Moments of visual poetry and heartbreak are interspersed by bad body hair and bathroom disasters—much like life.Jane Mai is a freelance illustrator and comic artist from Brooklyn, New York. Her work has appeared in several anthologies and self-published zines. In 2012, Koyama Press published her first book, Sunday in the Park with Boys, which was followed by the zine Sorry I Can't Come in on Monday I'm Really Really Sick.

    In 1976 the Point Reyes Wilderness Act granted the highest protection in America to more than 33,000 acres of California forest, grassland and shoreline - including Drakes Estero, an estuary of stunning beauty. Inside was a small, family-run oyster farm first established in the 1930s. A local rancher bought the business in 2005, renaming it The Drakes Bay Oyster Company. When the National Park Service informed him that the 40-year lease would not be renewed past 2012, he vowed to keep the farm in business even if it meant taking his fight all the way to the Supreme Court.Environmentalists, national politicians, scientists, and the Department of the Interior all joined a protracted battle for the estuary that had the power to influence the future of wilderness for decades to come. Were the oyster farmers environmental criminals, or victims of government fraud? Fought against a backdrop of fear of government corruption and the looming specter of climate change, the battle struck a national nerve, pitting nature against agriculture and science against politics, as it sought to determine who belonged and who didn’t belong, and what it means to be wild.

    Here is the work of Alexander Pushkin, Mikhail Lermontov, Alexander Blok, Andrei Bely, Vladimir Mayakovsky, Ivan Bunin, Osip Mandelstam, Anna Akhmatova, Marina Tsvetaeva, Boris Pasternak, and Joseph Brodsky, among many others.Arranged by theme—love, mortality, art, and the enduring mystery of Mother Russia herself—and presented in the best available translations, these poems will serve as both an introduction to the mastery of Russian poetry and a wide-ranging selection to be returned to again and again.

    In this spirited memoir, Plisetskaya reflects on her personal and professional odyssey, presenting a unique view of the life of a Soviet artist during the troubled period from the late 1930s to the 1990s.Plisetskaya recounts the execution of her father in the Great Terror and her mother’s exile to the Gulag. She describes her admission to the Bolshoi in 1943, the roles she performed there, and the endless petty harassments she endured, from both envious colleagues and Party officials. Refused permission for six years to tour with the company, Plisetskaya eventually performed all over the world, working with such noted choreographers as Roland Petit and Maurice Béjart. She recounts the tumultuous events she lived through and the fascinating people she met—among them the legendary ballet teacher Agrippina Vaganova, George Balanchine, Frank Sinatra, Rudolf Nureyev, and Dmitri Shostakovich. And she provides fascinating details about testy cocktail-party encounters with Khrushchev, tours abroad when her meager per diem allowance brought her close to starvation, and KGB plots to capitalize on her friendship with Robert Kennedy. Gifted, courageous, and brutally honest, Plisetskaya brilliantly illuminates the world of Soviet ballet during an era that encompasses both repression and cultural détente.Still prima ballerina assoluta with the Bolshoi Ballet, Maya Plisetskaya also travels around the world performing and lecturing. At the Bolshoi’s gala celebrating her 75th birthday, President Vladimir Putin presented her with Russia’s highest civilian honor, the medal for service to the Russian state, second degree. Tim Scholl is professor of Russian language and literature at Oberlin College. Antonina W. Bouis is the prize-winning translator of more than fifty books, including fiction, nonfiction, and memoirs by such figures as Andrei Sakharov, Elena Bonner, and Dmitri Shostakovich.

    Includes: - informative essays by art luminaries Robert Williams, Carlo McCormick, and Larry Reid- Foreword by Kirsten Anderson- images from twenty-three of the movment's top artists including: Anthony Ausgang, Kalynn Campbell, The Clayton Brothers, Camille Rose Garcia, Liz McGrath, Niagara, The Pizz, Shag, Robert Williams, and Eric White

    Around the turn of the 20th century, he founded the Photo-Secession, a progressive movement concerned with advancing the creative possibilities of photography, and by 1903 began publishing Camera Work, an avant-garde magazine devoted to voicing the ideas, both in images and words, of the Photo-Secession. Camera Work was the first photo journal whose focus was visual, rather than technical, and its illustrations were of the highest quality hand-pulled photogravure printed on Japanese tissue. This book brings together all photographs from the journal’s 50 issues.

    An icon on the 1990s zine scene, Iggy Scam traces not only the evolution of cities, but of his own thinking, from his early focus on more outré forms of resistance through more contemplative times as he becomes preoccupied with the need for a more affirmative vision of the future. In one of the book’s key pieces, Scam celebrates the history and passing of Hunt’s Donuts in San Francisco’s Mission District. On one level an epitaph for a beloved hangout and on another a metaphor for the effects of gentrification, it’s the untold history of an entire neighborhood in a single retail establishment. Whether handing out fake Starbucks coupons or dreaming of a future with more public art and punk holidays, Scam gives the reader inspiration for living defiantly.

    Petersburg was the haunt of poets, artists, and musicians, a place to meet, drink, read, brawl, celebrate, and stage performances of all kinds. It has since become a symbol of the extraordinary literary ferment of that time. It was then that Alexander Blok composed his apocalyptic sequence “Twelve”; that the futurists Velimir Khlebnikov and Vladimir Mayakovsky exploded language into bold new forms; that the lapidary lyrics of Osip Mandelstam and plangent love poems of Anna Akhmatova saw the light; that the electrifying Marina Tsvetaeva stunned and dazzled everyone. Boris Pasternak was also of this company, putting together his great youthful hymn to nature, My Sister, Life. It was a transforming moment—not just for Russian but for world poetry—but a short-lived one. Within little more than a decade, revolution and terror were to disperse, silence, and destroy almost all the poets of the Stray Dog cabaret.

    Yet Peter Gay asserts in this provocative, seminal work that it is the sexually emboldened Viennese playwright, Arthur Schnitzler, who provides a better symbol for the age. Challenging many of the sacrosanct theories of such intellectual luminaries as Darwin and Freud, Gay chronicles the rise of modernity in countries as diverse as Germany and Italy, England and the United States, and in doing so presents a century filled with science and superstition, revolutionaries and reactionaries, eros and anxiety -- in short, an age of contradiction rendered remarkably clear by one of our most eloquent historians. Not since Barbara Tuchman's A Distant Mirror has a century been brought alive as dramatically. Schnitzler's Century is nothing less than a tour de force, a work that tells us with remarkable lucidity how we came to be the way we are.

    In the years since we have seen the dismantling of the Soviet bloc and the restoration of Ukraine's independence - a time of celebration for Ukrainians throughout the world, and of tumultuous change for those in the homeland.With this new edition of "Ukraine: A History," Subtelny revises the story up to the spring of 2000. A new chapter focuses on the achievements and failures of the new state and society in international affairs, internal politics, and economic and social development.Third edition: ISBN 0-8020-4871-4 / 9780802048714 (cloth)Third edition: ISBN 0-8020-8390-0 / 9780802083906 (paper)Third edition: ISBN 1282033956 / 9781282033955 / 9786612033957 (mass market hardcover)Third edition: ISBN 6612033959 / 1442682825 / 9781442682825 (mass market paperback)

    With foreword by World Fantasy Award-winner Jeffrey Ford, Moscow But Dreaming showcases singular and lyrical writing that will appeal to fans of slipstream and magical realism, as well as those interested in the uncanny and Russian history.

    In the ensuing years, a brutal Soviet campaign of confiscations, terrorizing, and murder spread throughout Ukrainian villages. What food remained after the seizures was insufficient to support the population. In the resulting famine as many as seven million Ukrainians starved to death.This poignant eyewitness account of the Ukrainian famine by one of the survivors relates the young Miron Dolot's day-to-day confrontation with despair and death—his helplessness as friends and family were arrested and abused—and his gradual realization, as he matured, of the absolute control the Soviets had over his life and the lives of his people. But it is also the story of personal dignity in the face of horror and humiliation. And it is an indictment of a chapter in the Soviet past that is still not acknowledged by Russian leaders.

    From modest beginnings in a Swiss village, Giacometti went on to flourish in the picturesque milieu of prewar Paris and then to achieve international acclaim in the fifties and sixties. Picasso, Balthus, Samuel Beckett, Stravinsky and Sartre have parts in his story, along with flamboyant art dealers, whores, shady drifters, unscrupulous collectors, poets and thieves. Women were a complex yet important element of his life--particularly his wife, Annette, and his last mistress and model, Caroline--as was the intimate relationship he shared with his brother Diego, who was both Alberto's confidant and collaborator.James Lord was personally acquainted with Giacometti and his entourage, and combines firsthand experience with a unique knowledge gathered during many years of observation and research. In this exceptional biography Lord unfolds the personal history of a man who managed to achieve a heroic destiny by remaining utterly true to himself and to his calling.Giacometti: A Biography was nominated for the National Book Critics Circle Award. James Lord has subsequently published three volumes of memoirs. In recognition of his contribution to French culture he has been made an officer of the Legion of Honour.

    Artist Steve McDonald's beautifully rendered and detailed line work offers bird's-eye perspectives of visually arresting global locales from New York, London, and Paris to Istanbul, Tokyo, and Melbourne, Rio, Amsterdam, and many more. The adult coloring book's distinctive large square format offers absorbingly complex vistas to color, the crisp white pages are conducive to a range of artistic applications, and a middle margin keeps all the artwork fully colorable. Complementing the cityscapes are a selection of mind-bending labyrinthine architectural illustrations for still deeper meditative coloring adventures and imaginative flights of fancy.

    When their radically new ballet, The Rite of Spring, was first performed in Paris on May 29, 1913, the reaction was so polarized, there were fistfights and riots! Brilliant or disastrous, the performance marked the birth of modern music and dance. Stringer’s rhythmic text and gloriously inventive, color-rich paintings capture the wild and imaginative collaboration of composer and choreographer. The fascinating author note includes photos of the dynamic duo and The Rite of Spring dancers.