Ben Law's incredible sense of the land and his respect for age old traditions offers a wonderful insight into the life of Prickly Nut Wood.

    In 2003, she moved from the city to the edge of the Cambridgeshire Fens and began to take walks in the countryside around her new home, photographing, collecting and drawing as she went. Each walk lifted her mood, proving to be as medicinal as any talking therapy or pharmaceutical.In Emma's hand-illustrated diary, she takes us with her as she follows the paths and trails around her cottage and further afield, sharing her nature finds and tracking the lives of local flora and fauna over the course of a year. Reflecting on how these encounters impact her mood, Emma's moving and candid account of her own struggles is a powerful testament to how reconnecting with nature may offer some answers to today's mental health epidemic. While charting her own seasonal highs and lows, she also explains the science behind such changes, calling on new research into such areas as forest bathing and the ways in which our bodies and minds respond to plants and wildlife when we venture outdoors.Written with Emma's characteristic wit and frankness, and filled with her beautiful drawings, paintings and photography, this is a truly unique book for anyone who has ever felt drawn to nature and wondered about its influence over us.

    Though Mr. Nichols's horticultural undertaking is serious, his writing is high-spirited, riotously funny, and, at times, deliciously malicious.

    Tucked in a life preserver, she washed onto a sandbar as the craft sank from view. That first baptism began a lifelong relationship with a stunning and powerful river that almost nobody knows.The Altamaha rises dark and mysterious in southeast Georgia. It is deep and wide bordered by swamps. Its corridor contains an extraordinary biodi­versity, including many rare and endangered species, which led the Nature Conservancy to designate it as one of the world’s last great places.The Altamaha is Ray’s river, and from childhood she dreamed of paddling its entire length to where it empties into the sea. Drifting into Darien begins with an account of finally making that journey, turning to medita­tions on the many ways we accept a world that contains both good and evil. With praise, biting satire, and hope, Ray contemplates transformation and attempts with every page to settle peacefully into the now.Though commemorating a history that includes logging, Ray celebrates “a culture that sprang from the flatwoods, which required a judicious use of nature.” She looks in vain for an ivorybill woodpecker but is equally eager to see any of the imperiled species found in the river basin: spiny mussel, American oystercatcher, Radford’s mint, Alabama milkvine. The book explores both the need and the possibilities for conservation of the river and the surrounding forests and wetlands. As in her groundbreaking Ecology of a Cracker Childhood, Ray writes an account of her beloved river that is both social history and natural history, understanding the two as inseparable, particularly in the rural corner of Georgia that she knows best. Ray goes looking for wisdom and finds a river.

    Olson brings to his writing a native’s perception of the north country and the happy gift of making readers participate in his appreciation of trees and plants and animals." Atlantic Monthly

    Torbjørn Ekelund started to walk--everywhere--after an epilepsy diagnosis affected his ability to drive. The more he ventured out, the more he came to love the act of walking, and an interest in paths emerged. In this poignant, meandering book, Ekelund interweaves the literature and history of paths with his own stories from the trail. As he walks with shoes on and barefoot, through forest creeks and across urban streets, he contemplates the early tracks made by ancient snails and traces the wanderings of Romantic poets, amongst other musings. If we still "understand ourselves in relation to the landscape," Ekelund asks, then what do we lose in an era of car travel and navigation apps? And what will we gain from taking to paths once again?

    His love affair with punk comes full circle as he learns to hate it and then learns to love it again. The pieces in this book take us from his Southern roots, his brief stay in St. Louis, and his journey to California on a quest for punk bliss. Sinister finds himself in Oakland, where he gets exactly what he wanted, but it may just kill him. From recounts of specific shows to metaphorical dreams of Abraham Lincoln to the tragic stories of circus elephants, All Blacked Out & Nowhere to Go mixes tragedy and comedy into a book that's louder and faster than any book of its kind.

    Now 'the greatest living advocate of the global ecosystem' this is the story of the voyages that started it all. Staying with local tribes while trekking in search of giant anteaters in Guyana, Komodo dragons in Indonesia and armadillos in Paraguay, he and the rest of the team battled with cannibal fish, aggressive tree porcupines and escape-artist wild pigs, as well as treacherous terrain and unpredictable weather, to record the incredible beauty and biodiversity of these regions. The methods may be outdated now, but the fascination and respect for the wildlife, the people and the environment - and the importance of protecting these wild places - is not.Written with his trademark wit and charm, Adventures of a Young Naturalist is not just the story of a remarkable adventure, but of the man who made us fall in love with the natural world, and who is still doing so today.

    She spends her days, and often nights, tracking the every move of a wild wolf pack—their size, their behavior, their howl patterns. It is a fairly solitary existence, but Rachel is content.When she receives a call from the wealthy and mysterious Earl of Annerdale, who is interested in reintroducing the grey wolf to Northern England, Rachel agrees to a meeting. She is certain she wants no part of this project, but the Earl's estate is close to the village where Rachel grew up, and where her aging mother now lives in a care facility. It has been far too long since Rachel has gone home, and so she returns to face the ghosts of her past.The Wolf Border is a breathtaking story about the frontier of the human spirit, from one of the most celebrated young writers working today.

    It observes the living architecture of the comb, the range and locality of the colony; its flights, flowers, water sources, parasites, lives and deaths.These poems were written at the hive wearing a veil and gloves, and the journal is an intrinsic part of the kinetic activity of keeping bees: making 'tiny, regular checks' in the turn around the central figure of the sun, and minute exploratory interventions through the round of the year. The book is full of moments of revelation - particularly of the relationship between the domestic and the wild. In attempting to record and invoke something of the complexity of the relationship between 'keeper' and 'kept' it tunes ear and speech towards the ecstasy of bees, between the known and the unknown. Because of its genesis as a working journal, there is here an unusual intimacy and deep scrutiny of life and death in nature. The language itself is dense and clotted, the imagery thrillingly fresh, and the observing eye close, scrupulous and full of wonder. Bee Journal is one of the most unusual and exciting poetry debuts in years.

    There, she single-handedly cleared the land and — despite a total lack of experience in construction — built her own house.More than simply a lyrical celebration of the natural world, Cabin at Singing River is a story of courage, perseverance and imagination. From the moment Chris sets her inexperienced foot into an unsteady canoe until the triumphant day she stands back to survey the log house she has built, we are irresistibly drawn into her remarkable journey toward independence.

    Half of all species could disappear by the end of the century, and scientists now concede that most of America’s endangered animals will survive only if conservationists keep rigging the world around them in their favor. So Mooallem ventures into the field, often taking his daughter with him, to move beyond childlike fascination and make those creatures feel more real. Wild Ones is a tour through our environmental moment and the eccentric cultural history of people and wild animals in America that inflects it—from Thomas Jefferson’s celebrations of early abundance to the turn-of the-last-century origins of the teddy bear to the whale-loving hippies of the 1970s. In America, Wild Ones discovers, wildlife has always inhabited the terrain of our imagination as much as the actual land.The journey is framed by the stories of three modern-day endangered species: the polar bear, victimized by climate change and ogled by tourists outside a remote northern town; the little-known Lange’s metalmark butterfly, foundering on a shred of industrialized land near San Francisco; and the whooping crane as it’s led on a months-long migration by costumed men in ultralight airplanes. The wilderness that Wild Ones navigates is a scrappy, disorderly place where amateur conservationists do grueling, sometimes preposterous-looking work; where a marketer maneuvers to control the polar bear’s image while Martha Stewart turns up to film those beasts for her show on the Hallmark Channel. Our most comforting ideas about nature unravel. In their place, Mooallem forges a new and affirming vision of the human animal and the wild ones as kindred creatures on an imperfect planet.With propulsive curiosity and searing wit, and without the easy moralizing and nature worship of environmental journalism’s older guard, Wild Ones merges reportage, science, and history into a humane and endearing meditation on what it means to live in, and bring a life into, a broken world.

    “A wild portrayal of the passion and spirit of female walkers and the deep sense of ‘knowing’ that they found along the path.”—Raynor Winn, author of The Salt Path  “I opened this book and instantly found that I was part of a conversation I didn't want to leave. A dazzling, inspirational history.”—Helen Mort, author of No Map Could Show Them This is a book about ten women over the past three hundred years who have found walking essential to their sense of themselves, as people and as writers. Wanderers traces their footsteps, from eighteenth-century parson’s daughter Elizabeth Carter—who desired nothing more than to be taken for a vagabond in the wilds of southern England—to modern walker-writers such as Nan Shepherd and Cheryl Strayed. For each, walking was integral, whether it was rambling for miles across the Highlands, like Sarah Stoddart Hazlitt, or pacing novels into being, as Virginia Woolf did around Bloomsbury. Offering a beguiling view of the history of walking, Wanderers guides us through the different ways of seeing—of being—articulated by these ten pathfinding women.

    In thoughtful, discerning prose, she explores how we come to inhabit the world we see, and how that world also inhabits us. Her voice is a steady assurance that we can, and do, chart our spiritual geography wherever we go.

    Galvin describes the seasons, the weather, the wildlife, and the few people who do not possess but are themselves possessed by this terrain. In so doing he reveals an experience that is part of our heritage and mythology. For Lyle, Ray, Clara, and App, the struggle to survive on an independent family ranch is a series of blameless failures and unacclaimed successes that illuminate the Western character. The Meadow evokes a sense of place that can be achieved only by someone who knows it intimately.