The title is a play on words, one meaning "the force which pulls" & the other being "extremely serious or important". It was serialized in Astounding Science Fiction, 4–7/53. Its 1st cloth publication was in '54. It was 1st published in paper in '58. Along with the novel itself, many editions (& most recent editions) of the book also include Whirligig World, an essay on creating the planet Mesklin that was published in the 6/53 Astounding. He published two sequels, a '70 novel called Star Light & a '73 short story called Lecture Demonstration. Mission of Gravity was nominated for a Retro Hugo Award for '54.For a profit & adventure Barlennan would sail thousands of miles across uncharted waters, into regions where gravity played strange tricks. He'd dare the perils of strange tribes & stranger creatures--even dicker with those aliens from beyond the skies, though the concept of another world was unknown to the inhabitants of the planet of Mesklin. But in spite of the incredible technology of the strangers & without regard for their enormous size, Barlennan had the notion of turning the deal to an unsuspected advantage for himself--a considerable enterprise for a being very much resembling a 15" caterpillar!

    There's Janie, who moves things without touching them, and there are the teleporting twins, who can travel ten feet or ten miles. There's Baby, who invented an antigravity engine while still in the cradle, and Gerry, who has everything it takes to run the world except for a conscience. Separately, they are talented freaks. Together, they compose a single organism that may represent the next step in evolution, and the final chapter in the history of the human race.In this genre-bending novel - among the first to have launched scifi into the arena of literature - one of the great imaginers of the twentieth century tells a story as mind-blowing as any controlled substance and as affecting as a glimpse into a stranger's soul. For as the protagonists of More Than Human struggle to find who they are and whether they are meant to help humanity or destroy it. Theodore Sturgeon explores questions of power and morality, individuality and belonging, with suspense, pathos, and a lyricism rarely seen in science fiction.

    A Shaper. In a warm womb of metal, his patients dream their neuroses, while Render, intricately connected to their brains, dreams with them, makes delicate adjustments, and ultimately explains and heals. Her name is Eileen Shallot, a resident in psychiatry. She wants desperately to become a Shaper, though she has been blind from birth. Together, they will explore the depths of the human mind -- and the terrors that lurk therein

    Roger McPherson, head of the prestigious Neuropsychiatric Research Unit at University Hospital in Los Angeles, is convinced he can cure Benson through a procedure called Stage Three. During this highly specialized experimental surgery, electrodes will be place in the patient's brain, sending monitored, soothing pulses to its pleasure canyons.Though the operation is a success, there is an unforseen development. Benson learns how to control the pulses and is increasing their frequency. He escapes -- a homicidal maniac loose in the city -- and nothing will stop his murderous rampages or impede his deadly agenda. . .

    Simak's "City" is a series of connected stories, a series of legends, myths, and campfire stories told by Dogs about the end of human civilization, centering on the Webster family, who, among their other accomplishments, designed the ships that took Men to the stars and gave Dogs the gift of speech and robots to be their hands.Contents:· City · May 1944 · Huddling Place · Jul 1944 · Census · Sep 1944 · Desertion · Nov 1944 · Paradise · Jun 1946 · Hobbies · Nov 1946 · Aesop · Dec 1947 · The Simple Way [The Trouble with Ants] · Jan 1951.

    Foul play by the Soviets is suspected, and the world draws close to nuclear war. But the answer has nothing to do with human deeds.

    So how is it that, in competition with the worst villains the universe has to offer, he's become the proud owner of the last seedship of Earth's legendary Ecological Engineering Corps? Never mind, just be thankful that the most powerful weapon in human space is in good hands-hands which now control cellular material for thousands of outlandish creatures. With his unique equipment, Tuf is set to tackle the problems human settlers have created in colonizing far-flung worlds: hosts of hostile monsters, a population hooked on procreation, a dictator who unleashes plagues to get his own way...and in every case the only thing that stands between the colonists and disaster is Tuf's ingenuity - and his reputation as an honest dealer in a universe of rogues...Tuf Voyaging features interior illustrations by Janet Aulisio. Included in it will be her original eight illustrations, along with 28 newly commissioned ones.

    Editor John W. Campbell, Jr., discovered and promoted great new writers such as A.E. van Vogt, whose novel Slan was one of the works of the era.Slan is the story of Jommy Cross, the orphan mutant outcast from a future society prejudiced against mutants, or slans. Throughout the forties and into the fifties, Slan was considered the single most important SF novel, the one great book that everyone had to read. Today it remains a monument to pulp SF adventure, filled with constant action and a cornucopia of ideas.This edition has a new introduction by Kevin J. Anderson.

    Clarke of Last and First Men. This masterpiece of science fiction by British philosopher and writer Olaf Stapledon (1886–1950) is an imaginative, ambitious history of humanity's future that spans billions of years. Together with its follow-up, Star Maker, it is regarded as the standard by which all earlier and later future histories are measured.The protagonist of this compelling novel is humanity itself, stripped down to sheer intelligence. It evolves through the ages: rising to pinnacles of civilization, teetering on the brink of extinction, surviving onslaughts from other planets and a decline in solar energy, and constantly developing new forms, new senses, and new intellectual abilities. From the present to five billion years into the future, this romance of humanity abounds in profound and imaginative thought.

    Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly). The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared. Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward· Introduction · Robert Silverberg · in · A Martian Odyssey [Tweel] · Stanley G. Weinbaum · nv Wonder Stories Jul ’34 · Twilight [as by Don A. Stuart; Dying Earth] · John W. Campbell, Jr. · ss Astounding Nov ’34 · Helen O’Loy · Lester del Rey · ss Astounding Dec ’38 · The Roads Must Roll · Robert A. Heinlein · nv Astounding Jun ’40 · Microcosmic God · Theodore Sturgeon · nv Astounding Apr ’41 · Nightfall · Isaac Asimov · nv Astounding Sep ’41 · The Weapon Shop [Isher] · A. E. van Vogt · nv Astounding Dec ’42 · Mimsy Were the Borogoves · Lewis Padgett · nv Astounding Feb ’43 · Huddling Place [City (Websters)] · Clifford D. Simak · ss Astounding Jul ’44 · Arena · Fredric Brown · nv Astounding Jun ’44 · First Contact · Murray Leinster · nv Astounding May ’45 · That Only a Mother · Judith Merril · ss Astounding Jun ’48 · Scanners Live in Vain · Cordwainer Smith · nv Fantasy Book #6 ’50 · Mars Is Heaven! · Ray Bradbury · ss Planet Stories Fll ’48 · The Little Black Bag · C. M. Kornbluth · nv Astounding Jul ’50 · Born of Man and Woman · Richard Matheson · vi F&SF Sum ’50 · Coming Attraction · Fritz Leiber · ss Galaxy Nov ’50 · The Quest for Saint Aquin · Anthony Boucher · ss New Tales of Space and Time, ed. Raymond J. Healy, Holt, 1951; F&SF Jan ’59 · Surface Tension [Lavon] · James Blish · nv Galaxy Aug ’52 · The Nine Billion Names of God · Arthur C. Clarke · ss Star Science Fiction Stories #1, ed. Frederik Pohl, Ballantine, 1953 · It’s a Good Life · Jerome Bixby · ss Star Science Fiction Stories #2, ed. Frederik Pohl, Ballantine, 1953 · The Cold Equations · Tom Godwin · nv Astounding Aug ’54 · Fondly Fahrenheit · Alfred Bester · nv F&SF Aug ’54 · The Country of the Kind · Damon Knight · ss F&SF Feb ’56 · Flowers for Algernon · Daniel Keyes · nv F&SF Apr ’59 · A Rose for Ecclesiastes · Roger Zelazny · nv F&SF Nov ’63

    Now, as faster-than-light drive opens the stars to exploration, humans are finding other relics of the race they call the Monument-Makers - each different, and each heartbreakingly beautiful. But except for a set of footprints on Jupiter's moon Iapetus, there is no trace of the enigmatic race that has left them behind. Then a team of scientists working on a dead world discover an ominous new image of the Monument-Makers. Somehow it all fits with other lost civilizations, and possibly with Earth's own future. And distant past. But Earth itself is on the brink of ecological disaster - there is no time to search for answers. Even to a question that may hold the key to survival for the entire human race...

    The only problem is that the Confederacion needs him as one of its twelve Prime Operators for its secret service, the TBII. The TBII wants him as a spy, thief & assassin. It's not, of course, a problem for the Confederacion, which simply uses immersion therapy & hypnotic personality overlay for Otto's training, then sends him out in deep cover, encased in plastiflesh, on a variety of dangerous missions on a number of bizarre worlds. But for him, it's a different matter: what he has to witness & what he's forced to do take a terrible toll. Always he returns to his original self--his conscience stabbed by the memory of all those he'd killed in the service of interstellar harmony.

    Donaldson returns with this exciting and long-awaited new series that takes us into a stunningly imagined future to tell a timeless story of adventure and the implacable conflict of good and evil within each of us.Angus Thermopyle was an ore pirate and a murderer; even the most disreputable asteroid pilots of Delta Sector stayed locked out of his way.  Those who didn't ended up in the lockup--or dead.  But when Thermopyle arrived at Mallory's Bar & Sleep with a gorgeous woman by his side the regulars had to take notice.  Her name was Morn Hyland, and she had been a police officer--until she met up with Thermopyle.But one person in Mallory's Bar wasn't intimidated.  Nick Succorso had his own reputation as a bold pirate and he had a sleek frigate fitted for deep space.  Everyone knew that Thermopyle and Succorso were on a collision course.  What nobody expected was how quickly it would be over--or how devastating victory would be.  It was common enough example of rivalry and revenge--or so everyone thought.  The REAL story was something entirely different.In The Real Story, Stephen R. Donaldson takes us to a remarkably detailed world of faster-than-light travel, politics, betrayal, and a shadowy presence just outside our view to tell the fiercest, most profound story he has ever written.

    Most of the planet's wild terrain was unexplored...and many of its peoples seclusive and secretive.But for Andrew Carr there was an attraction he could not evade. Darkover drew him, Darkover haunted him--and when his mapping plane crashed in unknown heights, Darkover prepared to destroy him.Until the planet's magic asserted itself--and his destiny began to unfold along lines predicted only by phantoms and wonder workers of the kind Terran science could never acknowledge.THE SPELL SWORD is a Darkover novel to stand with the great ones of the series.

    The colonies are linked together by the occasional sublight colony ship voyages and hyperspatial data-casting. Human consciousness is digitally freighted between the stars and downloaded into bodies as a matter of course.But some things never change. So when ex-envoy, now-convict Takeshi Kovacs has his consciousness and skills downloaded into the body of a nicotine-addicted ex-thug and presented with a catch-22 offer, he really shouldn't be surprised. Contracted by a billionaire to discover who murdered his last body, Kovacs is drawn into a terrifying conspiracy that stretches across known space and to the very top of society.