These stories introduce a new generation of readers to age-old Celtic favorites including "The Magic Shoes," "The Pot of Gold," and the great love story "Tír Na N'Óg." Included with each story are lively illustrations, background notes, motifs from the Celtic tradition, and a pronunciation guide.Author Biography: Una Leavy is the author of Harry's Stormy Night and Goodbye Pappa. Susan Field is a television set designer and the illustrator of The Sun, the Moon and the Silver Baboon and The Smallest Whale.

    . . SCREE . . .” Terry is half asleep when he hears the wailing, rising and falling like the waves of the sea. He wishes it were a dream, but he knows it isn’t. It isn’t an owl screeching, either. Or the Flannerys’ old cat. Could it be the Banshee—the ghostly figure of Irish legend who wails outside a house when death is near? Why would she come here? In spite of his fears, Terry goes out to confront her. Is it really the Banshee, or . . . something else?

    With its deeply personal treatment of the legend of the Holy Grail, and the subtle intensity and depth of compassion of its treatment of themes of innocence and purity, remorse and sexual renunciation, the opera ranks as one of Wagner's most symbolic, intense, and compassionate works.This Dover edition reproduces every note of this glorious masterpiece from the authoritative C. F. Peters edition, including the list of characters and contents in both German and English. It will be welcomed by musicians, music lovers, opera buffs, and admirers of Wagner as the only complete, inexpensive edition of a 19th-century landmark.

    If she does, she risks her immortality. Full color.

    Less well known is the fact that Chamoiseau has written a number of extraordinary books about his childhood in Martinique. One of these, Creole Folktales, recreates in truly magical language the stories he heard as a child. Folktales with a twist, fairy tales with attitude, these stories are told in a language as savory as the spicy food so lovingly evoked within these pages.The cheeky urchins, dowagers, ne’er-do-wells, and gluttons in these tales are filled with longing for the simple things in life: a full plate, a safe journey, a good night's sleep. But their world is haunted, and the material comforts we take for granted are the stuff of dreams for them, for there are always monsters waiting to snatch away their tasty bowl of stew—or even life itself.Some of these monsters are familiar: the wicked hag, the envious neighbor, the deceitful suitor, the devil who gobbles up unwary souls. Others may be surprising, and their casual appearance in these tales makes them all the more frightening—like an unexpected glimpse into a fun-house mirror. But in contrast to these folktales’ more fantastic creations, the white plantation owner and the slave ship's captain remind us that these are stories of survival in a colonized land.A marvelous introduction to a world, both real and imaginary, that North Americans have ignored for far too long.

    Out of alleys of Cairo and Bedouin tents, from the Moroccan laborers and Syrian peasants, this collection of 130 tales comes from Arab worlds from North Africa to the Holy Land.

    Associated with the water element, it is known for opening up portals to the Underworld and the subconscious.Hellebore is a collection of writings and essays devoted to British folk horror and the themes that inspire it: folklore, myth, history, archaeology, psychogeography, witches & the occult.The Sacrifice issue examines the role of human sacrifice in folk horror. From The Wicker Man to Blood on Satan's Claw. Delve into a world of witchcraft, megalithic monuments, and pagan survivals in hidden rural areas.Featuring words by Ronald Hutton, Katy Soar, Verity Holloway, David Southwell (Hookland), Dee Dee Chainey, Mercedes Miller, John Reppion, and Maria J. Pérez Cuervo. Artwork by Paul Watson and Eli John.

    When Mother Troll Took in the King’s Washing by Elsa Beskow2. The Magician’s Cape by Anna Wahlenberg 3. The Barrel Bung by Anna Wahlenberg 4. The Seven Wishes by Alfred Smedberg 5. The King’s Choice by Anna Wahlenberg 6. The Four Big Trolls and Little Peter Pastureman by Cyrus Graner7. The Troll Ride by Anna Wahlenberg 8. The Trolls and the Youngest Tomte by Alfred Smedberg9. The Ring by Helena Nyblom10. The Old Troll of Big Mountain by Anna Wahlenberg 11. Leap the Elk and Little Princess Cottongrass by Helge Kjellin12. The Magpie with Salt on Her Tail by Anna Wahlenberg 13. The Boy Who Was Never Afraid by Alfred Smedberg14. The Changelings by Helena Nyblom15. Stalo and Kauras by P. A. Lindholm 16. The Flower of Happiness on Sunnymount Crest by Alfred Smedberg17. Dag and Daga, and the Flying Troll of Sky Mountain by Harald Ostenson18. Linda-Gold and the Old King by Anna Wahlenberg 19. The Boy and the Trolls, or The Adventure by Walter Stenstrom20. The Maiden in the Castle of Rosy Clouds by Harald Ostenson21. The Queen by Anna Wahlenberg

    She is the power that protects and destroys. She represents the fertile, bountiful earth, and is the protector of all life form. All goddesses are considered to be a manifestation of her. The worship of the goddess has evolved over time. Local village goddesses of the forest, field, river and lake became versions of the one great female principle. Lakshmi, Saraswati and Parvati are also considered to be forms of Adi Shakti. The Devi Mahatmayam or the ‘Glory of the Goddess’, describes her as the fierce and beautiful goddess who fights asuras and wards off evil. She shields the gods against evil and stands up for the worthy.Amar Chitra Katha brings together stories of seven goddesses from the Puranas, folklore and the Devi Bhagavata. Endowed with strength, grace and courage, these goddesses show us the power of being a woman.

    The next stage of the ecological revolution begins with the reawakening of the male counterpart of the Goddess, the Green Man, and archetype found in folklore and religious art from the earliest times, and especially linked with Christian origins of modern science. Long suppressed, the archetype emerges now to challenge us to heal our relationship with nature.

    What's the fuss? In a word--Mothman! A famous investigator examines the reports of this huge, red-eyed creature with wings seen over Point Pleasant, West Virginia on November 15, 1966?and the spawn of Mothman seen before and after that date.

    Now a beloved cantadora herself, Estés shares this treasured family tradition with you on Bedtime Stories, her own special collection of tales to relax and ease you to sleep.Join this world-renowned Jungian analyst and bestselling author as she explores how to use stories as healing companions that open an aperture into the divine world of our dreams, as well as the meaning of archetypal figures like Mother Night and the Sandman, and themes such as renewal, enchantment and transformation. Includes original tellings by Dr. Estés of her bedside favorites, including "Sleeping Beauty," "The Mouse and the Lion," and more.

    Every people or nation has its own way of experiencing this psychic reality, and so a study of the world's fairy tales yields a wealth of insights into the archetypal experiences of humankind. Perhaps the foremost authority on the psychological interpretation of fairy tales is Marie-Louise von Franz. In this book—originally published as An Introduction to the Interpretation of Fairy Tales —she describes the steps involved in analyzing and illustrates them with a variety of European tales, from "Beauty and the Beast" to "The Robber Bridegroom." Dr. von Franz begins with a history of the study of fairy tales and the various theories of interpretation. By way of illustration she presents a detailed examination of a simple Grimm's tale, "The Three Feathers," followed by a comprehensive discussion of motifs related to Jung's concept of the shadow, the anima, and the animus. This revised edition has been corrected and updated by the author.

    Tired of setting a good example for all the other young girls -- and of waiting to be married -- Margaret flings down her embroidery one day and runs out of the castle, over the fields to Carterhays, a wood that is supposedly haunted by Tam Lin, an Elfin knight. There, indeed, she meets Tam Lin, who is remarkably handsome. When she learns his story -- that he is human, not Elfin at all, and was stolen as a baby by the Elfin Queen -- she determines to help break the enchantment that holds him. Courageous and steadfast throughout one fearful night, Margaret defeats each dangerous and dramatic attempt by the Elfin Queen to keep Tam Lin. And when the morning sun rises, Margaret and Tam Lin ride together across the green fields of Scotland, back to the castle.

    These are voluminous body of literature native to India concerning the previous births of Gautam Buddha. These are the stories that tell about the previous lives of the Buddha, in both human and animal form. The future Buddha may appear in them as a king, an outcast, a god, an elephant—but, in whatever form, he exhibits some virtue that the tale thereby inculcates.