Ingeniously plotted, with richly drawn characters and Jeffrey Archer's trademark of deliciously unexpected conclusions, this new collection has the added bonus of thirteen charming illustrations by the internationally acclaimed artist Ronald Searle. Some of these twelve stories were inspired by the two years Jeffrey Archer spent in prison, including the story of a company chairman who tries to poison his wife while on a trip to St. Petersburg---with unexpected consequences. "The Red King" is a tale about a con man who discovers that an English lord requires one more chess piece to complete a set that would be worth a fortune. In another tale of deception, "The Commissioner," a Bombay con artist ends up in the morgue after he uses the police chief as bait in his latest scam. "The Perfect Murder" reveals how a convict manages to remove an old enemy while he's locked up in jail, and then set up two prison officers as his alibi. In "Charity Begins at Home," an accountant realizes he has achieved nothing in his life, and sets out to make a fortune before he retires. And then there is Archer's favorite, "In the Eye of the Beholder," in which a handsome star athlete falls in love with a three-hundred-pound woman . . . who happens to be the ninth-richest woman in Italy. Jeffrey Archer is the only author to have topped international bestseller lists with his fiction, nonfiction, and short stories. "Cat o'Nine Tales" is Archer at his best: witty, poignant, sad, surprising, and unforgettable.

    Told through the eyes of a young man who yearns to find excitement, truth, and a deeper family bond in his life, Weaver's approachable and revealing stories, lists, fragments, and memories delve into the weird, funny, and sometimes unsettling world of a midwest kid finding his own path."Thank god you can come across a writer like Troy James Weaver. In the future people will just say these stories are like Troy James Weaver stories and you'll know exactly what they mean." --Scott McClanahan "There are moments, reading Witchita Stories, where everything dropped away, and I was speechless, or at least whatever the equivalent of speechless is when you're not talking in the first place. There is a deep sadness to these stories, and humor, but most importantly, honesty. This feels real and heavy and it's just about the best thing I've read in a long time." --J. David Osborne

    It was a minor matter, but something he’d need to deal with eventually. Some things just couldn’t be delegated to subordinates.

    In "Exhalation," an alien scientist makes a shocking discovery with ramifications that are literally universal. In "Anxiety Is the Dizziness of Freedom," the ability to glimpse into alternate universes necessitates a radically new examination of the concepts of choice and free will.Including stories being published for the first time as well as some of his rare and classic uncollected work, Exhalation is Ted Chiang at his best: profound, sympathetic—revelatory.

    Volume One contains the following 48 short stories:- The Dead Past- The Foundation of S. F. Success- Franchise- Gimmicks Three- Kid Stuff- The Watery Place- Living Space- The Message- Satisfaction Guaranteed- Hell-Fire- The Last Trump- The Fun They Had- Jokester- The Immortal Bard- Someday- The Author's Ordeal- Dreaming Is a Private Thing- Profession- The Feeling of Power- The Dying Night- I'm in Marsport Without Hilda- The Gentle Vultures- All the Troubles of the World- Spell My Name with an S- The Last Question- The Ugly Little Boy- Nightfall- Green Patches- Hostess- Breeds There a Man…?- C-Chute- In a Good Cause—- What If—- Sally- Flies- Nobody Here But—- It's Such a Beautiful Day- Strikebreaker- Insert Knob A in Hole B- The Up-to-Date Sorcerer- Unto the Fourth Generation- What Is This Thing Called Love?- The Machine That Won the War- My Son, the Physicist- Eyes Do More Than See- Segregationist- I Just Make Them Up, See!- Rejection Slips.

    In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers. Gwen E. Kirby experiments with found structures--a Yelp review, a WikiHow article--which her fierce, irreverent narrators push against, showing how creativity within an enclosed space undermines and deconstructs the constraints themselves. When these women tell the stories of their triumphs as well as their pain, they emerge as funny, angry, loud, horny, lonely, strong protagonists who refuse be secondary characters a moment longer. From "The Best and Only Whore of Cym Hyfryd, 1886" to the "Midwestern Girl [who] is Tired of Appearing in Your Short Stories," Kirby is playing and laughing with the women who have come before her and they are telling her, we have always been this way. You just had to know where to look.

    A manic cross between Mark Leyner, Fran Lebowitz, and the National Enquirer, Sedaris’s collection of essays is a rollicking tour through the national Zeitgeist: a do-it-yourself suburban dad saves money by performing home surgery; a man who is loved too much flees the heavyweight champion of the world; a teenage suicide tries to incite a lynch mob at her funeral; a bitter Santa abuses the elves.David Sedaris made his debut on NPR’s Morning Edition with “SantaLand Diaries”, recounting his strange-but-true experiences as an elf at Macy’s, and soon became one of the show’s most popular commentators. With a perfect eye and a voice infused with as much empathy as wit, Sedaris writes stories and essays that target the soulful ridiculousness of our behavior. Barrel Fever is like a blind date with modern life, and anything can happen.Parade --Music for lovers --The last you'll hear from me --My manuscript --Firestone --We get along --Glen's homophobia newsletter vol. 3, no. 2 --Don's story --Season's greeting to our friends and family!!! --Jamboree --After Malison --Barrel fever --Diary of a smoker --Giantess --The curly kind --SantaLand diaries

    Wolf men, dolphin women, defiant old ladies, and middle-aged manufacturers of erotic leatherwear -- in Jigs & Reels the miraculous goes hand in hand with the mundane, the sour with the sweet, and the beautiful, the grotesque, the seductive, and the disturbing are never more than one step away. Whether she's exploring the myth of beauty, the pain of infidelity, or the wonder of late-life romance, Joanne Harris once again proves herself a master of the storyteller's trade.

    Although she loves her children and husband, April is plagued by the growing doubt that she has not lived up to her mother's expectations for her--until one day when something terrible and unexpected happens, and April must face the truth about her own life and discover what really matters.

    Amy Bloom writes great short stories. Her first collection, Come to Me, was a finalist for the National Book Award, and here she deepens and extends her mastery of the form.Real people inhabit these pages, the people we know and are, the people we long to be and are afraid to be: a mother and her brave, smart little girl, each coming to terms with the looming knowledge that the little girl will become a man; a wildly unreliable narrator bent on convincing us that her stories are not harmless; a woman with breast cancer, a frightened husband, and a best friend, all discovering that their lifelong triangle is not what they imagined; a man and his stepmother engaged in a complicated dance of memory, anger, and forgiveness. Amy Bloom takes us straight to the center of these lives with rare generosity and sublime wit, in flawless prose that is by turns sensuous, spare, heartbreaking, and laugh-out-loud funny.These are transcendent stories: about the uncertain gestures of love, about the betrayals and gifts of the body, about the surprises and bounties of the heart, and about what comes to us unbidden and what we choose.A blind mand can see how much I love you --Rowing to Eden --Lionel and Julia (Night vision, Light into dark) --Stars at elbow and foot --Hold tight --The gates are closing --The story

    Chilling and witty, prescient and personal, delectable and tart, these highly imaginative, vintage Atwoodian mini-fictions speak on a broad range of subjects, reflecting the times we live in with deadly accuracy and knife-edge precision.In pieces ranging in length from a mere paragraph to several pages, Atwood gives a sly pep talk to the ambitious young; writes about the disconcerting experience of looking at old photos of ourselves; gives us Horatio's real views on Hamlet; and examines the boons and banes of orphanhood. Bring Back Mom: An Invocation; explores what life was really like for the "perfect" homemakers of days gone by, and in The Animals Reject Their Names she runs history backward, with surprising results.Chilling and witty, prescient and personal, delectable and tart, The Tent is vintage Atwood, enhanced by the author's delightful drawings.

    To open this spirited collection, Irving explains how he became a writer. There follow six scintillating stories written over the last twenty years ending with a homage to Charles Dickens. This irresistible collection cannot fail to delight and charm.The first collection of short pieces--two of them previously unpublished--by the author of The World According to Garp includes memoirs, six short stories, and essays on Charles Dickens and Gu+a5nter Grass. Reprint. Tour.This gem, a delightful collection of shorter works, both fiction and nonfiction, written by one of the country's finest--and funniest--writers, includes a living portrait of Irving's grandmother, a new, never-before-published essay, six scintillating short stories--including the O. Henry Award-winning "Interior Space"--and two essays on Irving's favorite 19th-century novelist, Charles Dickens. Trying to Save Piggy Sneed is John Irving at the top of his form.

    The show's about to begin. Step right up for the Circus of the Dead: where YOU are the concessions. #CircusoftheDead

    The humble, pixelated games of the ‘70s and ‘80s have evolved into the vivid, realistic, and immersive form of entertainment that now rivals all other forms of media for dominance in the consumer marketplace. For many, video games have become the cultural icons around which pop culture revolves.PRESS START TO PLAY is an anthology of stories inspired by video games: stories that attempt to recreate the feel of a video game in prose form; stories that play with the concepts common (or exclusive) to video games; and stories about the creation of video games and/or about the video games—or the gamers—themselves.These stories will appeal to anyone who has interacted with games, from hardcore teenaged fanatics, to men and women who game after their children have gone to bed, to your well-meaning aunt who won’t stop inviting you to join her farm-based Facebook games.At the helm of this project are Daniel H. Wilson—bestselling novelist and expert in artificial intelligence—and John Joseph Adams—bestselling, Hugo Award-nominated editor of more than a dozen science fiction/fantasy anthologies and series editor of Best American Science Fiction & Fantasy (volume one forthcoming from Houghton Mifflin in 2015). Together, they have drawn on their wide-ranging contacts to assemble an incredibly talented group of authors who are eager to attack the topic of video games from startling and fascinating angles.Under the direction of an A.I. specialist and a veteran editor, the anthology will expose readers to a strategically chosen mix of stories that explore novel video game concepts in prose narratives, such as save points, kill screens, gold-farming, respawning, first-person shooters, unlocking achievements, and getting “pwned.” Likewise, each of our authors is an accomplished specialist in areas such as science fiction, fantasy, and techno-thrillers, and many have experience writing for video games professionally.Combining unique viewpoints and exacting realism, this anthology promises to thrill generations of readers, from those who grew up with Atari 2600s to the console and PC gamers of today.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel