2600-2400 b.c.) were vast astronomically sophisticated temples, rather than the pharaonic tombs depicted by conventional Egyptology. In March 1993, a tiny remote-controlled robot created by Rudolf Gantenbrink, a German robotics engineer, traveled up airshafts within the Great Pyramid of Giza and relayed to scientists video pictures of a hitherto unknown sealed door within the pyramid. Bauval, a British engineer and writer who has been investigating the pyramids for more than ten years, and Gilbert, a British publishing consultant, use Gantenbrink's tantalizing discovery as a launching pad for an extended analysis of the purpose of the mysterious airshafts, which lead from the Great Pyramid's chambers to its exterior, and of the placement of other Fourth Dynasty pyramids. They were sited, the authors argue, to coincide with the key stars of Orion, a constellation that had religious significance for the Egyptians. Bauval and Gilbert claim that the shafts were pointed directly at important stars in Orion--that is, at those stars as they were placed in ancient times. Using astronomical data about stellar movement, they argue that the Orion stars coincide exactly with the pyramids' positions in approximately 10,400 b.c.--a period the Egyptians called the First Time, when they believed the god Osiris ruled the Earth. The authors also speculate that the mysterious space within the Great Pyramid discovered by Gantenbrink contains the mythical Benben stone, which the Egyptians linked to the creation of the world. The book's contentions are sometimes far-fetched and certainly unlikely to put scholarly controversy about the pyramids to rest. Still, this is an enjoyably radical rethinking of the mystery of the pyramids, with some ingenious arguments made in lucid style.A revolutionary book that explains the most enigmatic and fascinating wonder of the ancient world: the Pyramids of Egypt. "[An] absorbing and fascinating work of archaeological detection...clearly and rivetingly told...the book is highly and compulsively readable."--London Sunday Times. 16-page black-and-white inserts.

    Every aspect of esoteric doctrine and practice is exhaustively dealt with and every authority cited.

    In order to understand both the spirit of Tradition and its antithesis, modern civilization, it is necessary to begin with the fundamental doctrine of the two natures. According to this doctrine there is a physical order of things and a metaphysical one; there is a mortal nature and an immortal one; there is the superior realm of "being" and the inferior realm of "becoming." Generally speaking, there is a visible and tangible dimension and, prior to and beyond it, an invisible and intangible dimension that is the support, the source, and the true life of the former." -- from chapter one. With unflinching gaze and uncompromising intensity Julius Evola analyzes the spiritual and cultural malaise at the heart of Western civilization and all that passes for progress in the modern world. As a gadfly, Evola spares no one and nothing in his survey of what we have lost and where we are headed. At turns prophetic and provocative, Revolt against the Modern World outlines a profound metaphysics of history and demonstrates how and why we have lost contact with the transcendent dimension of being. The revolt advocated by Evola does not resemble the familiar protests of either liberals or conservatives. His criticisms are not limited to exposing the mindless nature of consumerism, the march of progress, the rise of technocracy, or the dominance of unalloyed individualism, although these and other subjects come under his scrutiny. Rather, he attempts to trace in space and time the remote causes and processes that have exercised corrosive influence on what he considers to be the higher values, ideals, beliefs, and codes of conduct--the world of Tradition--that are at the foundation of Western civilization and described in the myths and sacred literature of the Indo-Europeans. Agreeing with the Hindu philosophers that history is the movement of huge cycles and that we are now in the Kali Yuga, the age of dissolution and decadence, Evola finds revolt to be the only logical response for those who oppose the materialism and ritualized meaninglessness of life in the twentieth century. Through a sweeping study of the structures, myths, beliefs, and spiritual traditions of the major Western civilizations, the author compares the characteristics of the modern world with those of traditional societies. The domains explored include politics, law, the rise and fall of empires, the history of the Church, the doctrine of the two natures, life and death, social institutions and the caste system, the limits of racial theories, capitalism and communism, relations between the sexes, and the meaning of warriorhood. At every turn Evola challenges the reader's most cherished assumptions about fundamental aspects of modern life.

    It is the first in a two volume work; the companion volume, Praxis, being an exposition of ritual actions, is due to be published in 2016.The fall of Lucifer, and that of the rebel angels who descended upon the daughters of men, comprise the foundation myth of the Western occult tradition. Lucifer: Princeps is a study of origins, a portrait of the first ancestor of witchcraft and magic. In tracing the genealogy of our patron and prince, the principles that underlie the ritual forms that have come down to us, through the grimoires and folk practices, are elucidated. The study draws on the extensive literature of history, religion and archaeology, engaging with the vital discoveries and advances of recent scholarship, which render previous works on Lucifer, however well intentioned, out of date. A concomitant exegesis of the core texts conjures the terrain and koine of the Ancient Near East, the cradle cultures and language of his nascence. Of critical importance are the effaced cultures and cults that lie behind the Old Testament polemics, viz. those of Assyria, Ugarit and Canaan, as well as Sumeria, Egypt and Greece; they provide the context that give meaning to what would otherwise be an isolated brooding figure, one who makes no sense without being encountered in the landscape.Intended to be the definitive text on Lucifer for the witch, magician and student of the grimoires, Princeps spans wingtip to wingtip from the original flood myth and legends of divine teachers to the Church Fathers, notably Augustine, Origen and Tertullian. The tales of the Garden of Eden, the Nephilim, of the fall of Helel ben Šahar and the Prince of Tyre, the nature of Azazel, and the creation of the Satan are drawn beneath the shadow of these wings into a narrative that binds Genesis and Revelation via the Enochian tradition. The story of the Serpent in the Garden and that of Lucifer are revealed to be a singular myth whose true significance had been lost and can now be restored. It illuminates the path to apotheosis, and the role of the goddess as the transforming initiatrix who bestows the crown.

    Written by one of the world's few practicing alchemists, it's a concise reference guide that provides easy-to-follow information so that anybody can be a wizard-in-training.

    Judaism began a few thousand years before that. Religion in Egypt and Sumer go maybe a few thousand years before that. But what came before? Most people don't know that civilization began at Sind, a fertile area in modern Pakistan. Their ancient religion, the worship of Shiva and Shakti, is the oldest religion known. It spread throughout the world and it, reactions to it, or a combination of the two are the basis for all religion in the world today. Does this sound surprising? Historian and former history teacher Ann Moura has been able to trace civilization and religion into the past by over 100,000 years! She presents this information in "Origins of Modern Witchcraft. "The author reveals that virtually every aspect of modern Witchcraft can be traced back to the ancient Sind religion. Much of the same can be found in modern Hinduism, but Hinduism has had many Vedic ideas – including orthodoxy and caste – added to the original faith. Even so, the notion of the triple goddess (a Maiden, Mother, and Crone) comes straight from the older religion. The idea of the God being horned is derived from an image of Shiva. Many of the mythic images we associate with Greece and Rome originally came from the Sind religion. But this goes beyond Wicca to other religions. You'll see that Christ was a version of Krishna and "original sin" was a development of those who hated the original religion. It means that something was evil because it originally came from Sind. Controversial? You bet! This book is destined to be one of the most controversial books published this or any other year! But the author has listed all of her sources. Now is your chance to read the evidence for yourself and discover the real ancient sources for your beliefs. Get your copy today!

    Pharaohs and Kings unveils the historical reality of such biblical personalities as Moses, David, and Solomon, and such archaeological wonders as the desecrated statue of Joseph in his coat of many colors. Basis of a series on The Learning Channel in January 1996. Photos.

    He than disappeared. The book decodes the symbology found upon and within the Gothic Cathedrals of Europe which have openly displayed the secrets of alchemy for 700 years.

    They could own and trade in property, work outside the home, marry foreigners and live alone without the protection of a male guardian. Some of them even rose to rule Egypt as ‘female kings’. Joyce Tyldesley’s vivid history of how women lived in ancient Egypt weaves a fascinating picture of daily life – marriage and the home, work and play, grooming and religion – viewed from a female perspective, in a work that is engaging, original and constantly surprising.

    The most comprehensive survey of Druidry available, from their earliest history to the current renaissance--including a study of the shaping of their ideas, their principal deities and myths, their learning and social organization, and more.

    As the Roman Empire fights for its life and emerging Christianity fights for our souls, Hypatia is the last great voice of reason. A woman of sublime intelligence, Hypatia ranks above not only all women, but all men. Hypatia dazzled the world with her brilliance, was courted by men of every persuasion and was considered the leading philosopher and mathematician of her age ... yet her mathematics, her inventions, the very story of her life in all its epic and dramatic intensity, has gone untold. A heart-breaking love story, an heroic struggle against intolerance, a tragedy and a triumph, Hypatia walks through these pages fully realized while all around her Egypt's Alexandria, the New York City of its day, strives to remain a beacon of light in a darkening world.

    Eros and Magic in the Renaissance challenges this view, providing an in-depth scholarly explanation of the workings of magic and showing that magic continues to exist in an altered form even today.Renaissance magic, according to Ioan Couliano, was a scientifically plausible attempt to manipulate individuals and groups based on a knowledge of motivations, particularly erotic motivations. Its key principle was that everyone (and in a sense everything) could be influenced by appeal to sexual desire. In addition, the magician relied on a profound knowledge of the art of memory to manipulate the imaginations of his subjects. In these respects, Couliano suggests, magic is the precursor of the modern psychological and sociological sciences, and the magician is the distant ancestor of the psychoanalyst and the advertising and publicity agent.In the course of his study, Couliano examines in detail the ideas of such writers as Giordano Bruno, Marsilio Ficino, and Pico della Mirandola and illuminates many aspects of Renaissance culture, including heresy, medicine, astrology, alchemy, courtly love, the influence of classical mythology, and even the role of fashion in clothing.Just as science gives the present age its ruling myth, so magic gave a ruling myth to the Renaissance. Because magic relied upon the use of images, and images were repressed and banned in the Reformation and subsequent history, magic was replaced by exact science and modern technology and eventually forgotten. Couliano's remarkable scholarship helps us to recover much of its original significance and will interest a wide audience in the humanities and social sciences.

    In this landmark book, Ronald Hutton traces witchcraft from the ancient world to the early-modern stake.   This book sets the notorious European witch trials in the widest and deepest possible perspective and traces the major historiographical developments of witchcraft. Hutton, a renowned expert on ancient, medieval, and modern paganism and witchcraft beliefs, combines Anglo-American and continental scholarly approaches to examine attitudes on witchcraft and the treatment of suspected witches across the world, including in Africa, the Middle East, South Asia, Australia, and North and South America, and from ancient pagan times to current interpretations. His fresh anthropological and ethnographical approach focuses on cultural inheritance and change while considering shamanism, folk religion, the range of witch trials, and how the fear of witchcraft might be eradicated.

    This title addresses the perennial questions: continuity of life after death, purpose of existence, good and evil, consciousness and substance, sexuality, karma, evolution, and human and planetary transformation.

    The essays cover a wide range of topics, from magic and trance healing to cockfighting and seaweed farming. The author, who has lived on Bali for 28 years, is widely recognized as a self-taught guru of Balinese folk traditions.