But she can't afford one, her parents don't know anything about horses, and there just isn't room in her tiny back yard in the city. So, when Ashleigh's parents tell her that she can finally have a horse of her own, she thinks it's the best thing ever. But the good news comes at a price. Ashleigh's family is leaving the city and heading for the small country town of Shady Creek in rural Australia.Ashleigh's life is about to change, and her adventures have just begun.About the Horse Mad series:When horses are at the heart of a series, it's pretty much guaranteed that every book will also feature fun, adventure and friendship. This series follows Ashleigh, an Australian girl, who's finally about to get her own horse. But she has to move from the city to the country and leave her friends and life behind.

    Her handsome husband had died. Her grown children were living their separate and troubled lives. Her married friends made her feel apart from them. The men she met demanded the kind of woman she never wanted to be. Somehow Sheila had to start anew -- and find a way to fill the emptiness around her and the aching void within.

    Written as a catharsis in the months following the loss of her father in late 2016, Jessica has taken pen to page to say things he and others will never read, either because they can't, or just won't. Containing entirely new works, this is a can't miss release.

    Shapiro finds in them not the expected alienation but rather an odd, companionable solitude rising up from the quiet emptiness.In other poems, Shapiro writes movingly of his 1950s and 60s childhood in Brookline, Massachusetts, with special focus on the house he grew up in. These meditations, always inflected with Shapiro’s quick wit and humor, lead to recollections of tragic and haunting events such as the Cuban missile crisis and the assassination of JFK. While Night of the Republic is Shapiro’s most ambitious work to date, it is also his most timely and urgent for the acute way it illuminates the mingling of private obsessions with public space.

     Cheryl is excited her sister Julie has asked for her help in organising her wedding but things aren't turning out the way Cheryl had hoped. There's going to be no little village church and no bridesmaids dress; the wedding is taking place on the Greek island of Holkamos. Vangelis has the perfect beach location for a wedding but his little beach cafe has never catered for weddings before. Will he be able to cope with all of Julie's demands? Andréas has moved back to Holkamos to help run the family gift shop after the death of his father. The business has to move with the times but will his mum allow things to change? Johnny is Cheryl's best friend. He doesn't like the way Julie treats her and has a plan to put things right but is it the right thing for Cheryl and what happens when they both arrive on the Greek island. Could it become more than just a weekend wedding for Cheryl and Johnny?

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    Gatwood's poems deftly deconstruct traditional stereotypes. The focus shifts from childhood to adulthood, gender to sexuality, violence to joy. And always and inexorably, the book moves toward celebration, culminating in a series of odes: odes to the body, to tough women, to embracing your own journey in all its failures and triumphs.

    Another Man's Son by Katherine Stone released on Nov 24, 2004 is available now for purchase.

     Juiced on the ecstasy of self-belief: I have to live. A burgeoning erotics of psychic boldness: I have to live. In which sensitivity is recognized as wealth: I have to live. Trumpeting the forensic authority of the heart: I have to live. This is original ancient poetry. It fashions a universe from its mouth.

    More than a decade later, death has not slowed his production.This collection is selected from an archive of verse that the author left to be published after his death. It includes poems of love and sex, advice to so-called losers (as he once was) to have confidence in themselves (as he did), gambling laments and humbling poems accepting his own imminent ultimate full stop.

    —from "Note to Reality"Are we corrupt or innocent, fragmented or whole? Are responsibility and freedom irreconcilable? Do we value memory or succumb to our forgetfulness? Application for Release from the Dream, Tony Hoagland's fifth collection of poems, pursues these questions with the hobnailed abandon of one who needs to know how a citizen of twenty-first-century America can stay human. With whiplash nerve and tender curiosity, Hoagland both surveys the damage and finds the wonder that makes living worthwhile. Mirthful, fearless, and precise, these poems are full of judgment and mercy.

    All you have to do is listen. Hannah Lewis thought that she could save the world, one patient and therapy session at a time. She was the best psychologist in town and she had never had a single patient that she just couldn't fix. But was she too good at her job for her own good? When a new patient, the successful and seductive, Mr. Blake Griffin, walks into her office, with a problem unlike any other and a few terrible secrets, Hannah discovers that for the first time, ever, she doesn’t have all of the answers. But determined to get him back on the right track, Hannah becomes completely invested in Mr. Griffin's past, present, and uncertain future. But with a few secrets and problems of her own, suddenly Hannah's life spirals out of control and with everything on the line, she finds herself on the other side of the fence and forced to make a deal with the Devil himself; her handsome, psychotic, and knowingly wicked patient, Mr. Griffin. But wherever there is smoke, there is always a fire; but when the smoke clears, who will be the rabbit holding the smoking gun? A page-turning, nail-biting, psychological thriller full of lies, betrayal and suspense, will Hannah be able to save her patient and herself? Or was she doomed to fail from the very beginning? TEXT BMBOOKS TO 22828 TO RECEIVE REMINDER OF BOOK RELEASE, AND MORE! **PRE-ORDER DISCOUNT PRICE!**

    Peopled with "ambassadors from the Netherworld"--the orphaned and abused, the lost and addicted--Cruz leads us through this "traveling minstrel show / Called girlhood--" which is at once tragic and magical.

    Not even Jackson Pollock’s!Your archenemy taunts you with clandestine bacon frying. Your boss feverishly cyberstalks an aging romance novel cover model. Your husband unexpectedly takes in a wayward foreign national. Your best friend reveals a secret relationship with your longstanding workplace crush.Welcome to the life of Nina Lanning, lone and floundering administrator of a prestigious Midwestern art school. Her colleagues are pioneers of contemporary art movements, inspirational orators, creative virtuosos and the source of constant headaches as they rage against the authority Nina represents. They also happen to be her closest friends.When once-a-century flooding threatens to destroy the art building, and the priceless Jackson Pollock trapped inside, Nina and her ragtag band of faculty members undertake to rescue the early work of the splatter master. Propelled by disasters both natural and personal, Nina must confront her colleagues, her husband, and most importantly, herself. Cate Dicharry’s debut novel is a painfully hysterical examination of what is truly worth saving, and mastering the art of letting go.

    On one side he has his job as a filing clerk for the Washington, D.C., Department of Public Works, his girlfriend Sierra, and his plans for going to college. But on the other, darker side there are his friends Snowflake and Ray Ray, men who run the neighborhood streets dodging the dangers of the criminal life and its after-effects. But that thin line disappears when Thai walks in on Sierra with another man, whom he eventually kills in a haze of jealousy and confusion. From there Thai finds himself on the run and away from the five-block stretch where he’s lived for all his life. He finds his way to Charlotte, where Enrique, his closest friend of all, has moved in search of a better life. In the course of the week that follows, Thai encounters a series of men and women who show him aspects of life he never dreamed of in his narrow ghetto existence. All of them are looking for answers, but it is Thai who must find his own path out of the dark and into the clear light of moral responsibility and repentance for his actions.In his first novel, Kenji has written a haunting portrait of his own urban generation, shadowed (and often erased) by violence, but determined to make their own mark on the world.