is muscled with poetry, revelatory, and real.

    She is caught off-guard by a young hunter who invades her most private spaces and confounds her self-assured, solitary life. On a farm several miles down the mountain, Lusa Maluf Landowski, a bookish city girl turned farmer's wife, finds herself unexpectedly marooned in a strange place where she must declare or lose her attachment to the land that has become her own. And a few more miles down the road, a pair of elderly feuding neighbors tend their respective farms and wrangle about God, pesticides, and the possibilities of a future neither of them expected.Over the course of one humid summer, these characters find their connections to one another and to the flora and fauna with whom they share a place. Prodigal Summer demonstrates a balance of narrative, drama and ideas that is characteristic of Barbara Kingsolver's finest work.

    The seven stories in Jordan County move backward in time, from 1950 to 1797, and through the lives of characters as diverse as a black horn player doomed by tuberculosis and convulsive jealousy, a tormented and ineffectual fin-de-siecle aristocrat, and a half-wild frontiersman who builds a plantation in Choctaw territory only to watch it burn at the close of the Civil War. In prose of almost Biblical gravity; and with a deep knowledge of the ways in which history shapes human lives -- and sometimes warps them beyond repair -- Foote gives us an ambitious, troubling work of fiction that builds on the traditions of William Faulkner and Flannery O'Connor but that is resolutely unique.

    The ghost of a young girl visits Annie in her new home deep in the mountains of Western North Carolina, where Annie’s mother, Grace Jean, has hidden them away from the life they used to know. Annie finds an unlikely ally in Pearl, a young woman who keeps house in Annie’s new home. The secrets that surround Pearl take Annie’s mind off her loneliness and soon her family history is revealed to her. “Instead of wind, I heard my name being called. The whispery voice came from the woods. ‘Annie Todd’. My sixth sense had not yet kicked in and didn’t warn me I was standing on the backbone of my history.” WHERE THE SOULS GO is Ann Hite’s third novel set in Black Mountain, North Carolina. Readers who loved GHOST ON BLACK MOUNTAIN, Hite’s first novel, will find many of the characters familiar. This book follows three generations of the Pritchard family, not only telling the story of how Hobbs Pritchard became the villain of Black Mountain, but highlighting women’s struggles in Appalachia, beginning in the Depression Era and ending in the mid-sixties.

     In 1904, Ruth Yancey is only ten years old when she is brought to live at the magnificent mansion called Fox's Earth. But the impoverished daughter of an abusive mill worker has already internalized her mother's steely code: Men may hold all the power, but a woman possesses one thing that can get her anything in the world she wants...if she's prepared to make certain sacrifices. Deserted by her mother in order to give her a better chance at wealth, Ruth's own ambition drives her to possess Fox's Earth at any cost, even though her sacrifice will ultimately be her own husband, children, and grandchildren.

    But when eighteen-year-old Harlowe’s older brother is killed by the Praters, the family who runs everything—from the mines to the law—in his rural Appalachian town, he learns that loss is the one thing that’s never in short supply.Then Harlowe meets Tennessee on her first day in town, and for the first time he feels that something good might happen, that he might’ve found the rarest thing of all: hope. Even as she struggles to protect her younger brother from their father’s abuse, Tennessee makes Harlowe believe that they can dare to forge their own path—if they only give it a shot.But with his mother sliding back into her pill addiction, Harlowe’s reality only feels more fixed. And as he searches to uncover the reasons behind his brother’s death, he discovers truths about the people he loves—and himself—that are more difficult to confront than he ever expected. Now, Harlowe realizes, there’s no turning back.A striking and complex portrait of poverty and addiction, Kristin Russell’s powerful debut novel asks a universal question: when hope seems lost, is love worth the risk?

    Without skipping a beat, one of America's favorite humorists, the late Lewis Grizzard, tells of the early stirrings of his wayward heart in the backseat of a '57 Chevy and the ominous murmurings that led him at age thirty-five to major surgery and the real answer to his question, "How much is this going to hurt?" In the process he discovers all the ways a heart can break. Young love. Three marriages. His father's death. And why his entire future suddenly depended on a little pig. He tells the truth -- the whole truth -- the kind that has readers laughing through their tears. United Press International said, "It makes you feel good to know a person can face the tubes, wires, knives and needles of major heart surgery and make you laugh about it -- hilarious!"

    The disintegration of this group, a process that has been slowly occurring now for more than forty years, has been reported with growing frequency and alarm, but has never before been written about as searingly from the inside. J. D. Vance tells the true story of what a social, regional, and class decline feels like when you were born with it hung around your neck.The Vance family story begins hopefully in postwar America. J. D.’s grandparents were “dirt poor and in love,” and moved north from Kentucky’s Appalachia region to Ohio in the hopes of escaping the dreadful poverty around them. They raised a middle-class family, and eventually one of their grandchildren would graduate from Yale Law School, a conventional marker of success in achieving generational upward mobility. But as the family saga of Hillbilly Elegy plays out, we learn that J.D.'s grandparents, aunt, uncle, sister, and, most of all, his mother struggled profoundly with the demands of their new middle-class life, never fully escaping the legacy of abuse, alcoholism, poverty, and trauma so characteristic of their part of America. With piercing honesty, Vance shows how he himself still carries around the demons of his chaotic family history.A deeply moving memoir, with its share of humor and vividly colorful figures, Hillbilly Elegy is the story of how upward mobility really feels. And it is an urgent and troubling meditation on the loss of the American dream for a large segment of this country.

    The house once belonged to her father, a renowned black poet who died unexpectedly when Billie was four years old. Though Billie was there when the accident happened, she has no memory of that day—and she hasn’t been back to the South since.Thirty years later, Billie returns, but her father’s home is unnervingly secluded; her only neighbors are the McGees, the family whose history has been entangled with hers since the days of slavery. As Billie encounters the locals, she hears a strange rumor: that she herself went missing on the day her father died. As the mystery intensifies, she finds out that this forgotten piece of her past could put her in danger.Inventive, gritty, and openhearted, The Gone Dead is an astonishing debut novel about race, justice, and memory that lays bare the long-concealed wounds of a family and a country.

    With her signature style and grace, Mayes explores the power of landscape, the idea of home, and the lasting force of a chaotic and loving family. From her years as a spirited, secretive child, through her university studies—a period of exquisite freedom that imbued her with a profound appreciation of friendship and a love of travel—to her escape to a new life in California, Mayes exuberantly recreates the intense relationships of her past, recounting the bitter and sweet stories of her complicated family: her beautiful yet fragile mother, Frankye; her unpredictable father, Garbert; Daddy Jack, whose life Garbert saved; grandmother Mother Mayes; and the family maid, Frances’s confidant Willie Bell.Under Magnolia is a searingly honest, humorous, and moving ode to family and place, and a thoughtful meditation on the ways they define us, or cause us to define ourselves. With acute sensory language, Mayes relishes the sweetness of the South, the smells and tastes at her family table, the fragrance of her hometown trees, and writes an unforgettable story of a girl whose perspicacity and dawning self-knowledge lead her out of the South and into the rest of the world, and then to a profound return home.

    Her passion for forgotten and neglected buildings became a plea for preservation. Gone is a unique pairing of modern photographs and historical novella. Foote offers a heartbreaking look at one man's loss as Union troops burn his home in the last days of the Civil War. Dickerson shares fascinating and haunting photographs, shining a poignant light on the buildings which survived Sherman's burning rampage across the Confederacy, only to fall victim to neglect, apathy and poverty. GONE is a powerfully moving volume that will change how you see the forgotten buildings that hide in obscurity across the Southern landscape.