Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Adopting a sunny, genial tone, Dunthorne lures the reader to darker places, exploring death and dread, failure and regret - the 'lounge of our suffering'. Often, he catches us off-guard: a 'whiplash' effect where poems shift from laughter to slaughter in a moment. Impertinent owls, an immersive theatre troupe, ancient men from the Great War and idiot balloonists - such characters dramatise our human fancies and foibles, joining the protagonist in scenarios both humorously bizarre and all-too-familiar. These performances serve to probe and unpeel the layers of the self - all the way down to the raw.

    Le Guin, and with an introduction by Karen Joy Fowler, a collection of thoughts—always adroit, often acerbic—on aging, belief, the state of literature, and the state of the nation.Ursula K. Le Guin has taken readers to imaginary worlds for decades. Now she’s in the last great frontier of life, old age, and exploring new literary territory: the blog, a forum where her voice—sharp, witty, as compassionate as it is critical—shines. No Time to Spare collects the best of Ursula’s blog, presenting perfectly crystallized dispatches on what matters to her now, her concerns with this world, and her wonder at it.   On the absurdity of denying your age, she says, If I’m ninety and believe I’m forty-five, I’m headed for a very bad time trying to get out of the bathtub. On cultural perceptions of fantasy: The direction of escape is toward freedom. So what is ‘escapism’ an accusation of? On her new cat: He still won’t sit on a lap…I don’t know if he ever will. He just doesn’t accept the lap hypothesis. On breakfast: Eating an egg from the shell takes not only practice, but resolution, even courage, possibly willingness to commit crime. And on all that is unknown, all that we discover as we muddle through life: How rich we are in knowledge, and in all that lies around us yet to learn. Billionaires, all of us.

    "Elizabeth and Her German Garden" is a year's diary written by Elizabeth about her experiences learning gardening and interacting with her friends. It includes commentary on the beauty of nature and on society, but is primarily humorous due to Elizabeth's frequent mistakes and her idiosyncratic outlook on life. The story is full of sweet, endearing moments. Elizabeth was an avid reader and has interesting comments on where certain authors are best read; she tells charming stories of her children and has a sometimes sharp sense of humor in regards to the people who will come and disrupt her solitary lifestyle.

    That's the best case scenario for a woman on the streets of Juárez, Mexico. Kate del Castillo (La Reina del Sur) delivers a stunning one-woman performance that transports listeners from a New York stage to the treacherous streets of Juárez, Mexico, where thousands of women have been murdered in an ongoing epidemic of violence. Written by Isaac Gomez (Steppenwolf's La Ruta) and based on his intimate interviews, the way she spoke is a raw and riveting exploration of responsibility and follows one playwright's journey to give voice to a city of women silenced by violence, fear, and a world that has turned a deaf ear to their stories. This poignant and unforgettable play is directed by Obie and Lucille Lortel-winner Jo Bonney.

    Available individually, as well as in a boxed set, the four hardcover volumes have been specially bound with covers featuring images central to Beckett's works. Typographical errors that remained uncorrected in the various prior editions have now been corrected in consultation with Beckett scholars C. J. Ackerley and S. E. Gontarski."Poet, novelist, short–story writer, playwright, translator, and critic, Samuel Beckett created one of the most brilliant and enduring bodies of work in twentieth–century literature. In celebration of the one hundredth anniversary of his birth, the four volumes of this new edition bring together nearly every word Beckett published during his lifetime. Open anywhere and begin reading. It is an experience unequaled anywhere in the universe of words." — Paul Auster, from his Series Notes

    Seth Rudetsky is the funniest man I know. Period.” —Kristin Chenoweth, Tony award-winning actress“Seth Rudetsky knows every skeleton in (or out) of the closet on Broadway and his passion, joy and encyclopedic knowledge of that Magic Kingdom inform every sentence of this book. He makes our age, this age, seem Golden, too, and he is right about that.” —Terrence McNally, playwright“I love Seth Rudetsky! He is Mr. Broadway! Seth's love for the Musical Theatre equals my own and his knowledge of all things Broadway is an obsession to be cherished. His chronicle of the journey of starstruck kid to Broadway pianist/conductor is a wonderful every-theatre-kid tale with wicked humor and New York City savvy, sass and insight. I LOVE THIS BOOK!” —Betty Buckley,Tony award-wining actress/singer"Seth Rudetsky belts a high comedic note in this hilariously reflective, mile-a-minute insight about the real people who travel the Great White Way."—Ana Gasteyer, Actress/Singer, "Saturday Night Live", "Wicked""Seth Rudetsky's book is everything you want to know about Broadway AND Funny!"—Lea DeLaria, Actress/Comedian, "The Rocky Picture Horror Show"“Seth Rudetsky works in the pits, but his book is anything but. A laugh-filled excursion to Broadway with a guide who knows where all the phantoms are buried. Even if the closest you ever get to the Broadway jungle is second mezz at “The Lion King,” you'll have a good time” —Bruce Vilanch, Actor-Writer-One-time-SquareWelcome to life beneath the wicked stage!Stephen Sheerin was born to play on Broadway—or at least, under it. He’s a musician, a conductor, and his dream is to music direct a big Broadway musical. After years of toiling in the pit of some of the best-loved (and loathed) hits on the Great White Way, he’s just been given his big break. Can life really be going that well? Of course not—his family is driving him crazy and his boyfriend can’t seem to get rid of his other boyfriend. Then there’s Stephen himself—neurotic and bitchy—who realizes that maybe total happiness is over-rated.

    Luke, Dickens hoped to teach his young children about religion and faith. Author: Charles DickensFormat: 128 pages, HardcoverPublisher: Simon Schuster (November 9, 1999) ISBN: 978-0684865379

    More important, Britain's writers have long challenged readers with new ways of understanding an ever-changing world.This series of 48 fascinating lectures by an award-winning professor provides you with a rare opportunity to step beyond the surface of Britain's grand literary masterpieces and experience the times and conditions they came from and the diverse issues with which their writers grappled.The unique insights Professor Sutherland shares about how and why these works succeed as both literature and documents of Britain's social and political history can forever alter the way you experience a novel, poem, or play.More than just a survey, these lectures reveal how Britain's cultural landscape acted upon its literature and how, in turn, literature affected the cultural landscape. Professor Sutherland takes a historical approach to the wealth of works explored in these lectures, grounding them in specific contexts and often connecting them with one another.All the great writers that come to mind when you think of British literature are here, along with unique looks at their most popular and powerful works. You also enjoy the company of less-familiar voices and contemporary authors who continue to take literature into new territories.

    The devil will do all he asks on Earth and seeks to grant him a moment in life so glorious that he will wish it to last forever. But if Faust does bid the moment stay, he falls to Mephisto and must serve him after death. In this first part of Goethe’s great work, the embittered thinker and Mephistopheles enter into their agreement, and soon Faust is living a rejuvenated life and winning the love of the beautiful Gretchen. But in this compelling tragedy of arrogance, unfulfilled desire, and self-delusion, Faust heads inexorably toward an infernal destruction.The best translation of Faust available, this volume provides the original German text and its English counterpart on facing pages. Walter Kaufmann's translation conveys the poetic beauty and rhythm as well as the complex depth of Goethe's language. Includes Part One and selections from Part Two.

    . .In the heart of Elizabethan England, Richard Shakespeare dreams of a glittering career in one of the London playhouses, a world dominated by his older brother, William. But he is a penniless actor, making ends meet through a combination of a beautiful face, petty theft and a silver tongue. As William’s star rises, Richard’s onetime gratitude is souring and he is sorely tempted to abandon family loyalty.So when a priceless manuscript goes missing, suspicion falls upon Richard, forcing him onto a perilous path through a bawdy and frequently brutal London. Entangled in a high-stakes game of duplicity and betrayal which threatens not only his career and potential fortune, but also the lives of his fellow players, Richard has to call on all he has now learned from the brightest stages and the darkest alleyways of the city. To avoid the gallows, he must play the part of a lifetime . . . .Showcasing the superb storytelling skill that has won Bernard Cornwell international renown, Fools and Mortals is a richly portrayed tour de force that brings to life a vivid world of intricate stagecraft, fierce competition, and consuming ambition.

    In Never Said Nothing, the latest in Audible’s Words + Music series, Phair charts her unlikely journey from making her first record—one that’s now ensconced on Rolling Stone’s "500 Greatest Albums of All Time"—to a trial by fire (she’d never set foot on stage before its release), to even more improbably, a second and a third, maybe fourth act, depending on how one counts these things.In this honest and disarming look inside her unique career, Phair talks of how her meteoric rise was accompanied by an equally intense case of the dreaded imposter syndrome, discovering music’s strange magic, and her possibly unique ability to chart her future through songs. Although she includes herself in the class of ‘ordinary people doing extraordinary things,’ listening to Never Said Nothing, along with her performances—which include "‘6’1," "Polyester Bride," and "Stars and Planets,"—one can’t help but feel that ‘fearless person doing extraordinary things’ is the better description.

    But, undeterred, he commences a deeply felt meditation on poetry, its language and meaning, and its power to open minds and transform lives. By the end of the book, Parini has recovered a truth often obscured by our clamorous culture: without poetry, we live only partially, not fully conscious of the possibilities that life affords. Poetry indeed matters. A gifted poet and acclaimed teacher, Parini begins by looking at defenses of poetry written over the centuries. He ponders Aristotle, Horace, and Longinus, and moves on through Sidney, Wordsworth, Coleridge, Shelley, Eliot, Frost, Stevens, and others. Parini examines the importance of poetic voice and the mysteries of metaphor. He argues that a poet’s originality depends on a deep understanding of the traditions of political poetry, nature poetry, and religious poetry. Writing with a casual grace, Parini avoids jargon and makes his case in concise, direct terms: the mind of the poet supplies a light to the minds of others, kindling their imaginations, helping them to live their lives. The author’s love of poetry suffuses this insightful book—a volume for all readers interested in a fresh introduction to the art that lies at the center of Western civilization.

    It was directed by Tony Speciale; it was produced by Dixon Place; the original music was by Duncan Sheik; the visuals were by Matthew Sandager; and the clothing was by Paul Marlow.

    It tells you about every aspect of writing, from having an idea to getting the idea out into the world (and getting paid for it too). It covers everything from journalism to screen-writing, from speeches to sketches, from sitcoms to novels. With thirty years' experience as an award-winning script-writer, journalist, author and broadcaster David Quantick is ideally suited, as a writer, to write this definitive writer's guide to writing... everything.