Even this might have proved tolerable. After all, Lydia was an independent sort of a girl, more than capable of holding her own against importunate tradesmen, and more than happy to bring her younger sister up on her own.It would not do, however. The state in which Lydia discovered the family affairs made independent existence quite out of the question. In spite of all her best efforts, within a few months of her mama’s death, and scarcely out of full mourning, it became apparent to her that there was nothing to be done but to acknowledge the inevitable and appeal to her relations for help….It is 1810. Lydia, now penniless, is forced to seek a home with an aunt and uncle who have no interest in her whatsoever. But there are plenty of others with an interest in her – including the handsome but selfish son of the family – her cousin Charles - and two elegant brothers who live nearby.Each, in his own way, poses an intriguing challenge to her. Luckily Lydia is well able to look after herself but she gets into a number of scrapes which almost cost her any chance of happiness before finally managing to sort things out in the end.

    One of them must marry—and fast. To act as her sisters' chaperone, Prudence invents a secret engagement to a reclusive duke...But when the duke arrives unexpectedly in London, she needs his help to avert disaster....into the arms of a rakeAristocratic Gideon, handsome, rakish and with a strong frivolous streak, casually hijacks Prudence's game, awarding himself a stolen kiss or three along the way. Used to managing sisters and elderly men, Prudence is completely out of her depth with a charming, devious and utterly irresistible rake. And her plot goes terribly—if deliciously—awry...

    The arrogant aristocrat makes it painfully clear what he wants from her. Will Charity agree to be the wife he needs to enrage the father he hates? Of course. Will Charity then depart from his life in return for the money she and her family desperately need? Of course. Is Earheart as heartless as he is handsome and as remorseless as he is rich? Of course.It is only when Charity enters into this mockery of a marriage that she discovers that things are not as simple as they seemed at first. For when the libertine lord takes her in his arms, it is not only their contract that threatens to be broken, but her heart as well....

    Ginny, who thinks little of the fashionable Sir Anthony, is as eager to be done with the chore as he, but before they arrive at their destination they are stranded by highwaymen and launched into adventure. Forced into each other's company, Ginny begins to sense the passionate nature beneath Sir Anthony's mask of ennui, while his exasperation with the forthright Ginny turns into admiration of her wit and charm. Then beautiful Lucinda Barrington and Lord Avery, a poet, come onto the scene, sparking Ginny's imagination and revealing a way to unmask the true man behind Sir Anthony's frivolous facade. Meanwhile, the dowager duchess has plans of her own for this pair, and her special task turns into a battle of words, wills, and wit.

    He is weary, cynical, and very bored. Known as the worst rake in England, he finds he has no interest in upholding that distinction, when his friend, the Marquis of Somerset, proposes a bet: "Five thousand guineas says that seducing Miss Elise Edwards will cure your ennui." Because his friend has just lost a packet to him, he agrees that the bet be posted in White's famous Betting Book.The following day, while walking in Green Park, he spies a mysterious young woman, veiled, and obviously grieving. A disembodied voice, sounding strangely like that of his late adjutant, informs him, "The jig is up. That is the girl you are going to marry!" He scoffs, but is nevertheless intrigued by something about the slight figure. He even sketches her and asks if he can be of assistance to her. She declines his offer kindly.At the opera that evening, he is captivated by a beauty across the Opera Hall. He hears the same voice, saying the same thing. The marquis informs him that the woman in question is Miss Elise Edwards. When he meets her, he recognizes her voice as that of the woman in the park. Now she is surrounded by a surfeit of ex-fiance's, one of them dangerously unbalanced. Ruisdell discovers an actual bond between them which renders him honor bound to protect her.Thus begins a train of unstoppable events--dangerous, humorous, devilish, and amorous--that carry his life along at such a pace that the duke soon knows not whether he is on his head or his heels. And then there is that bet . . .

    Edwina has accepted the challenge to transform incorrigible Mick Tremore into a gentleman in just six weeks. And although the linguist is sure she can rise to the task, she isn't at all certain she won't swoon under his frankly sensuous gaze before her job is done.Mick has lived outside of London society long enough to know that appearances can be deceiving. Edwina might look all buttoned up—the perfect English lady—but there is unleashed passion existing just below her placid facade (not to mention a great pair of legs!). And as she prepares him to take his place in society, Mick prepares Edwina to take her place in his heart...and in his bed.

    When he takes possession of his enemy's estate, everything that villain held dear—including his daughter—belongs to Edward. Hire a governess, arrange a dowry, give a few reassurances, and be off on his way—that's Edward's plan. But he's in for the shock of his life. For his new ward is a beautiful, impetuous, and utterly irresistible woman......AND WARKate Benton is stunned. Who is this arrogant, infuriating man who's invited himself into her home and taken over her life? Her vow: to do everything in her power to convince him to leave her—and Brambly House—alone. Yet as chilly days melt into sultry nights, Kate sees glimpses of kindness underneath Edward's cool façade . . . and a passionate nature that takes her breath away. There's so much she doesn't know about this man. But does she dare trust this devilish duke with her heart?

    First she had to defeat the deviltry of her two charges -- a pair of fledgling hellions eager to drive her from the manor. Then she had to fend off the rakish Creighton Pussell, who gave her the choice of losing her post or her virtue.But nothing compared to the threat posed by Bronson Lord Letham. For the inexperienced Anne had to cope not only with the all too evident desires of her superbly handsome, supremely assured employer, but with her own undeniably improper feelings for this lord who offered her everything but marriage....

    . . A Lady Awakened.Newly widowed and desperate to protect her estate and beloved servants from her malevolent brother-in-law, Martha Russell conceives a daring plan. Or rather, a daring plan to conceive. After all, if she has an heir on the way, her future will be secured. Forsaking all she knows of propriety, Martha approaches her neighbor, a London exile with a wicked reputation, and offers a strictly business proposition: a month of illicit interludes . . . for a fee.Theophilus Mirkwood ought to be insulted. Should be appalled. But how can he resist this siren in widow’s weeds, whose offer is simply too outrageously tempting to decline? Determined she’ll get her money’s worth, Theo endeavors to awaken this shamefully neglected beauty to the pleasures of the flesh—only to find her dead set against taking any enjoyment in the scandalous bargain. Surely she can’t resist him forever. But could a lady’s sweet surrender open their hearts to the most unexpected arrival of all . . . love?

    When the tragic death of her gamester father leaves her destitute and alone, she finds work as a governess in a merchant's household in Cheapside. Isolated from the fashionable acquaintance of her youth, she resigns herself to lonely spinsterhood until a mysterious visitor convinces her to temporarily return to her former life--and her former love.A SCARRED BEASTColonel Sebastian Conrad is no longer the dashing cavalry officer Sylvia once fell in love with. Badly scarred during the Sepoy Rebellion, he has withdrawn to his estate in rural Hertfordshire where he lives in near complete seclusion. Brooding and tormented, he cares nothing for the earldom he has inherited--and even less for the faithless beauty who rejected him three years before.A SECOND CHANCEA week together in the remote Victorian countryside is the last thing either of them ever wanted. But when fate intervenes to reunite them, will a beastly earl and an impoverished beauty finally find their happily-ever-after? Or are some fairy-tale endings simply not meant to be?

    In this, her first new book in five years, she delivers a poignant, funny, sexy, Regency romance sure to delight her many fans and attract a whole new readership.Trevelyan and Callie are childhood sweethearts with a taste for adventure, until the fateful day her father discovers them embracing in the carriage house and, in a furious frenzy, drives Trevelyan away in disgrace. Nine long, lonely years later, Trevelyan returns. Callie discovers that he can still make her blood race and fill her life with excitement, but he can't give her the one thing she wants more than anything--himself.For Trevelyan, Callie is a spark of light in a world of darkness and deceit. Before he can bear to say his last goodbyes, he's determined to sweep her into one last, fateful adventure, just for the two of them.

    Stomping on toes and burning piffles, the chestnut haired beauty was clearly a force with which to be reckoned. But for Adrian Montfort, Earl of Mowbray, veteran of the Napoleonic wars, this was just the challenge he needed. He could handle one woman and her “unfortunate past”. Could any woman handle him?‘TWIXT THE CHIT & HIS LIPSLady Clarissa Crambray wanted a husband, but maybe not as much as her mother wanted one for her. Really! Doffing her spectacles might make a girl prettier, but how would she see? She’d already caused enough mayhem to earn a rather horrible nickname. Yet, as all other suitors seemed to shy away in terror, there came a man to lead her to the dance floor. A dark, handsome blur of a man.Clumsy Clarissa was about to stumble onto true love.

    Now there’s a new item on the list. He needs an heir—which means he needs a wife. When Emma Gladstone, a vicar’s daughter turned seamstress, appears in his library wearing a wedding gown, he decides on the spot that she’ll do.His terms are simple:- They will be husband and wife by night only.- No lights, no kissing. - No questions about his battle scars.- Last, and most importantly… Once she’s pregnant with his heir, they need never share a bed again.But Emma is no pushover. She has a few rules of her own:- They will have dinner together every evening.- With conversation.- And unlimited teasing.- Last, and most importantly… Once she’s seen the man beneath the scars, he can’t stop her from falling in love…

    Prudish, self-righteous, and incredibly beautiful, she is to be sent to London to capture a wealthy husband. But Minerva doesn't know the first thing about flirting. The London dandies find her moralizing appalling and concoct a plan to assault her virtue—an assault that will scandalize all London society. Meanwhile. Lord Sylvester Comfrey, whom she met earlier through her father, has been keeping a careful eye on the girl. A fact which she resents. She dislikes Lord Sylvester. There is something about him that disturbs her. Now the plan to destroy Minerva's reputation begins to unfold. And Minerva stumbles headlong into the trap. But the plotters have reckoned without Lord Sylvester....

    Unwittingly, she becomes the savior of an enigmatic man who suddenly approaches and kisses her to evade the violent scoundrels stalking him. Terrified and aghast at his audacity, she abandons him to his fate, only to discover his identity as a roguish nobleman engaged to the very woman who insulted her! She finds herself drawn into a web of frightening intrigue, in which the only way out is to trust the desire in her heart....