In “Vortex,” by Gregory Benford, astronauts find a once thriving microbial lifeform that carpets the caves of Mars dying off. A code monkey tracks down the vain creator of a pernicious software virus that people jack cerebrally in “RedKing,” by Craig DeLancey. In “Number Nine Moon,” by Alex Irvine, illicit scavengers on Mars are on a rescue mission to save themselves after one of their team members dies. A young girl’s thirst for vengeance becomes a struggle for survival when she is swallowed by a gigantic sea creature on an alien planet in “Of the Beast in the Belly,” by C.W. Johnson. In “The Seventh Gamer,” by Gwyneth Jones, a writer immerses herself into a MMORPG community to search for characters being played by real aliens from other worlds. A woman armed with a rifle stalks a herd of cloned wooly mammoths in British Columbia in “Chasing Ivory,” by Ted Kosmatka. In “Fieldwork,” by Shariann Lewitt, a volcanologist struggles with her research on Europa where both her mother and grandmother suffered dire consequences. A daughter pays homage to her mother with mega-engineering projects to deal with climate change over eons in “Seven Birthdays,” by Ken Liu. In “The Visitor from Taured,” by Ian R. MacLeod, a cosmologist in the near future is obsessed with proving his theory of multiverses. The citizens of a small town on a “Jackaroo” planet object to a corporation placing a radio telescope near local alien artifacts in “Something Happened Here, But We’re Not Quite Sure What It Was,” by Paul McAuley. And finally, in “Sixteen Questions for Kamala Chatterjee,” by Alastair Reynolds, a graduate student defends her dissertation on a solar anomaly that threatens humanity.

    Oe was ten when American jeeps first drove into the mountain village where he lived, and his literary work reveals the tension and ambiguity forged by the collapse of values of his childhood on the one hand and the confrontation with American writers on the other. The earliest of his novels included here, Prize Stock, reveals the strange relationship between a Japanese boy and a captured black American pilot in a Japanese village. Teach Us to Outgrow Our Madness tells of the close relationship between an outlandishly fat father and his mentally defective son, Eeyore. Aghwee the Sky Monster is about a young man’s first job — chaperoning a banker’s son who is haunted by the ghost of a baby in a white nightgown. The Day He Himself Shall Wipe My Tears Away is the longest piece in this collection and Oe’s most disturbing work to date. The narrator lies in a hospital bed waiting to die of a liver cancer that he has probably imagined, wearing a pair of underwater goggles covered with dark cellophane.

    Award. Created in 1991 to honor the innovative fiction of Alice Bradley Sheldon (who wrote under the pen name James Tiptree), the Tiptree Award is presented to speculative fiction that explores and expands gender roles—and in the process touches on the most fundamental of human desires: the need for sex, for love, and for acceptance. This collection includes thought-provoking essays by Suzy McKee Charnas, Karen Joy Fowler, Ursula K. Le Guin, Pat Murphy, and Joanna Russ.ContentsIntroduction by Pat Murphy and Karen Joy Fowler"Boys" by Carol Emshwiller"Birth Days" by Geoff Ryman"The Snow Queen" by Hans Christian Anderson"Everything but the Signature Is Me" by James Tiptree, Jr."'Tiptree' and History" by Joanna Russ"The Lady of the Ice Garden" by Kara Dalkey"What I Didn't See" by Karen Joy Fowler"Travels With the Snow Queen" by Kelly LinkExcerpts from Set This House in Order by Matt Ruff"The Catgirl Manifesto: An Introduction" by Richard Calder"Looking Through Lace" by Ruth Nestvold"The Ghost Girls of Rumney Mill" by Sandra McDonald"Judging the Tiptree" by Suzy McKee Charnas"Genre: A Word Only the French Could Love" by Ursula K. Le Guin

    Perchance to Dream contains a selection of Beaumont’s finest stories, including five that he later adapted for Twilight Zone episodes.Beaumont dreamed up fantasies so vast and varied they burst through the walls of whatever box might contain them. Supernatural, horror, noir, science fiction, fantasy, pulp, and more: all were equally at home in his wondrous mind. These are stories where lions stalk the plains, classic cars rove the streets, and spacecraft hover just overhead. Here roam musicians, magicians, vampires, monsters, toreros, extraterrestrials, androids, and perhaps even the Devil himself. With dizzying feats of master storytelling and joyously eccentric humor, Beaumont transformed his nightmares and reveries into impeccably crafted stories that leave themselves indelibly stamped upon the walls of the mind. In Beaumont’s hands, nothing is impossible: it all seems plausible, even likely.

    Keith Hartman's "Sex, Guns and Baptists" gives a disturbing view of how the world could become if the Christian fundamentalists continue gaining political ground; Ralph Sperry's delightful aliens in "On Vacation" are refreshingly similar to us: shy workaholics, exasperated lovers, good with machines; Ellen Klages takes a '90s dyke back forty years to 1950s San Francisco where she discovers her modern sensibilities are utterly alien to the lesbians of the time. These stories explore physical, emotional, and moral landscapes vastly different from the familiar -- where nothing is as it seems.This group of talented newcomers and award-winning genre veterans includes Jim Grimsley, Mark W. Tiedemann, Charles Sheffield, Carrie Richerson, Keith Hartman, Nancy Kress, Richard Bamburg, L. Timmel Duchamp, Charles Sheffield, Don Bassingthwaite, and many others.

    Gothic Tales makes available for the first time a collection of stories by this highly influential writer, whose decadent romanticism led him to envision an idiosyncratic world--a fictive purgatory --precious and bizarre though always genuine despite its melodramatic formality.The four stories presented here are among Kyoka's best-known works. They are drawn from four stages of the author's development, from the conceptual novels of 1895 to the fragmented romanticism of his mature work. In the way of introduction, Inouye presents a clear analysis of Kyoka's problematic stature as a great gothic writer and emphasizes the importance of Kyoka's work to the present reevaluation of literary history in general and modern Japanese literature in particular. The extensive notes that follow the translation serve as an intelligent guide for the reader, supplying details about each of the stories and how they fit into the pattern of mythic development that allowed Kyoka to deal with his fears in a way that sustained his life and, as Mishima Yukio put it, pushed the Japanese language to its highest potential.

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    R. Martin441 • Flying Saucer Rock & Roll • (1985) • novelette by Howard Waldrop459 • A Spanish Lesson • (1985) • novelette by Lucius Shepard486 • Roadside Rescue • (1985) • shortstory by Pat Cadigan494 • Paper Dragons • (1985) • novelette by James P. Blaylock510 • Magazine Section • (1985) • shortstory by R. A. Lafferty522 • The War at Home • (1985) • shortstory by Lewis Shiner526 • Rockabye Baby • (1985) • novelette by S. C. Sykes551 • Green Mars • (1985) • novella by Kim Stanley Robinson620 • Honorable Mentions: 1985 • essay by Gardner Dozois

    Included here are the works of masters of the form and of bright new talents, including: Neal Asher, Stephen Baxter, Damien Broderick, Karl Bunker, Aliette de Bodard, Brendan DuBois, Greg Egan, Alexander Jablokov, James Patrick Kelly, Jake Kerr, Nancy Kress, Jay Lake, Ken Liu, Ian R. MacLeod, Paul J. McAuley, Ian McDonald, Sandra McDonald, Sean McMullen, Sunny Moraine, Val Nolan, Robert Reed, Alastair Reynolds, Geoff Ryman, Melissa Scott, Martin L. Shoemaker, Allen M. Steele, Michael Swanwick, Lavie Tidhar, and Carrie Vaughn.Supplementing the stories are the editor's insightful summation of the year's events and a lengthy list of honorable mentions, making this book both a valuable resource and the single best place in the universe to find stories that stir the imagination, and the heart.Content: “The Discovered Country” by Ian R. MacLeod “The Book Seller” by Lavie Tidhar “Pathways” by Nancy Kress “A Heap of Broken Images” by Sunny Moraine “Rock of Ages” by Jay Lake “Rosary and Goldenstar” by Geoff Ryman “Gray Wings” by Karl Bunker “The Best We Can” by Carrie Vaughn “Transitional Forms” by Paul McAuley “Precious Mental” by Robert Reed “Martian Blood” by Allen M. Steele “Zero For Conduct” by Greg Egan “The Waiting Stars” by Aliette de Bodard “A Map of Mercury” by Alastair Reynolds “One” by Nancy Kress “Murder on the Aldrin Express” by Martin L. Shoemaker “Biographical Fragments of the Life of Julian Prince” by Jake Kerr “The Plague” by Ken Liu “Fleet” by Sandra McDonald “The She-Wolf’s Hidden Grin” by Michael Swanwick “Bad Day on Boscobel” by Alexander Jablokov “The Irish Astronaut” by Val Nolan “The Other Gun” by Neal Asher “Only Human” by Lavie Tidhar “Entangled” by Ian R. MacLeod “Earth 1″ by Stephen Baxter “Technarion” by Sean McMullen “Finders” by Melissa Scott “The Queen of Night’s Aria” by Ian McDonald “Hard Stars” by Brendan DuBois “The Promise of Space” by James Patrick Kelly “Quicken” by Damien Broderick

    Clarke.

    The narratives reveal many forms of artificial intelligence including a persecuted slave in "Computer Virus," a controlling force of the universe in "Mirror Image," or even one that's entirely indifferent to humans in "Savior." From the center of the galaxy to the swamps of Earth, all 13 inventive tales offer a trademark mix of hard science fiction interacting with flawed humanity.

    The seventeen-syllable form is rooted in a Japanese tradition of close observation of nature, of making poetry from subtle suggestion. Infused by its great practitioners with the spirit of Zen Buddhism, the haiku has served as an example of the power of direct observation to the first generation of American modernist poets like Ezra Pound and William Carlos Williams and also as an example of spontaneity and Zen alertness to the new poets of the 1950s. This definitive collection brings together in fresh translations by an American poet the essential poems of the three greatest haiku masters: Matsuo Basho in the seventeenth century; Yosa Buson in the eighteenth century; and Kobayashi Issa in the early nineteenth century. Robert Hass has written a lively and informed introduction, provided brief examples by each poet of their work in the haibun, or poetic prose form, and included informal notes to the poems. This is a useful and inspiring addition to the Essential Poets series.

    Butler82 • Blued Moon • (1984) • novelette by Connie Willis113 • A Message to the King of Brobdingnag • (1984) • novelette by Richard Cowper135 • The Affair • (1984) • shortstory by Robert Silverberg153 • Press Enter [] • (1984) • novella by John Varley207 • New Rose Hotel • (1984) • shortstory by William Gibson219 • The Map • [Solar Cycle] • (1984) • shortstory by Gene Wolfe232 • Interlocking Pieces • (1984) • shortstory by Molly Gloss239 • Trojan Horse • (1984) • novelette by Michael Swanwick269 • Bad Medicine • (1984) • novelette by Jack Dann291 • At the Embassy Club • (1984) • shortstory by Elizabeth A. Lynn301 • Pursuit of Excellence • (1984) • novelette by Rena Yount319 • The Kindly Isle • (1984) • shortstory by Frederik Pohl341 • Rock On • (1984) • shortstory by Pat Cadigan350 • Sunken Gardens • [Shaper/Mechanist] • (1984) • shortstory by Bruce Sterling365 • Trinity • (1984) • novella by Nancy Kress409 • The Trouble With the Cotton People • (1984) • shortstory by Ursula K. Le Guin420 • Twilight Time • (1984) • novelette by Lewis Shiner440 • Black Coral • (1984) • novelette by Lucius Shepard466 • Friend • (1984) • novelette by James Patrick Kelly and John Kessel484 • Foreign Skins • (1984) • novelette by Tanith Lee511 • Company in the Wings • (1983) • shortstory by R. A. Lafferty524 • A Cabin on the Coast • (1984) • shortstory by Gene Wolfe536 • The Lucky Strike • (1984) • novelette by Kim Stanley Robinson569 • Honorable Mentions: 1984 • essay by Gardner Dozois

    Uncanny doppelgängers, unfortunately murdered friends, and a whole lot more are in store for him.BONUS: The Ito family dog! Thrill to the adventures of Non-non Ito, an adorable Maltese!

    These stories are today.Following up on her first collection, Story Prize finalist Maureen F. McHugh explores the catastrophes, small and large, of twenty-first century life—and what follows after. What happens after the bird flu pandemic? Are our computers smarter than we are? What does the global economy mean for two young girls in China? Are we really who we say we are? And how will we survive the coming zombie apocalypse?