"A girl comes of age against the knife." So begins the story of Betty Carpenter. Born in a bathtub in 1954 to a Cherokee father and white mother, Betty is the sixth of eight siblings. The world they inhabit is one of poverty and violence--both from outside the family, and also, devastatingly, from within. The lush landscape, rich with birdsong, wild fruit, and blazing stars, becomes a kind of refuge for Betty, but when her family's darkest secrets are brought to light, she has no choice but to reckon with the brutal history hiding in the hills, as well as the heart-wrenching cruelties and incredible characters she encounters in her rural town of Breathed, Ohio. But despite the hardship she faces, Betty is resilient. Her curiosity about the natural world, her fierce love for her sisters, and her father's brilliant stories are kindling for the fire of her own imagination, and in the face of all she bears witness to, Betty discovers an escape: she begins to write. She recounts the horrors of her family's past and present with pen and paper and buries them deep in the dirt--moments that has stung her so deeply, she could not tell them, until now. Inspired by the life of her own mother, Tiffany McDaniel sets out to free the past by telling this heartbreaking yet magical story--a remarkable novel that establishes her as one of the freshest and most important voices in American fiction.

    He can be held up as a "terrible example" of conduct, a model of what not to do, and yet admired for a careless. anarchistic energy that suggests unlimited possibilities. Mourning Dove, an Okanagan, knew him well from the legends handed down by her people. She preserved them for posterity in Coyote Stories, originally published in 1933. Here is Coyote, the trickster, the selfish individualist, the imitator, the protean character who indifferently puts the finishing touches on a world soon to receive human beings. And here is Mole, his long-suffering wife, and all the other Animal People, including Fox, Chipmunk, Owl-Woman, Rattlesnake, Grizzly Bear, Porcupine, and Chickadee. Here it is revealed why Skunk's tail is black and white, why Spider has such long legs, why Badger is so humble, and why Mosquito bites people. These entertaining, psychologically compelling stories will be welcomed by a wide spectrum of readers.Jay Miller has supplied an introduction and notes for this Bison Books edition and restored chapters that were deleted from the original.

    Luke is a Vietnam veteran who has survived the war but is having "trouble/surviving the peace" on a reservation where everyone is broke and where the tribal government seems to work against the interests of the reservation folk. Throughout Walking the Rez Road, it is humor that holds the people and their community together. Winner, Midwest Book Achievement Award, Minnesota Book Award, Northeastern Minnesota Book Award.

    Chanie’s home was 400 miles away. He didn’t know that. He didn’t know where it was, nor how to find it, but, like so many kids—more than anyone will be able to imagine—he tried.

    More than a simple anthology, this collection goes deeper, revealing the incendiary intersection of music and activism.

    This novel of the Dakota Sioux written by Sioux ethnologist Deloria takes protagonist Waterlily through the everyday and the extraordinary events of a Sioux woman's life.

    The book is a series of conversations between young John Peabody of the New England gentry and Chasing Deer, an aged Cheyenne/Lakota and keeper of the true history of the Americas. As the conversations unfold, you see the contrast between Euro-American and American Indian cultures and values, bringing many interesting questions to light. As the conversations unfold, we learn that perhaps the Amercian Indian culture has some of the answers that we are all looking for.

    Beginning with a painting done in 2003, the poems move backwards in time to 1 BC, where an architectural fragment is painted on an architectural fragment, highlighting visual art’s strange relationship between the image and the thing itself. The total effect is exhilarating—a wholly original, personal take on art history coupled with Bang’s sly and elegant commentary on poetry’s enduring subjects: Love, Death, Time and Desire. The recipient of numerous prizes and awards, Bang stands at the front of American poetry with this new work, asking more of the English language, and enticing and challenging the reader.

    Most Cherokees were forcibly relocated to eastern Oklahoma in the early nineteenth century. In 1830 the U.S. government shifted its policy from one of trying to assimilate American Indians to one of relocating them and proceeded to drive seventeen thousand Cherokee people west of the Mississippi. "The Cherokee Nation and the Trail of Tears" recounts this moment in American history and considers its impact on the Cherokee, on U.S.-Indian relations, and on contemporary society. Guggenheim Fellowship-winning historian Theda Perdue and coauthor Michael D. Green explain the various and sometimes competing interests that resulted in the Cherokee's expulsion, follow the exiles along the Trail of Tears, and chronicle their difficult years in the West after removal.

    But despite her many accomplishments and successes, the truth is, her life has been rife with abandonment, abject poverty, tragedy, and even violence. In Rearview Mirror, she takes the reader through her mesmerizing journey from her beginnings in poor rural Texas, her escape to New York to become a Ford model, and finally, her seemingly fairytale, but often heartbreaking life in the glittering world of Hollywood. With compelling openness and honesty, Alana chronicles her unstable, chaotic childhood, her traumatic and violent rape, and her struggles with bulimia, depression, and self-worth. She also writes about her marriages and divorces with two iconic stars, raising three children on her own, the devastating effects of drug addiction in her family, and the tragic deaths of her mother as well as her best friend, Farrah Fawcett.Rearview Mirror is an inspiring, rags-to-riches story in which Alana also shares the valuable life lessons she has learned from her many challenges and heartaches: unconditional love, faith, gratitude, perseverance, and the importance of finding your higher purpose in life.

    Despite this painful history, a number of Native Americans have found "The Jesus Way" and are proving to be a powerful voice for the Lord around the world. A full- blooded Lakota/Sioux whose bitterness toward whites was washed away by the blood of Christ, Richard Twiss shows that Native American Christians have much to offer the Church and can become a major force for reaching the lost. Full of wisdom, humor and passion, this book examines how the white Church can begin to break down the walls of anger, distrust and bitterness and move toward reconciliation and revival in our land.

    He who serves his fellows is the greatest of all. If a man is as wise as a serpent, he can be as gentle as a dove. The life of a man is a circle from childhood to childhood, and so it is in everything where power moves. A sin against a neighbor is an offense against the Great Spirit.

    Political and iconoclastic, Anne Boyer’s poems dally in pastoral camp and a dizzying, delightful array of sights and sounds born from the dust of the Kansas plains where dinner for two is cooked in Fire King and served on depression ware, and where bawdy instructions for a modern “Home on the Range” read:Mix a drink of stock lot:vermouth and the water table.And the bar will smell of IBP.And you will lick my Laura Ingalls.In Boyer’s heartland, “Surfaces should be worn. Lamps should smolder. / Dahlias do bloom like tumors. The birds do rise like bombs.” And the once bright and now crumbling populism of Marxists, poets, and folksingers springs vividly back to life as realism, idealism, and nostalgia do battle amongst the silos and ditchweed.Nothing, too, is a subject:dusk regulating the blankery.Fill in the nightish sky with ardent,fill in the metaphorical smell.A poet and visual artist, Anne Boyer lives in Kansas, where she co-edits the poetry journal Abraham Lincoln and teaches at Kansas City Art Institute.

    Physical remnants or reminders from these conflicts and their aftermath can be found all over the country, whether in central Auckland, Wellington, Dunedin, or in more rural locations such as Te Pōrere or Te Awamutu.

    Housewives and corporate executives. Young professionals and those who are retired. No matter their professions or responsibilities, women of all ages and all walks of life often struggle with an all-consuming issue-self-image. We as Americans are continually obsessed with the grass-is-greener, anything-else-is-better-than-what -we-have philosophy. And that is never truer for women than when it comes to our bodies and our self-images. The media and the world around us tell us that we should be perfect in every way. But this kind of scrutiny and obsession with perfection leaves women feeling unloved, unattractive, frustrated, and even depressed.In The Real Me, contemporary Christian singer and songwriter Natalie Grant is on a mission to especially help young women deal with this struggle and to find acceptance in how God created them. And this struggle is something that Natalie understands fully-she gives the reader an inside look at her own struggle with image issues that led her on the path to bulimia. In acknowledging her pain and sharing her struggle, she offers practical help and hope to women of all ages.