Will the “School Gyrls” collaboration with the Archies be a chart-topping hit or a resounding dud?

    He has, however, been a disappointment to his family in several ways: In appearance he is insignificant looking both in face and figure; he went to the University of Florida instead of Harvard where his forbears had been mainstays of the varsity crew for generations, and he studied agriculture instead of pointing himself toward a career in banking, bonds, or law. To say the least he is not apparently the stuff from which heroes are fashioned.As an agricultural expert specializing in fruit farming, Arthur becomes a Peace Corps volunteer and is assigned to the Republic of San Marco in the Caribbean. This weak-chinned Don Quixote soon acquires his Sancho Panza in the person of a rascally eleven-year-old boy, Pepe, who makes a bargain to be paid 400 pesos each time he saves Arthur's life. (The payments mount alarmingly!)The island's dictator thinks he can use Arthur to obtain military supplies with which to wipe out the band of guerillas in the hills who oppose his corrupt dictatorship. Failing in this the dictator decides to murder Goodpasture and cause an international incident by blaming it on the guerillas. This, he reasons, will bring the U.S. in to help stamp out the rebels.This plan also backfires (with Pepe's help, of course) and Goodpasture is taken prisoner and when they see he is a harmless eccentric he is appointed chief cook for the guerillas. From then on Arthur's life becomes a series of misadventures through which he moves serenely and from which he generally emerges unscathed (again with Pepe's assistance) until he surprisingly finds himself the guerillas' leader.Following one of the funniest bloodless revolutions imaginable Arthur Peabody Goodpasture ends up as Arthur el Gavilan, the new dictator of San Marco. "His strength was as the strength of ten because his heart was pure."

    Impelled by metaphor and lilting repetition, Mulberry seeks a sense of the world, and ultimately, finds a sense of the Infinite. Affording continual discoveries, Mulberry is a major work for the new century by an assured and lavishly gifted poet. Dan Beachy-Quick is the author of North True South Bright and Spell, He is chair of the MFA Writing Program at the School of the Art Institute of Chicago and recipient of a Lannan Foundation Residency.

    Gathers poems on a variety of subjects including love, marriage, parenthood, modern life, animals, aging, travel, work, and food.

    African American Studies. MULE is highly lyrical, obsessively incantatory, audaciously formal, and actually a very personal, very autobiographical book. In it, the author addresses his at the time failing second marriage (which he is no longer in), his son's autism, his own racial identity, and some of his beliefs about God. "Some books come down like gods dying to transform us out of our empty, shattered lives. MULE is such a book. Never shying away from sudden confusions of pain and beauty, Shane McCrae's questions are not why so much pain? why so much beauty? but, instead, how can they remake us? McCrae's is a living, breathing poetry made of wisdom and wrenching song"--Katie Ford.

    In these poems you will find sex and survival turned inside out, offering fresh perspective on what it means to be counted among the wounded. Where we expect to find liability, we find muscle. Where we expect to find numbness, we find thirst. Bring Down the Chandeliers is an exploration of trauma, body and faith. It is also an inquiry into forgiveness. As such these poems are not just for sexual assault survivors; they are for anyone who has struggled to forgive oneself and/or one's trespassers. They are for anyone making a life in the midst of aftermath. Tara Hardy is, as Dorothy Allison claims, "The real deal. Passionate, brave, gifted, insightful, dead-on in language and craft.� Find yourself strangely hopeful amid her explorations of addiction and justice. Consider your own compass as she navigates body, as she confronts sex as the site of what was both stolen and returned. Find a surprising bit of yourself in a story may not be yours, but in which you're invited to grapple with your own vulnerabilities and strengths. Walk away with a more intricate understanding of your own humanity.

    This collection includes some of his best-loved, most beautiful work.'Now's the day, now's the hour' Robert Burns

    Their children’s home Marshall’s is full of love and laughter, and a world away from their terrible ordeal of being sold to Una Reed for five shillings.There are many more children who still need a home, especially in a world where the workhouse is the last option for desperate families, and so Minnie makes it her mission to build Marshall’s into a refuge for all the waifs and strays. But kind hearts can be taken advantage of, and before long, Marshall’s in under attack. Can Minnie and Billy keep their family together and keep all the children safe, or will they be torn apart again? The Queen of the Black Country sagas is back with a heart-warming, unputdownable and unforgettable tale of triumph against the odds. Perfect for fans of Val Wood and Lyn Andrews.

    Regardless of religion, race, sex, sexuality or nationality. He hates all of you. Basically, you are fucked." God is pissed off. He has run out of patience with humans and decided that our time is over. We've had our chance and its back to the drawing board. "Fuck the lot of them" is his newest gospel. Mo, and Jay, best Friends who've fucked up in the past, beg him for one more chance to get the humans back on track. Alongside Mr Saluzar, the head of a global charity foundation, and Nick, The Fallen Angel, they hurtle towards Armageddon and their one chance to prove God wrong. They have seven days to save us. On The Seventh Day contains strong language and religious irreverence which some may find offensive. Irreverent dark humour from the author of Lanarkshire Strays and the dEaDINBURGH series.

    The compendium includes many of Ryan's previously unpublished parodies.

    

     (No previous DEAD CLOWN BARBECUE reading experience required.) This 21,000-word collection contains the first-ever publication of "Gave Up The Ghost," the basis for the horror/comedy short movie directed by Gregory Lamberson, that will appear in the upcoming anthology film CREEPERS. In addition to a report from the movie set, this collection contains... "The Car." A pair of vampires get together for an evening of vicious fun. "The Loneliest Jackalope." Bunnies with antlers! You can't go wrong with bunnies with antlers. "Inside the Boxes." Whatever is in there can't be good... "A Bit of Christmas Mayhem." Andrew Mayhem vs. a trio of axe-wielding Santa Clauses. "Scrumptious Bone Bread." It's not just for giants anymore. "A Flawed Fantasy." Sometimes, two girls at once isn't the best idea. "Tin Cans." What will you hear when you put one to your ear?

    During that time, some of these poems appeared in various journals and on Web sites, including The Poetry Daily site, which ran thirty of Lehman's poems in as many days throughout the month of April 1998. For The Daily Mirror, Lehman has selected the best of these "daily poems" -- each tied to a specific occasion or situation -- and telescoped two years into one. Spontaneous and immediate, but always finely crafted and spiced with Lehman's signature irony and wit, the poems are akin to journal entries charting the passing of time, the deaths of great men and women, the news of the day. Jazz, Sinatra, the weather, love, poetry and poets, movies, and New York City are among their recurring themes. A departure from Lehman's previous work, this unique volume provides the intimacy of a diary, full of passion, sound, and fury, but with all the aesthetic pleasure of poetry. More a party of poems than a standard collection, The Daily Mirror presents an exciting new way to think about poetry.

    Follow the flailing escapades of maverick music manager Campbell Ouiniette at the Calgary Folk Festival, as he leaves a trail of empty liquor bottles, cigarette butts, bruised egos, and obliterated relationships behind him. His top headlining act has abandoned him for the Big Time. In a fit of self-delusion or pure genius (or perhaps a bit of both), Ouiniette devises an intricate scam, a last hurrah in an attempt to redeem himself in the eyes of his girlfriend, the music industry, and the rest of the world. He reveals his path of destruction in his own transparently self-justifying, explosive, profane words, with digressions into the Edmonton hardcore punk rock scene, the Yugoslavian Civil War, and other epicentres of chaos.

    The Weary Blues announced the arrival of a rare voice in American poetry. A literary descendant of Walt Whitman ("I, too, sing America," Hughes wrote), he chanted the joys and sorrows of black America in unprecedented language. A gifted lyricist, he offered rhythms and cadences that epitomized the particularities of African American creativity, especially jazz and the blues. His second volume, steeped in the blues and controversial because of its frankness, confirmed Hughes as a poet of uncompromising integrity. Then in the 1930s came Dear Lovely Death (1931) and the radical A New Song (1938). Poems such as "Good Morning Revolution" and "Let America Be America Again" made his pen one of the most forceful in America during the Great Depression.