But the real Jane Austen, who started as author at twelve years old, was something very different. What depths of intellectual and moral despair must she have plumbed before she achieved the extraordinary moral vision that has been compared, with justice, to Chaucer's? It was a fortunate thing for her family that the highly polished surface of the six novels, their sheer artistry concealing tension, makes it easy to miss the depth and bitterness of what they are often saying. We must look for real evidence about her character not in the censored reminiscences of Victorian relatives, but in the books and the letters themselves. Jane Aiken Hodge has gone deeply into the novelist's own writings, family and contemporary records to produce a new picture of this enigmatic figure who did so much to revive the English novel at the beginning of the nineteenth century. Jane Austen appears at once as a very warm and human figure (the "dear Aunt Jane" of the Victorians), and as a baffling one. Did she, in fact, suffer what we should call a nervous breakdown in her silent, middle years? And was she content with her publishers, and with the comparatively modest earnings of her novels? Hodge does not pretend to provide final answers to these and other fascinating questions, but she is meticulous in giving the facts on which readers can base their own conclusions. This is a book for those who have always loved Jane Austen, and for those who would like to know more about her.

    In true emulative and contrarian style, Hitchens is both admiring and aggressive, sympathetic yet critical, taking true measure of his subject as hero and problem. Answering both the detractors and the false claimants, Hitchens tears down the façade of sainthood erected by the hagiographers and rebuts the critics point by point. He examines Orwell and his perspectives on fascism, empire, feminism, and Englishness, as well as his outlook on America, a country and culture towards which he exhibited much ambivalence. Whether thinking about empires or dictators, race or class, nationalism or popular culture, Orwell's moral outlook remains indispensable in a world that has undergone vast changes in the fifty years since his death. Combining the best of Hitchens's polemical punch and intellectual elegance in a tightly woven and subtle argument, this book addresses not only why Orwell matters today, but how he will continue to matter in a future, uncertain world. Christopher Hitchens, one of the most incisive minds of our own age, meets Orwell on the page in this provocative encounter of wit, contention and moral truth.

    “It's impressive how Tatiana was able to recreate the personality of my mother, including her sense of humor. It is very well written and very moving. I’m sure my mother would have loved this book.” ― Tessa Montgomery d’Alamein, daughter of Daphné du Maurier, as told to Pauline Sommelet in Point de VueAs a bilingual bestselling novelist with a mixed Franco-British bloodline and a host of eminent forebears, Tatiana de Rosnay is the perfect candidate to write a biography of Daphne du Maurier. As an eleven-year-old de Rosnay read and reread Rebecca, becoming a lifelong devotee of Du Maurier’s fiction. Now de Rosnay pays homage to the writer who influenced her so deeply, following Du Maurier from a shy seven-year-old, a rebellious sixteen-year-old, a twenty-something newlywed, and finally a cantankerous old lady. With a rhythm and intimacy to its prose characteristic of all de Rosnay’s works, Manderley Forever is a vividly compelling portrait and celebration of an intriguing, hugely popular and (at the time) critically underrated writer.

    His publisher turned it down, so Dickens used what little money he had to put out A Christmas Carol himself. He worried it might be the end of his career as a novelist.The book immediately caused a sensation. And it breathed new life into a holiday that had fallen into disfavor, undermined by lingering Puritanism and the cold modernity of the Industrial Revolution. It was a harsh and dreary age, in desperate need of spiritual renewal, ready to embrace a book that ended with blessings for one and all.With warmth, wit, and an infusion of Christmas cheer, Les Standiford whisks us back to Victorian England, its most beloved storyteller, and the birth of the Christmas we know best. The Man Who Invented Christmas is a rich and satisfying read for Scrooges and sentimentalists alike.

    Isobel's husband--a gentleman of mature years--is felled by a mysterious and agonizing ailment. The Earl's death seems a cruel blow of fate for the newly married Isobel. Yet the bereaved widow soon finds that it's only the beginning of her misfortune...as she receives a sinister missive accusing her and the Earl's nephew of adultery--and murder. Desperately afraid that the letter will expose her to the worst sort of scandal, Isobel begs Jane for help. And Jane finds herself embroiled in a perilous investigation that will soon have her following a trail of clues that leads all the way to Newgate Prison and the House of Lords--a trail that may well place Jane's own person in the gravest jeopardy.

    A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else.Is this Shakespeare? Well, sort of.But it doesn't tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. Now, Emma Smith - an intellectually, theatrically, and ethically exciting writer - takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd, the Spielberg and Tarantino of their day; flirting with and skirting round the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex, and the Shakespeare she reveals in this book poses awkward questions rather than offering bland answers, always implicating us in working out what it might mean.

    Within its covers are unforgettable episodes from the remarkable series of memoirs that began with All Creatures Great and Small-"the ones my family and I have laughed at over the years and the ones my readers have said they most enjoyed," as Herriot, himself, put it. Yet the book is far more than a simple anthology: Its gorgeous pages also include hundreds of line drawings and color photographs, capturing Herriot's Yorkshire in a worthy complement to the writer's words.The 1991 publication of Every Living Thing, rendered the original edition of this book incomplete. This fall will mark the publication of the complete, definitive edition with the addition of five of his best, more recent stories, as well as new art. Once again The Best of James Herriot becomes the quintessential Herriot volume-one of those invaluable books that will be loved as much in decades to come as it is today.

    Leithart explores the life of Jane Austen, beloved author of such books as Pride and Prejudice and Emma. Jane Austen is now what she never was in life, and what she would have been horrified to become—a literary celebrity.Austen’s novels achieved a timelessness that makes them perennially appealing. Kipling and Churchill found solace in her writings during times of war and illness. Mark Twain had a love/hate relationship with her work. And then, there’s our celebrity culture: the television hit Pride and Prejudice, the award-winning 1995 film Sense and Sensibility, and all the remakes and prequels and sequels. Modern-day Jane Austen fans just can’t seem to leave her characters alone.“Janeia” is the author’s term for the mania for all things Austen. This biography captures the varied sides of Austen’s character and places her Christian faith in a more balanced light and with less distortion than has been achieved previously. It is a delightful journey through a life spent making up stories that touched the lives of millions.    Jane Austen “I was riveted by Leithart's excellent biography of Austen, the woman who profoundly influenced me to search for the universal truth in my novels. I was able to see the flesh-and-blood woman I've admired since my teens. Highly recommended for Janeites like me!”--Colleen Coble, best-sellingauthor of The Lightkeeer's Daughter

    A Family Record" (1913). The book lovingly details Jane's birth, childhood, adolescence, and maturity; the everyday minutiae of her life, the circumstances in which she wrote her juvenilia and her six novels, and her early death. Using Jane Austen's own letters, additional letters sent between a large and fond family, and family reminiscences, William and Richard Austen-Leigh continued the family tradition of carefully nurturing the literary and personal reputation of a literary icon who also happened to be a most beloved aunt.

    Think of Hamlet, trapped in indecision, or Macbeth’s merciless and ultimately self-destructive ambition, or the Machiavellian rise and short reign of Richard III. They are so vital, so alive and real that we can see aspects of ourselves in them. But their world was at once familiar and nothing like our own. In this brilliant work of historical reconstruction Neil MacGregor and his team at the British Museum, working together in a landmark collaboration with the Royal Shakespeare Company and the BBC, bring us twenty objects that capture the essence of Shakespeare’s universe. A perfect complement to A History of the World in 100 Objects, MacGregor’s landmark New York Times bestseller, Shakespeare’s Restless World highlights a turning point in human history. This magnificent book, illustrated throughout with more than one hundred vibrant color photographs, invites you to travel back in history and to touch, smell, and feel what life was like at that pivotal moment, when humankind leaped into the modern age. This was an exhilarating time when discoveries in science and technology altered the parameters of the known world. Sir Francis Drake’s circumnavigation map allows us to imagine the age of exploration from the point of view of one of its most ambitious navigators. A bishop’s cup captures the most sacred and divisive act in Christendom. With A History of the World in 100 Objects, MacGregor pioneered a new way of telling history through artifacts. Now he trains his eye closer to home, on a subject that has mesmerized him since childhood, and lets us see Shakespeare and his world in a whole new light.

    Emily Auerbach presents a different Jane Austen—a brilliant writer who, despite the obstacles facing women of her time, worked seriously on improving her craft and became one of the world’s greatest novelists, a master of wit, irony, and character development.    In this beautifully illustrated and lively work, Auerbach surveys two centuries of editing, censoring, and distorting Austen’s life and writings. Auerbach samples Austen’s flamboyant, risqué adolescent works featuring heroines who get drunk, lie, steal, raise armies, and throw rivals out of windows. She demonstrates that Austen constantly tested and improved her skills by setting herself a new challenge in each of her six novels.    In addition, Auerbach considers Austen’s final irreverent writings, discusses her tragic death at the age of forty-one, and ferrets out ridiculous modern adaptations and illustrations, including ads, cartoons, book jackets, newspaper articles, plays, and films from our own time. An appendix reprints a ground-breaking article that introduced Mark Twain’s "Jane Austen," an unfinished and unforgettable essay in which Twain and Austen enter into mortal combat.

    But she would have noticed you. Jane watched and listened to all the things people around her did and said and locked those observations away for safekeeping.Jane also loved to read. She devoured everything in her father’s massive library, and before long she began creating her own stories. In her time, the most popular books were grand adventures and romances, but Jane wanted to go her own way . . . and went on to invent an entirely new kind of novel.Deborah Hopkinson and Qin Leng have collaborated on a gorgeous tribute to an independent thinker who turned ordinary life into extraordinary stories and created a body of work that has delighted and inspired readers for generations.

    "The Holy Grail of P&P sequels." (Austenblog)Originally published in the U.K., Mary Street's ingenious retelling of Jane Austen's classic story now makes its U.S. debut-to the delight of the fans of Austen's comic masterpiece of divine romance. In Fitzwilliam Darcy, Austen created the ultimate romantic hero. Yet Pride and Prejudice reveals little of Darcy's innermost thoughts. Here, Street unveils the true motives and mysteries of Elizabeth Bennet's enigmatic suitor. Through Darcy's eyes we discover the reality of his relationships with his sister Georgiana, his cousin Colonel Fitzwilliam, the dastardly Wickham, his friend Bingley, and his formidable aunt, Lady Catherine. And of course, all his memorable encounters with Elizabeth, from that first view of her fine eyes to his disastrous proposal, and then to a pride and arrogance tempered by an unquenchable love.

    Filled with vivid personalities, gossipy anecdotes, grand houses, and a wealth of period details--plus photographs, illustrations, quotes, and the finer points of Victorian and Edwardian etiquette--To Marry An English Lord is social history at its liveliest and most accessible.

    The guests (including millions of readers) wish the two lucky couples health and happiness. As the music swells and the credits roll, only two things are certain: Elizabeth and Darcy are to be the happiest couple in the world, while Jane and Bingley will want for nothing!Rebecca Ann Collins follows them in imagination, observing and chronicling their passage through the landscape of nineteenth century England, noting how they cope with change, triumph and tragedy in their lives.Their personal stories--the usual concerns of love, marriage, money and children--are woven together with the threads of social and political history.