The smoothly told story contains the familiar details and a happy ending in which Cinderella forgives her stepfamily." - The Horn Book Club -"This satisfying tale never grows old. Koopman's illustrations are jewel-toned and Cinderella herself is attractive as a person and figure." - Yellow Brick Road -

    Now available again after three decades, DON'T BUMP THE GLUMP! and Other Fantasies was originally published in 1964, the same year as his most famous picture book, THE GIVING TREE.

    But what is a kingdom without love?

    The spellbound frog is whisked off to the trolls' castle and the ungrateful lass loses her chance to marry a handsome prince until she creates a happy ending, having atoned for her mistake".--Publishers Weekly. Full color.

    In this modern twist on the classic story, Cinderella, who would rather just be Ella, meets her fairy godmother, goes to a ball, and makes friends with a prince. But that is where the familiar story ends. Instead of waiting to be rescued, Cinderella learns that she can save herself and those around her by being true to herself and standing up for what she believes.

    She had to spin straw into gold. And who should show up to help her but an odd little man named Rumpelstiltskin.According to tradition, the gold-bedazzled king and the miller's daughter are wed. But wait just a minute! This king is definitely not husband material, and there's someone else who is -- a hardworking guy who's supportive and nice looking, and who really comes through in a pinch.Why not marry Rumpelstiltskin?In Diane Stanley's merry rethinking of the traditional tale, Rumpelstiltskin and the miller's daughter are wed...and then sixteen years later their only daughter is stuck in the same dilemma: She's been locked in a room full of straw to spin for a greedy king! She could call for help from her father, but this fairy-tale heroine has some canny plans of her own.How Rumpelstiltskin's daughter sets things to rights in the troubled kingdom, while achieving a unique place for herself, makes for a wise and witty tale of kindness and cleverness rewarded. Diane Stanley's wickedly funny text and zesty illustrations put a delightful new spin on a classic fairy tale.Rumpelstiltskin's daughter may not be able to spin straw into gold, but she is more than a match for a monarch whose greed has blighted an entire kingdom.2000-2001 Georgia's Picture Storybook Award & Georgia's Children's Book Award Masterlist01-02 Land of Enchantment Book Award Masterlist (Gr. 3-6) 99-00 Children's Book Award

    This is one to pull out every year and savor.Long ago, a brave little girl named Anja wanted to be one of Santa's elves. So she leaves a note for her family and helps her elderly neighbor prepare for the holiday, then she straps on her skis, and heads out into the snowy landscape. From a red bird to a polar bear to a reindeer, a menagerie of winter animals help Anja make her way to Santa. A generous trim-size, matte cover, and foiled title make this a special book for the holiday season.

    Bennett's number-one bestseller; The Book of Virtues, The Children's Book of Virtues is the ideal storybook for parents and children to enjoy together: With selections from The Book of Virtues, from Aesop and Robert Frost to George Washington's life as well as Native American and African folklore, The Children's Book of Virtues brings together timeless stories and poems from around the world. The stories have been chosen especially for a young audience to help parents introduce to their children the essentials of good character: Courage, Perseverance, Responsibility, Work, Self-discipline, Compassion, Faith, Honesty, Loyalty, and Friendship. Lavishly illustrated by the well-known artist Michael Hague, these wonderful stories and the virtues they illustrate come to life on these pages. The Children's Book of Virtues is an enduring treasury of literature and art that will help lead young minds toward what is noble and gentle and fine.

    M. Barrie Peter Pan, the mischievous boy who refuses to grow up, lands in the Darling's proper middle-class home to look for his shadow. He befriends Wendy, John and Michael and teaches them to fly (with a little help from fairy dust). He and Tinker Bell whisk them off to Never-land where they encounter the Red Indians, the Little Lost Boys, pirates and the dastardly Captain Hook.

    Or not. Nick Bruel's first picture book about Bad Kitty since the uproarious Poor Puppy in 2007 is full of rhyming mayhem... and Christmas cheer.

    He kept them in a box beside his throne. But Ananse, the Spider man, wanted them -- and caught three sly creatures to get them. This story of how we got our own stories to tell is adapted from an African folktale.

    Set in the mythic past and inspired by the traditions of the North American Plains people, this fable of self-discovery follows Crow and Weasel as they face unfamiliar perils on a quest for knowledge and wisdom. Conquering their innermost fears, the two heroes come of age and learn more than they ever could have imagined--about humanity's relationship to the land, the importance of respecting other peoples and giving thanks, and even the ery nature of friendship itself.

    Pictorial cover with Rudolph lighting the way for the sleigh with his wonderful nose.

    He wants his friends, Hedgehog and Bear, to see it snow too, but it's hard to stay awake. Finally, winter arrives and snow is falling ... or is it?

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.