Richie Hofmann disciplines his natural elegance into the sterner recognitions that matter: 'I am a little white omnivore,' the speaker of Second Empire discovers. Mastering directness and indirection, Hofmann's poems break through their own beauty."—Rosanna WarrenThis debut's spare, delicate poems explore ways we experience the afterlife of beauty while ornately examining lust, loss, and identity. Drawing upon traditions of amorous sonnets, these love-elegies desire an artistic and sexual connection to others—other times, other places—in order to understand aesthetic pleasures the speaker craves. Distant and formal, the poems feel both ancient and contemporary.Antique BookThe sky was crazed with swallows.We walked in the frozen grassof your new city, I was gauzed with sleep.Trees shook down their gaudy nests.The ceramic pots were caparisoned with snow.I was jealous of the river,how the light broke it, of the skeinof windows where we saw ourselves.Where we walked, the ice crackedlike an antique book, openingand closing. The leavesbeneath it were the marbled pages.Richie Hofmann is the winner of a Ruth Lilly Fellowship from the Poetry Foundation, and his poems have appeared or are forthcoming in the New Yorker, Poetry, the Kenyon Review, and Ploughshares. A graduate of the Johns Hopkins University MFA program, he is currently a Creative Writing Fellow in Poetry at Emory University.

    Whether the stories are familiar to readers or discovered for the first time, readers will revel in Edgar Allan Poe’s classic tales, and how they’ve been brought to life in 13 unique and unforgettable ways.Contributors include Kendare Blake (reimagining “Metzengerstein”), Rin Chupeco (“The Murders in the Rue Morge”), Lamar Giles (“The Oval Portrait”), Tessa Gratton (“Annabel Lee”), Tiffany D. Jackson (“The Cask of Amontillado”), Stephanie Kuehn (“The Tell-Tale Heart”), Emily Lloyd-Jones (“The Purloined Letter”), Hillary Monahan (“The Masque of the Red Death”), Marieke Nijkamp (“Hop-Frog”), Caleb Roehrig (“The Pit and the Pendulum”), and Fran Wilde (“The Fall of the House of Usher”).

    Seventeen of the best young adult authors across the queer spectrum have come together to create a collection of beautifully written diverse historical fiction for teens. From a retelling of Little Red Riding Hood set in war-torn 1870s Mexico featuring a transgender soldier, to two girls falling in love while mourning the death of Kurt Cobain, forbidden love in a sixteenth-century Spanish convent or an asexual girl discovering her identity amid the 1970s roller-disco scene, All Out tells a diverse range of stories across cultures, time periods and identities, shedding light on an area of history often ignored or forgotten.StoriesRoja - Anna-Marie McLemoreThe Sweet Trade - Natalie C. ParkerAnd They Don`t Kiss at the End - Nilah MagruderBurnt Umber - Mackenzi LeeThe Dresser & the Chambermaid - Robin TalleyNew Year - Malinda LoMolly`s Lips - Dahlia AdlerThe Coven - Kate ScelsaEvery Shade of Red - Elliot WakeWillows - Scott TraceyThe Girl with the Blue Lantern - Tess SharpeThe Secret Life of a Teenage Boy - Alex SanchezWalking After Midnight - Kody KeplingerThe End of the World as We Know It - Sara FarizanThree Witches - Tessa GrattonThe Inferno & the Butterfly - Shaun David HutchinsonHealing Rosa - Tehlor Kay Mejia

    Winner of the United Nations Human Rights Award for Nonfiction, HOLDING THE MAN has been adapted into a play opening in America in September 2007. The playwright who adapted the book for stage refers to this a a memoir of striking and unapologetic honesty.

    His characters, almost all of who are first-generation Indian Americans, subvert our expectations that they will sit quietly by. We meet two brothers caught in an elaborate web of envy and loathing; a young gay man who becomes involved with an older man whose secret he could never guess; three women who almost gleefully throw off the pleasant agreeability society asks of them; and, in the final pair of linked stories, a young couple struggling against the devastating force of community gossip. If You See Me, Don't Say Hi examines the collisions of old world and new world, small town and big city, traditional beliefs (like arranged marriage) and modern rituals (like Facebook stalking). The men and women in these stories are full of passion, regret, envy, anger, and yearning. They fall in love with the wrong people and betray one another and deal with the accumulation of years of subtle racism. They are utterly compelling. Ranging across the country, Patel’s stories -- empathetic, provocative, twisting, and wryly funny -- introduce a bold new literary voice, one that feels more timely than ever.

    To anyone familiar with this writer -- whom the New York Times calls "taut, chillingly ironic," the Washington Post Book World terms "brilliant," and the Village Voice deems capable of "religious intensity" -- it will come as no surprise that before he achieved success as a novelist, Dennis Cooper was best known as a poet. The Dream Police collects the best poems from five of his previous books and also includes a selection of new works. From his darkly erotic early verse to the more refined, post-punk poems that led critics to dub him "the spokesman for the Blank Generation," to his later experimental pieces, Cooper's evolving study of the distances and dangers in romantic relationships has made him a singular voice in American poetry. The Dream Police is a vital addition to Dennis Cooper's riveting and disarming vision of life, love, obsession, and the depths of human need. "There can be no doubt about the power and originality of Cooper's writing." -- The Washington Post Book World; "Cooper's vision is at first intense, nearly minimal, then suddenly it ascends into vision." -- Kathy Acker; "In another country or another era, Dennis Cooper's books would be circulated in secret, explosive samizdat editions that friends and fans would pass around and savor like forbidden absinthe. He would risk his life for them, or maybe he'd just be sent to a mental asylum, like the Marquis de Sade, to whom he has been compared. This is high risk literature. It takes enormous courage for a writer to explore, as Mr. Cooper does, the extreme boundaries of human behavior and amorality, right to the abyss where desire and lust topple to death." -- Catherine Texier, The New York Times Book Review.

    Vampires crash prom, aliens run from the government, a president’s daughter comes into her own, a true romantic tries to soften the heart of a cynical social media influencer, a selkie and the sea call out to a lost soul. Teapots and barbershops, skateboards and VW vans, Street Fighter and Ares’s sword: Out Now has a story for every reader and surprises with each turn of the page!

    some planet is what it’s like to be a human. existing in one’s mind, in one’s body, in one’s world, in one’s galaxy, all tiny universes inside tiny universes all locked in fevered conversation. some planet is the coin in your pocket when you don't know how to choose. some planet is when everything is both itself and simultaneously else. jamie mortara is leading you through the woods by the hand, trying to get you home safe before sun goes down.

    Having been fired from his job because of a sex scandal involving a student, the teacher travels to Paris under an assumed name -- that of his best friend, Herbert. In Paris, "Herbert" becomes enchanted by Stephane, a fifteen-year-old boy. As he unravels the gilded but sad childhood of Allan Stein, "Herbert" is haunted by memories of his own boyhood, particularly his odd, flamboyant mother. Moving from the late twentieth century back to the 1900s, effortlessly blending fact and fiction, Allan Stein is a charged exploration of eroticism, obsession, and identity.

    The focus of the anthology is on Australian life as seen through each author’s unique, and seldom heard, perspective.With works by Ellen van Neerven, Graham Akhurst, Kyle Lynch, Ezekiel Kwaymullina, Olivia Muscat, Mimi Lee, Jessica Walton, Kelly Gardiner, Rafeif Ismail, Yvette Walker, Amra Pajalic, Melanie Rodriga, Omar Sakr, Wendy Chen, Jordi Kerr, Rebecca Lim, Michelle Aung Thin and Alice Pung, this anthology is designed to challenge the dominant, homogenous story of privilege and power that rarely admits ‘outsider’ voices.

    These visionary pieces build upon Simpson's powerful use of the fragment as a tool for intervention in her critically acclaimed collection Islands of Decolonial Love. Provocateur and poet, she continually rebirths a decolonized reality, one that circles in and out of time and resists dominant narratives or comfortable categorization. A crow watches over a deer addicted to road salt; Lake Ontario floods Toronto to remake the world while texting "ARE THEY GETTING IT?"; lovers visit the last remaining corner of the boreal forest; three comrades guerrilla-tap maples in an upper middle-class neighbourhood; and Kwe gets her firearms license in rural Ontario. Blending elements of Nishnaabeg storytelling, science fiction, contemporary realism, and the lyric voice, This Accident of Being Lost burns with a quiet intensity, like a campfire in your backyard, challenging you to reconsider the world you thought you knew.

    Peter, a gifted pianist, is everything to Sophie: best friend, musical collaborator, secret crush. When she learns she’s a match, donating a kidney is an easy, obvious choice. She can’t help wondering if after the transplant, he’ll love her back the way she’s always wanted.But Peter’s life post-transplant isn’t what either of them expected. Though he once had feelings for Sophie too, he’s now drawn to Chase, the guitarist in a band that happens to be looking for a keyboardist. And while neglected parts of Sophie’s world are calling to her—dance opportunities, new friends, a sister and niece she barely knows—she longs for a now-distant Peter more than ever, growing increasingly bitter he doesn’t seem to feel the same connection.Peter fears he’ll forever be indebted to her. Sophie isn’t sure who she is without him. Then one blurry, heartbreaking night twists their relationship into something neither of them recognizes, leading them to question their past, their future, and whether their friendship is even worth fighting for.

    These unintimidating poems offer girls a message of self-acceptance and strength, giving them permission to let go of shame and perfectionism. The cast of 68 poets is extraordinary: Amanda Gorman, the first National Youth Poet Laureate, who read at Joe Biden's inauguration; bestselling authors like Maya Angelou, Elizabeth Acevedo, Sharon Olds, Naomi Shihab Nye, and Mary Oliver; Instagram-famous poets including Kate Baer, Melody Lee, and Andrea Gibson; poets who are LGBTQ, poets of diverse racial and cultural backgrounds, poets who sing of human experience in ways that are free from conventional ideas of femininity. Illustrated in full color with work by three diverse artists, this book is an inspired gift for daughters and granddaughters—and anyone on the path to becoming themselves.No matter how old you are, it helps to be young when you're coming to life, to be unfinished, a mysterious statement, a journey from star to star.—Joy Ladin, excerpt from "Survival Guide"

    There are 366 poems (one for each day of the year, and one for leap years), to delight, inspire and excite. Chosen for their magic and memorability, the poems in this anthology are an exultant mix of old and new from across the world, poems to learn by heart and take to heart.

    The inaugural winner of the annual American Poetry Review/Honickman First Book Award.