Since its publication in 1895, The King in Yellow has inspired other horror-genre writers including H. P. Lovecraft, and the text is referenced by many works of fiction, in music, and by the hit television series True Detective, starring Matthew McConaughey and Woody Harrelson. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library_We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    Like everyone, she ran, but she couldn't outrun the radiation, with her last thoughts being of her beloved baby brother, Dorian, safe in her distant family home. Flash forward to a post-incident America, where the country has been broken up into territories and Muslims have been herded onto the old Indian reservations in the west, even though no one has determined who set off the explosion that destroyed San Francisco. Twelve-year old Dorian dreams about killing Muslims and about his sister—even though Dorian's parents insist Skyler never existed. Are they still shell-shocked, trying to put the past behind them . . . or is something more sinister going on?Meanwhile, across the street, Dorian's neighbor adopts a Muslim orphan from the territories. It will set off a series of increasingly terrifying incidents that will lead to either tragedy or redemption for Dorian, as he struggles to prove that his sister existed—and was killed by a terrorist attack.Not on Fire, but Burning is unlike anything you're read before—not exactly a thriller, not exactly sci-fi, not exactly speculative fiction, but rather a brilliant and absorbing adventure into the dark heart of an America that seems ripped from the headlines. But just as powerfully, it presents a captivating hero: A young boy driven by love to seek the truth, even if it means his deepest beliefs are wrong.

    In Ninety-Nine Stories of God, she takes on one of mankind’s most confounding preoccupations: the Supreme Being.This series of short, fictional vignettes explores our day-to-day interactions with an ever-elusive and arbitrary God. It’s the Book of Common Prayer as seen through a looking glass—a powerfully vivid collection of seemingly random life moments. The figures that haunt these stories range from Kafka (talking to a fish) to the Aztecs, Tolstoy to Abraham and Sarah, O. J. Simpson to a pack of wolves. Most of Williams’s characters, however, are like the rest of us: anonymous strivers and bumblers who brush up against God in the least expected places or go searching for Him when He’s standing right there. The Lord shows up at a hot-dog-eating contest, a demolition derby, a formal gala, and a drugstore, where he’s in line to get a shingles vaccination. At turns comic and yearning, lyric and aphoristic, Ninety-Nine Stories of God serves as a pure distillation of one of our great artists.

    Fans and critics call their world cyberpunk. Here is the definitive "cyberpunk" short fiction collection.Contents:The Gernsback Continuum (1981) by William GibsonSnake-Eyes (1986) by Tom MaddoxRock On (1984) by Pat CadiganTales of Houdini (1981) by Rudy Rucker400 Boys (1983) by Marc LaidlawSolstice (1985) by James Patrick KellyPetra (1982) by Greg BearTill Human Voices Wake Us (1984) by Lewis ShinerFreezone (1985) by John ShirleyStone Lives (1985) by Paul Di FilippoRed Star, Winter Orbit (1983) by William Gibson and Bruce SterlingMozart in Mirrorshades (1984) by Bruce Sterling and Lewis Shiner

    An isolated incident, say the experts. The experts are wrong. Across the world, children are killing their families. Is violence contagious? As chilling murders by children grip the country, anthropologist Hesketh Lock has his own mystery to solve: a bizarre scandal in the Taiwan timber industry.Hesketh has never been good at relationships: Asperger's Syndrome has seen to that. But he does have a talent for spotting behavioral patterns and an outsider's fascination with group dynamics. Nothing obvious connects Hesketh's Asian case with the atrocities back home. Or with the increasingly odd behavior of his beloved stepson, Freddy. But when Hesketh's Taiwan contact dies shockingly and more acts of sabotage and child violence sweep the globe, he is forced to acknowledge possibilities that defy the rational principles on which he has staked his life, his career, and, most devastatingly of all, his role as a father.Part psychological thriller, part dystopian nightmare, The Uninvited is a powerful and viscerally unsettling portrait of apocalypse in embryo.

    Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.

    Inside, assailed by mysterious forces, doctors and patients are left to remember the world they've lost and to imagine one to come. At the center, Jemma Claflin, a medical student, finds herself gifted with strange powers and a frightening destiny. Simultaneously epic and intimate, wildly imaginative and unexpectedly relevant, The Children's Hospital is a work of stunning scope, mesmerizing detail, and wrenching emotion.

    A man is booted out of his home after his wife discovers that the print of a bare foot on the inside of his windshield doesn’t match her own. Teenage cousins, drugged by summer, meet with a reckoning in the woods. A boy runs off to the carnival after his stepfather bites him in a brawl.In the stories of Wells Tower, families fall apart and messily try to reassemble themselves. His version of America is touched with the seamy splendor of the dropout, the misfit: failed inventors, boozy dreamers, hapless fathers, wayward sons. Combining electric prose with savage wit, Everything Ravaged, Everything Burned is a major debut, announcing a voice we have not heard before.

    Christened “Haters” by the media, the attackers strike without warning and seemingly without reason. Within seconds, normally rational, self-controlled people become frenzied, vicious killers. As the carnage mounts, one thing soon is clear: everyone, irrespective of race, gender, age, or class, has the potential to become either a Hater or a victim. At any moment, even friends and family can turn on one another with violent intent. In the face of this mindless terror, all McCoyne can do is secure his family, seek shelter, and watch as the world falls apart. But when he bolts the front door, the question remains: Is he shutting the danger out or locking it in?

    Wrapped in the woman’s arms is a baby, stone-cold, not breathing, and without a pulse. But then his eyes open and look up at Wanda — and he begins to move.The family hides the child — whom they name Stony — rather than turn him over to authorities that would destroy him. Against all scientific reason, the undead boy begins to grow. For years his adoptive mother and sisters manage to keep his existence a secret — until one terrifying night when Stony is forced to run and he learns that he is not the only living dead boy left in the world.

    She spends her days working in customer support for the internet dating site where she first met her husband. But she has a strange, persistent sense that everything around her is somewhat off-kilter: she constantly feels as if she has walked into a room and forgotten what she intended to do there; on TV, the President seems to be the wrong person in the wrong place; her dreams are full of disquiet. Meanwhile, her husband's decade-long dedication to his invention, the causality violation device (which he would greatly prefer you not call a “time machine”) has effectively stalled his career and made him a laughingstock in the physics community. But he may be closer to success than either of them knows or can possibly imagine.Version Control is about a possible near future, but it’s also about the way we live now. It’s about smart phones and self-driving cars and what we believe about the people we meet on the Internet. It’s about a couple, Rebecca and Philip, who have experienced a tragedy, and about how they help — and fail to help — each other through it.

    But even she knows that oil is outlawed, that Louisiana is half underwater, and that unmanned drones fill the sky. When her father is killed and her family is forced into Camp Patience for displaced persons, she begins to grow up shaped by her particular time and place. But not everyone at Camp Patience is who they claim to be. Eventually Sarat is befriended by a mysterious functionary, under whose influence she is turned into a deadly instrument of war. The decisions that she makes will have tremendous consequences not just for Sarat but for her family and her country, rippling through generations of strangers and kin alike.

    England is in a state of environmental crisis and economic collapse. There has been a census, and all citizens have been herded into urban centers. Reproduction has become a lottery, with contraceptive coils fitted to every female of childbearing age. A girl who will become known only as "Sister" escapes the confines of her repressive marriage to find an isolated group of women living as "un-officials" in Carhullan, a remote northern farm, where she must find out whether she has it in herself to become a rebel fighter. Provocative and timely, Daughters of the North poses questions about the lengths women will go to resist their oppressors, and under what circumstances might an ordinary person become a terrorist.

    All you have is the disconnected voice of an attentive caretaker. Dr. Kuhn is there to help you—physically, emotionally, and psychologically. She’ll help you remember everything. She’ll make sure you reclaim your lost identity. Now answer one question: Are you sure you want to?Paul Tremblay’s The Last Conversationis part of Forward, a collection of six stories of the near and far future from out-of-this-world authors. Each piece can be read or listened to in a single thought-provoking sitting.

    Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically. In one story, suburban families perform oblations to cattlelike angels who live on their roofs, believing that their “thoughts and prayers” will protect them from the world’s violence. In another, inhabitants of an unnamed dictatorship slowly lose their own agency as pieces of their bodies go missing and, with them, the essential rights that those appendages serve. “The Great Escape” tells of an old woman who hides away in her apartment, reliving the past among beautiful objects she’s hoarded, refusing all visitors, until she disappears completely. In the title story, children begin to levitate, flying away from their parents and their home country, leading them to eat rocks in order to stay grounded. With elements of science fiction and fantasy, fabulism and magical realism, Brenda Peynado uses her stories to reflect our flawed world, and the incredible, terrifying, and marvelous nature of humanity.