It bears his name on the dust jacket and contains his bio near the end, but this enigmatic tome is not part of his oeuvre. And the most frightening thing about it may not be the tale between the covers, but the reason for its mysterious appearance in Paventeau’s life.

    A crabbing voyage that descends into chaos. Malevolent snowmen. The debut of a mysterious indie wrestler. A sacrifice in need of an hourglass. A paranormal cremator in search of a friend...and other choice cuts from the mind of Donnie Goodman. The razorblades have emerged. It is time to dig.

    Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one—the historian. This demanding role has been bestowed on Yetu.Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities—and discovers a world her people left behind long ago.Yetu will learn more than she ever expected to about her own past—and about the future of her people. If they are all to survive, they’ll need to reclaim the memories, reclaim their identity—and own who they really are.Inspired by a song produced by the rap group Clipping for the This American Life episode “We Are In The Future,” The Deep is vividly original and uniquely affecting.

    Searching for clues about her best friend’s mysterious and sudden suicide, she ventures to the squatter, utopian town of Freedom, Iowa. All is not well in Freedom, however: things went awry after the town’s residents summoned a protector spirit to serve as their judge and executioner.Danielle shows up in time to witness the spirit—a blood-red, three-antlered deer—begin to turn on its summoners. Danielle and her new friends have to act fast if they’re going to save the town—or get out alive.

    Obsidian Worlds brings together his 11 best-selling sci-fi shorts into a mind-bending philosophical anthology.In Your Averaged Joe, a man’s headache is large enough to hold the multiverse. Q46F is an obsessive-compulsive android who finds love in a zombie-embroiled apocalypse. The end of the world isn’t all that bad – The Experience Machine will fulfil your every desire (and some you hadn’t considered). A sex bot dares to dream of freedom in Dinner with Flexi. But mind what you eat, because The Photons in the Cheese Are Lost. Don’t fret though: The Cryo Killer guarantees that your death will be painless, or your money back when you’re thawed. Unless, that is, you’re The Man with Two Legs.Plug into Obsidian Worlds for these and other immersive stories, including the hilarious Time-Traveling Chicken Sexer. Your brain will never be the same again.

    Harlan Wilson returns with another ferociously mindbending collection of short fiction. Masked in absurdity, these stories reveal the horrifying and hilarious faces of everyday life. Wilson tells of egg raids, hog rippers, monk spitters, fathers who take their children to pet stores to buy them whales, sociopaths who threaten to clothesline eternity, and the simple act of the story itself becoming a means of repetitive, endless torture. Put on your goat head, hop in your hovercraft, and take a ride with a juggernaut of modern imaginative fiction.

    A world unto itself, in which they must stay alert to stay alive. A world from which the only escape is death.But for an English occultist known only as Mr. No One, Nowhere is much more...and much less: the perfect place in which to perform a ritual to unleash the grandest of eldritch deities, the God of Nothingness, the Great Dark Mouth.

    Caliban to King Kong, Edgar Allan Poe’s stories, the films of David Lynch, Beauty and the Beast, The Wizard of Oz, E.T., Richard Yates’s domestic realism, B-horror movies, and the fairy tales of Angela Carter—how such a short novel could contain all of these disparate elements is a testament to its startling and singular charm.

    Comprised of spine-chilling tales published by Stoker’s widow after his death, as well as The Lair of the White Worm, an intensely intriguing novel of myths, legends, and unspeakable evils, this collection demonstrates the full range of Stoker’s horror writing.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    I did not even post it myself. The postmark on the envelope will not help you, should you ever attempt to locate me.When this letter is complete, I shall entrust a friend in another country with repackaging and sending it on my behalf. This letter also may or may not have been translated from its original language.You do not know me. You must never know me.Neither do I know you, beyond your name, address and appearance. I have seen you in person but you have not seen me.Think back to the day that you moved into your home. I contrived to casually pass by as you stood outside. I saw your face, but you did not so much as glance my way. I did not stop walking. I simply committed your face to memory and moved on before you became aware of my presence.Why did I want to see you?I suppose my conscience drove me to it. Just as it compels me to finally write this letter.I wanted to see exactly who I was passing the entity on to."A NEW CONCEPT IN FEAR...Imagine a supernatural horror story in which the paranormal activity happens within YOUR home. A SINCERE WARNING ABOUT THE ENTITY IN YOUR HOME takes the form of an anonymous letter sent to YOUR address. It details the terrifying events which happened in your home and which continue to this day.You have inherited a curse and are being preyed upon by a bone-chilling apparition. This 10,000-word letter from the previous resident advises you how to cope, while detailing the unthinkable ordeal they suffered before you.A SINCERE WARNING ABOUT THE ENTITY IN YOUR HOME is the ultimate way to scare yourself in your own home, because it's the only ghost story which takes place IN your home. Dare you read it?

    His son, Rowan, will follow in his footsteps, just like Matthew followed in the footsteps of his father before him. Soon, Matthew will have to share with Rowan the dark secret that their family keeps. The lighthouses must always shine at night because their light does much more than guide ships safely in…it also keeps a terrible evil out. When the storm of the century puts the lighthouses in danger, Rowan finds himself following in his father’s footsteps sooner than he thought, where he’ll come face to face with the greatest fear he’s ever known. The Witch of the Water.

    Telling three interconnected stories taking place on the same day, two weeks after events in "The Foul Mouth and the Mancy Martial Artist" this novel is a can't miss for fans of THE KING HENRY TAPES. Spending equal time with Tyson Bonnie, Eva Reti, and King Henry Price himself, KING HENRY AND THE THREE LITTLE TRIPS shows the fallout from the Days of Supernatural Exhibit in both the personal cost for our characters and the political cost for supernatural organizations worldwide as fear of the Curator spreads to even the Asylum itself. Read as Tyson Bonnie escorts Vicky Welf to the Coyote Nation compound, find out if Eva Reti can survive the anima experiment inflicted upon her, and follow King Henry as he returns to the Asylum seeking Plutarch's help. The queue for the "Foul Mouth and the Pit of No Return" roller-coaster begins here! THE KING HENRY TAPES Book 1 - "The Foul Mouth and the Fanged Lady" (released) Book 2 - "The Foul Mouth and the Cat Killing Coyotes" (released) Book 3 - "The Foul Mouth and the Troubled Boomworm" (released) Book 4 - "The Foul Mouth and the Headless Hunny" (released) Book 5 - "The Foul Mouth and the Mancy Martial Artist" (released) Book 5.5 - "King Henry and the Three Little Trips" (released) Book 6 - "The Foul Mouth and the Pit of No Return" (forthcoming)

    He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic, and earns the attention of things best left sleeping.A storm that might swallow the world is building in Brooklyn. Will Black Tom live to see it break?

    Oh cabbage leaves, oh roses, oh orange-slice childhood grins: this book broke my heart. Its sad memory-tropes come from fairy tales and childhood books. With language, Gaudry is as loving and careful as one is with a matchbook . . . when wishing to set the whole world on fire.” —KATE BERNHEIMER“Molly Gaudry’s debut evokes the spirit of iconic fairy tales that have transported readers for centuries. Her variations on these themes delineate the psychological journey from girlhood to womanhood. But We Take Me Apart is more than a retelling. In it, Gaudry reconstitutes the essence of what makes fairy tales compelling, and she does so imaginatively and with great attention to language, the earmarks of poetry.” —CHRISTOPHER KENNEDY“If you consider her novella poetry, then it borrows much from prose. And if you see it as prose, it allows for a poetic flavor. Gaudry walks this line with great poise and in that poise we find her greatest strength as a writer.” —THE BROAD SET WRITING COLLECTIVE“A Molly Gaudry word is so precise, it feels like a sentence.” —GREAT TWIN CITIES POETRY READ & ROAD SHOW“An epic poem of epic mastery, We Take Me Apart centers on a girl who grows into a woman who grows into a heroine.” —PRICK OF THE SPINDLE“This incredible verse novel(la) is infused with fairy tales and Gertude Stein, not to mention Gaudry’s own dreamlike, luscious voice. An almost visceral delight.” —FLAVORWIRE“Gaudry’s mastery of language, [her] use of . . . silence, the wet white space around the burn of language, reads at times as if a character from Beckett had crawled or hobbled into a fairy tale—the kind of Beckett character that keeps his or her silence, only to suddenly wax eloquent in manic bursts.” —AMBER SPARKS“A cross between silence and fairy tale, Gaudry’s Beckettian narrative sews bright bits to near-faint whispers, slowly swaddling us in quiet and darkness.” —BRIAN EVENSON“Amid this stark environment, Gaudry’s gorgeous lyric voice guides us through.” —ASIAN AMERICAN LITERATURE FANS“Molly Gaudry must have revised this gem of a novella over and over and over to get the wording, the rhythms, the images, etc. just so. . . . Not a word is out of place, nothing is missing, no extra words are added. Molly Gaudry has worked this section, and every other section in the book, to the very essence of what is necessary to capture her readers and not let them go.” —EMERGING WRITERS NETWORK“[Cormac McCarthy’s Blood Meridian] is famous for its poetic prose and unflinching violence, but there’s a void of femininity. . . . Enter Molly Gaudry. . . . [Her] prose, steeped in poetry as much as McCarthy’s, spirals upward, elevating and exploding. The creators and destroyers, the beautiful and the gory, and the mythical and contemporary all thrive in balance. To read Molly Gaudry is to read Angela Carter’s cutthroat narrative spoken through the hopelessly hopeful characters of Lydia Millet, all arranged in space with the care of an impressionist painter.” —HOBART“We Take Me Apart is a dazzleflage of a book. The stuttering disrupted language of this cubist concoction disappears before your ears, sinks into your eyes. This aggressive dress camouflage reweaves Gertrude Stein’s rewoven grammar of worsted silk-screened gabardine into a fully ripped patois-ed pattern of stunning wonder.” —MICHAEL MARTONE“Molly Gaudry’s We Take Me Apart works ‘thread into lace.’ . . . Especially vivid in this book-length work is the mother’s entrance and exit, where the ragged lines swell and turn sonnet-like with love.” —TERESE SVOBODA“In Molly Gaudry’s We Take Me Apart, the ordinary becomes mythical, what may be autobiographical becomes a fable, and simple lines or sentences ring with ominous music. Even the empty space between the lines seems to resonate with invisible narrative. A stunning debut.” —RICHARD GARCIA “White space, planes and planes of it. . . . We Take Me Apart is a novel’s answer to a room. . . . I read it three times . . . inhaling its perfume. . . . The scent is delicate and leaves a trace of itself. . . . The book details grace. . . it will haunt like a remembrance of fragrance or swoosh of hair or panoply of mother as tart then sweet and suddenly elusive as memories of one’s own.” —AMERICAN BOOK REVIEW“Gaudry’s work implies that life, at its most essential, is the memory of love, hope, and the rooms it has occupied. . . . We Take Me Apart is an exercise in empathy for the reader. It is pure song and story. This book is a gift.” —[PANK]

    The secrets of the core of the earth. Dreams of other people’s lives. A girl who goes mad in the darkness. Monsters in Bavaria. A generational spaceship where night doesn’t exist. And other mysteries and oddities. The contributors to the enthralling collection are: Sarah Rees Brennan, Tessa Gratton, Rachel Hawkins, Christine Johnson, Valerie Kemp, Malinda Lo, Myra McEntire, Saundra Mitchell, Sarah Ockler, Jackson Pearce, Aprilynne Pike, Dia Reeves, Beth Revis, Carrie Ryan, Jon Skovron, Courtney Summers, and Kate Espy, winner of the Defy the Dark new author contest.