As Tommy's stay in hospital turns from weeks into months, Polly's mother, Ada, becomes increasingly anxious as to how she will make ends meet. In an attempt to help out, Polly takes a job as a flowerseller, and when she sells a buttonhole to Charles Denholme, a member of the Liverpool gentry, she sets in motion a chain of events that changes her life forever...

    In spare, elegant prose, Freed delivers surprise after surprise as she shakes the truth from life. Whether it's her portrayal of a mother mired in senile dementia in "Ma," a young girl experiencing her first sexual encounter with an itinerant knife-sharpener in "Under the House," or a young woman incapable of loving conventionally in "An Error of Desire," Freed portrays the absurdity, the delusions, the dramas, and the dignity of her characters' lives. These masterful stories reinforce her reputation as one of our most fearless and sophisticated explorers of sexual and filial love.

    The book is a last in its series started from Vanvas.

    That the Church uses artificial intelligences to power its never-ending prayer machines doesn't interest her at all: they're paying, and she needs enough money to survive in an increasingly crumbling world. Until a demonstration outside the Church's headquarters, and the appearance of Stéphane, an enigmatic man Lisa finds herself powerfully drawn to. What lies beneath his headscarf, why is he so interested in the Church--and how far will she be willing to go in order to earn his trust? Aliette de Bodard, winner of the Nebula, Locus and BSFA Awards, teams up with BSFA Award-winner Gareth L. Powell to present an uplifting short story of machines and humans, of intense emotions and cutting-age technology culled from tomorrow’s headlines. “Full of character and wit” - Zone SF "Wonderful and full of promise.” - SF Revu

    In "A Most Blessed and Auspicious Occasion," a young couple planning a wedding is forced to deal with interfering relatives dictating the appropriate number of ritual goat sacrifices. "Missed Connection--m4w" is the tragicomic tale of a pair of lonely commuters eternally failing to make that longed-for contact. The members of a rock band in "Up-and-Comers" discover they suddenly have superpowers--but only when they're drunk. And in "The Serial Monogamist's Guide to Important New York City Landmarks," a woman maps her history of romantic failures based on the places she and her significant others visited together.Equally at home with the surreal and the painfully relatable (or both at once), Bob-Waksberg delivers a killer combination of humor, romance, whimsy, cultural commentary, and crushing emotional vulnerability. The resulting collection is a punchy, perfect bloody valentine.

    Families, homes, lovers, marriages -- the safe havens they have been taught to depend on no longer guarantee shelter or stability.ONE WAY OR ANOTHER introduces Peter Cameron as an extraordinary writer, one distinguished not only by his prose, which is always abundantly witty and pitch-perfect, but also by a rare generosity of heart.Included in this book are two stories that were selected for the O. HENRY PRIZE STORIES: "Homework," first published in The New Yorker, and "Excerpts from Swan Lake," first published in The Kenyon Review.

    Hopefully, the enticement of winning his house and the magic of the holidays will lure in just the right person! Holly Kirby was a bit shocked when she read the ad. The winner of the Christmas contest would receive a house! Knowing this might be some sort of scam, she still can’t help but imagine all the wonderful things she could do with a beautiful house on Nantucket. Holly decides to go ahead and enter, hoping that the Christmas angels will bring her a miracle. Jack Anderson immediately knew something was wrong with his grandfather after reading the ad for the Christmas contest. Maybe it was time to take a break from work and pay him a visit. Somebody has to talk some sense into him! Only, when he gets there, he realizes Grandpa’s plan is already in full swing. The clock is ticking but can Jack stop it in time, or will his family home be lost to him forever?

    With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists.

    

    Where men stood tall and lived rough. But that West is no more. In its place Shann Ray finds washedup basketball players, businessmen hiding addictions, and women fighting the inexplicable violence that wells up in these men. A son struggles to accept his father’s apologies after surviving a childhood of beatings. Two men seek empty basketball hoops on a snowy night, hoping to relive past glory. A bull rider skips town and rides herd on an unruly mob of passengers as he searches for a thief on a train threading through Montana’s Rocky Mountains. In these stories, Ray grapples with the terrible hurt we inflict on those we love, and finds that reconciliation, if far off, is at least possible. The debut of a writer who is out to redefine the contours of the American West, American Masculine is a deeply felt and fiercely written ode to the country we left behind.

    This issue is devoted to currents of all kinds, and to barriers that check them

    Bey had spent his entire life running through the woods and never once saw anything to convince him there were creatures worth fearing. When his littler sister, Chensei, whines about the trip home at night, Bey only mocks her. Until she disappears beyond the treeline. I, PONTIANAK Everyone hates and fears monsters, except for when you’re the monster. I never asked for it, and honestly I can’t say I’ve really enjoyed it. But I am what I am, and I can’t change it. Hell, I can’t even control it. My name used to be Anastasia, and I am a Pontianak.

    Hell’s Bottom is more than a ranch. Home to Renny, one of those women who prefers “a little Hell swirled with their Heaven,” and her husband, Ben, who’s “gotten used to smoothing over Renny’s excesses,” the ranch has been the site of births and deaths of both cattle and children, as well as moments of amazing harmony and clear vision. A day of haying turns violent in “A New Name Each Day,” while in “Rattlesnake Fire,” Ben and his estranged sister must decide whether to put aside their differences to save families trapped by a forest fire. In Pritchett’s masterful hands, the western landscape becomes a zone of familial crisis and, sometimes, transcendence.

    This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor’s brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume. Neither genre nor Granta shall be overlooked in the search for the very best new short fiction.The first book of the series includes stories published in 2010 by the following authors: David Rose, Hilary Mantel, Lee Rourke, Leone Ross, Claire Massey, Christopher Burns, Adam Marek, SJ Butler, Heather Leach, Alan Beard, Kirsty Logan, Philip Langeskov, Bernie McGill, John Burnside, Robert Edric, Michèle Roberts, Dai Vaughan, Alison Moore and Salley Vickers.Table of Contents:Flora – David RoseWinter Break – Hilary MantelEmergency Exit – Lee RourkeLove Silk Food – Leone RossFeather Girls – Claire MasseyForeigner – Christopher BurnsDinner of the Dead Alumni – Adam MarekThe Swimmer – SJ ButlerSo Much Time in a Life – Heather LeachStaff Development – Alan BeardThe Rental Heart – Kirsty LoganNotes on a Love Story – Philip LangeskovNo Angel – Bernie McGillSlut’s Hair – John BurnsideComma – Hilary MantelMoving Day – Robert EdricTristram and Isolde – Michèle RobertsLooted – Dai VaughanWhen the Door Closed, It Was Dark – Alison MooreEpiphany – Salley Vickers

    Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.