In stylistic brilliance, he renders their conditions with grace and compassion, and redeems and transports their tragedy with wicked humor.In the much-anthologized "The Birds for Christmas," two hospitalized boys beg a night nurse to let them watch Hitchcock's classic thriller film on television, believing it will relieve their Yuletide loneliness. "Gentleman's Agreement" is a classic father-son story of fear and the violence of love. In "Memorial Day," a bayou boy learns the lessons of living from Death himself, a fortune cookie-eating phantom who claims to be "a people person." From charity ward to outrageous beach bungalow, Richard visits the overlooked corners of America, making them unforgettably visible.Richard has been rightly compared to Faulkner for his language and to Flannery O'Connor for his stark moral vision, but his force and sensibility remain his own. Charity is a powerful reading experience, a true accomplishment in an already stunning literary career.

    Like Richard Russo, Bruce Machart has a profound knowledge of the male psyche and a gift for conveying the absurdity and brutality of daily life with humor and compassion. Whether they find themselves walking the fertile farmland of south Texas, steering trucks through the suffocating sprawl of Houston, or turning logs into paper in the mills just west of the Sabine River, the men of these stories seek to prove themselves in a world that doesn’t always welcome them. Here are men whose furrows are never quite straight and whose hearts are near to bursting with all the desires they have been told they aren’t supposed to heed. “Bruce Machart is one of our most ambitious and fearless young writers. With Men in the Making, he has composed a remarkable paean to the complex fragility of the American male. I read these stories in a state of tender amazement.”—Steve Almond, author of Rock and Roll Will Save Your Life

    Calvin eats dirt.  He never actually swallows it, just places loose clumps onto his tongue and sucks, I think....He knows better, my son, but he is stillyoung and needs to be watched.So goes the poignant journey of discovery for Gordon Nash, a journey that began two years ago when his wife suddenly walked out on him, leaving him alone toraise their son.  Calvin is now four, fragile yet stubborn, devoted to his pet, a dead Portuguese man-o-war he calls Mom.  Faced daily with the struggle andjoys of raising this bright little boy, Gordon learns the vast reaches of his affection and the limits of his patience.  He plumbs the deep well of rage within himself, to find there disturbing echoes of his own father.  And he comes to understand that nothing is as important as this complex, imperfect love--a lesson he must turn to when his wife reappears one day, threatening to turn his and Calvin's world upside down once again

    Told by a narrator who has committed a botched robbery and brutal murder, the novel follows him and his adventures in a two-dimensional police station where, through the theories of the scientist/philosopher de Selby, he is introduced to "Atomic Theory" and its relation to bicycles, the existence of eternity (which turns out to be just down the road), and de Selby's view that the earth is not round but "sausage-shaped." With the help of his newly found soul named "Joe," he grapples with the riddles andcontradictions that three eccentric policeman present to him.The last of O'Brien's novels to be published, The Third Policeman joins O'Brien's other fiction (At Swim-Two-Birds, The Poor Mouth, The Hard Life, The Best of Myles, The Dalkey Archive) to ensure his place, along with James Joyce and Samuel Beckett, as one of Ireland's great comic geniuses.

    But when the sun went down, her life was an endless, faceless whirl of bars and beds and men she'd never seen before and wouldn't see again. If she couldn't find love, she took chances on men who were better than no men at all. And learned, with each new night and each new nightmare, that finding her man was only the beginning.

    From getting irrepressibly high in the mysterious Malana Valley in the Himalayas to starting a shack on the bewitching Om Beach on the West Coast, they do it all. But their adrenaline-charged adventure takes a turn when Rishi meets Kyra, a beautiful and enigmatic gamer. As passions surge and sparks fly, Rishi gets drawn to Kyra . . . unaware of who she is and where she comes from.What follows next is something nobody could have ever dreamed of . . .Who is Kyra and why are the paparazzi after her? Can Rishi connect the dots in his life to protect the love of his life? While the world becomes a spectator, can he mastermind the fall of a ruthless giant to become a global icon or will he become the biggest loser?

    Fight Club’s estranged narrator leaves his lackluster job when he comes under the thrall of Tyler Durden, an enigmatic young man who holds secret after-hours boxing matches in the basement of bars. There, two men fight "as long as they have to." This is a gloriously original work that exposes the darkness at the core of our modern world.

    The unfinished novel from which this collection of sketches, stories, and novellas takes its title was Wolfe's final effort. It tells the story of the Joyner family, George Webber's maternal ancestors, in pre-Civil War North Carolina and illustrates Wolfe's fine sense of family traits rooted in a traceable past. "Chickamauga" is the superb Civil War tale that Wolfe received from his great-uncle; "The Lost Boy" renders a second, more tender, treatment of the death of young Grover Gant; and "The Return of the Prodigal" describes Eugene Gant's imagined and then actual revisit to Altamont when he is a famous author. Together the eleven pieces of The Hills Beyond confirm the passion, energy, and sensitivity that made Wolfe the most promising American writer of his generation.

    

    It is a tale of love and courage, of power abused, and of the terrible choice between family loyalty and justice.

    There was Michael Chabon's The Final Solution in which "the old man," an 89-year-old beekeeper in Sussex is undoubtedly Holmes. Laurie King, a fine mystery writer, has appropriated Holmes and created a romance between him and young Mary Russell which has lasted through several enjoyable books. And now, nonagenarian Holmes reappears, most appealingly, in Mitch Cullin's A Slight Trick of the Mind. He is frail and forgetful but still observant and capable of shining the bright light of his insight and brilliance on events both past and present.Cullin has carefully woven three stories together and managed it so neatly that no threads show--worthy of Holmes himself. The first is the story of Holmes's recent return from a trip to Japan, ostensibly in search of prickly ash, a bush that he believes contributes to healthy longevity, as does his beloved and trusted royal jelly. While there, he is met by his correspondent, Mr. Umezaki, who isn't as interested in prickly ash as in gleaning information from Holmes about his long-gone father. Supposedly, they met many years before, in London, and Holmes advised him not to return home. Of course, Holmes has no recollection of the meeting but finesses it nicely.It is 1947 when they visit Hiroshima, post-atomic bomb, and Holmes marvels at what he sees. He compares it, most poignantly, to the loss of the queen in a hive, "when no resources were available to raise a new one. Yet how could he explain the deeper illness of unexpressed desolation, that imprecise pall harbored en masse by ordinary Japanese?" That is what he tells Roger, the 14-year-old son of his housekeeper. Roger is the second thread of the novel. Holmes is introducing him to beekeeping and Roger proves an apt student. His hero-worship of Holmes and his need for a father form an integral part of Cullin's intention of "humanizing" the great Sherlock Holmes.The final thread is revealed in a journal that Holmes kept, in which he entered an encounter with a married woman, many years ago. He is infatuated with her, and hardly knows what to call it or what to make of his feelings. This is unfamiliar territory for the man who is rational above all else. The man we know at the end of the book makes the reader want another installment, showing a new Sherlock with a heart as well as a brain.(Amazon Review)

    As Algren admitted, it wasn't written until long after it had been walked... I found my way to the streets on the other side of the Southern Pacific station, where the big jukes were singing something called "Walking the Wild Side of Life." I've stayed pretty much on that side of the curb ever since".Perhaps his own words describe the book best: The book asks why lost people sometimes develop into greater human beings than those who have never been lost in their whole lives. Why men who have suffered at the hands of other men are the natural believers in humanity, while those whose part has been simply to acquire, to take all and give nothing, are the most contemptuous of mankind.Cover Photograph: Jason Fulford

    More than a tale of possession, the novel probes disturbing depths of guilt, paranoia, and sexual obsession with an unsparing detachment.

    Even though they had a thousand dollars with them, they were good boys. Everyone says, “They were good boys.”

    Money. Influence. Glamour. Power. The power to halt a police investigation in its tracks. The power to spin a story, concoct a lie, and believe it was the truth. The power to murder without guilt, without shame, and without ever paying the price. America's royalty, they called the Bradleys. But an outsider refuses to play his part. And now, the day of reckoning has arrived. . . .