For Hemingway fans The Complete Short Stories is an invaluable treasury.

    From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her for a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of immigration.

    It is 1988 and Hargeisa waits. Whispers of revolution travel on the dry winds but still the dictatorship remains secure. Soon, and through the eyes of three women, we will see Somalia fall. Nine-year-old Deqo has left the vast refugee camp she was born in, lured to the city by the promise of her first pair of shoes.Kawsar, a solitary widow, is trapped in her little house with its garden clawed from the desert, confined to her bed after a savage beating in the local police station.Filsan, a young female soldier, has moved from Mogadishu to suppress the rebellion growing in the north.And as the country is unravelled by a civil war that will shock the world, the fates of the three women are twisted irrevocably together.Intimate, frank, brimming with beauty and fierce love, The Orchard of Lost Souls is an unforgettable account of ordinary lives lived in extraordinary times.

    The strong but flawed women of Mothers, Tell Your Daughters must negotiate a sexually charged atmosphere as they love, honor, and betray one another against the backdrop of all the men in their world. Such richly fraught mother-daughter relationships can be lifelines, anchors, or they can sink a woman like a stone.In "My Dog Roscoe," a new bride becomes obsessed with the notion that her dead ex-boyfriend has returned to her in the form of a mongrel. In "Blood Work, 1999," a phlebotomist's desire to give away everything to the needy awakens her own sensuality. In "Home to Die," an abused woman takes revenge on her bedridden husband. In these fearless and darkly funny tales about women and those they love, Campbell’s spirited American voice is at its most powerful.

    Ranging from laugh-out-loud funny to deliciously dark, these stories are about the ordinary day-to-day challenges facing these extraordinary individuals growing up, growing old, relationships, parenting, coping with that age-old desire to fit in when, let s face it, they don't.“Ms. Liberty Gets a Haircut” by Cat Rambo, copyright © 2009 by Cat Rambo, originally published in Strange Horizons (October 26, 2009); “Destroy the City with Me Tonight” by Kate Marshall, copyright © 2017 by Kate Marshall; “Fool” by Keith Frady, copyright © 2017 by Keith Frady; “Pedestal” by Seanan McGuire, copyright © 2017 by Seanan McGuire; “As I Fall Asleep” by Aimee Ogden, copyright © 2017 by Aimee Ogden; “Meeting Someone in the 22nd Century or Until the Gears Quit Turning” by Jennifer Pullen, copyright © 2017 by Jennifer Pullen; “Inheritance” by Michael Milne, copyright © 2017 by Michael Milne; “Heroes” by Lavie Tidhar, copyright © 2016 by Lavie Tidhar, originally published in Strange Horizons (September 19, 2016); “Madjack” by Nathan Crowder, copyright © 2017 by Nathan Crowder; “Quintessential Justice” by Patrick Flanagan, copyright © 2017 by Patrick Flanagan; “The Fall of the Jade Sword” by Stephanie Lai, copyright © 2017 by Stephanie Lai; “Origin Story” by Carrie Vaughn, copyright © 2016 by Carrie Vaughn, LLC, originally published in Lightspeed Magazine (April 2016); “Eggshells” by Ziggy Schutz, copyright © 2017 by Ziggy Schutz; “Salt City Blue” by Chris Large, copyright © 2017 by Chris Large; “Birthright” by Stuart Suffel, copyright © 2017 by Stuart Suffel; “The Smoke Means It’s Working” by Sarah Pinsker, copyright © 2017 by Sarah Pinsker; “Torch Songs” by Keith Rosson, copyright © 2017 by Keith Rosson; “The Beard of Truth” by Matt Mikalatos, copyright © 2017 by Matt Mikalatos; “Over an Embattled City” by Adam R. Shannon, copyright © 2017 by Adam R. Shannon; “Origin Story” by Kelly Link, copyright © 2006 by Kelly Link, originally published in A Public Space (Winter 2006) and reprinted in Kelly Link’s Get in Trouble (Random House; 2015)

    In "Play the Man" a high-school basketball player aspires to a college scholarship, in "Elephant Doors", a production assistant on a game show moonlights as a stand-up comedian, and in the collection’s last story, the immensely moving “Costello”, a middle-aged plumbing supplies salesman comes to terms with the death of his wife. The men in Gavin’s stories all find themselves stuck somewhere in the middle, caught half way between their dreams and the often crushing reality of their lives. A work of profound humanity that pairs moments of high comedy with searing truths about life’s missed opportunities, Middle Men brings to life a series of unforgettable characters learning what it means to love and work and be in the world as a man, and it offers our first look at a gifted writer who has just begun teaching us the tools of his trade.

    Her readers are fed up of her stale plots and Navaya can’t blame them. She’s been celibate for over a year and a half since finding her now ex-boyfriend’s side chick’s positive pregnancy test on her bathroom counter. How can she write steamy romances if she can barely remember which body parts go into the other? Navaya enlists the help of her best friend, Xander, to revive the inspiration that used to have her sitting comfortably at the top of her game. What happens when the sex hits deeper than either of them expected and the tender emotions can no longer be denied? Navaya and Xander’s arrangement has gone far deeper than intended. Will their friendship and their hearts survive the fall?

    One is the main course of dinner, another the porn star contracted to copulate in space for a reality TV show. They become futuristic ant farms, get knocked up by the star high school quarterback and have secret abortions, use parakeets to reverse amputations, make love to garden gnomes, go into air conditioning ducts to confront their mother’s ghost, and do so in settings that range from Hell to the local white-supremacist bowling alley.

    There is a concert pianist who defies death by uploading his soul into his piano. There is the person who draws his mother’s ghost out of the bullet hole in the wall near where she was executed. Another character has a horn growing out of the center of his forehead—punishment for an affair. But he is too weak to end it, too much in love to be moral. Another story recounts a panda breeder looking for tips. And then there’s a border patrol agent trying to figure out how to process undocumented visitors from another galaxy. Poignant by way of funny, and philosophical by way of grotesque, Hernandez’s stories are prayers for self-sovereignty.

    And she's beyond thrilled when they announce their engagement. Robert is an up-and-comer running for the North Carolina senate. Chante is a partner at a prestigious law firm. They're a power couple made in heaven--until Liza discovers Robert in a compromising position--with another woman. . .Liza can't possibly continue to support Robert's campaign, much less let him marry Chante. But when she tries to reveal the truth, Robert pulls out every corrupt trick in the book--including turning Chante against her. Her only choice is to seek out his opponent, Jackson Franklin, and help him take Robert down. But to Liza's great surprise, Jackson won't play dirty--and Liza finds him irresistible. As sparks fly, personally and politically, Liza and Jackson may become a winning team in more ways than one. . .

    Along the way a new aesthetic for the ‘Iraqi fantastical’ begins to emerge: thus we meet time-travelling angels, technophobic dictators, talking statues, macabre museum-worlds, even hovering tiger-droids, and all the time buoyed by a dark, inventive humour that, in itself, offers hope.

    Happy to be starting her first job in the costume department at BBC television, and to be sharing a house with friends, Faith is full of hope and expectation. But when her parents announce that they are moving home to Jamaica, Faith's fragile sense of her identity is threatened. Angry and perplexed as to why her parents would move to a country they so rarely mention, Faith becomes increasingly aware of the covert and public racism of her daily life, at home and at work.At her parents' suggestion, in the hope it will help her to understand where she comes from, Faith goes to Jamaica for the first time. There she meets her Aunt Coral, whose storytelling provides Faith with ancestors, whose lives reach from Cuba and Panama to Harlem and Scotland. Branch by branch, story by story, Faith scales the family tree, and discovers her own vibrant heritage, which is far richer and wilder than she could have imagined.Fruit of the Lemon spans countries and centuries, exploring questions of race and identity with humor and a freshness, and confirms Andrea Levy as one of our most exciting contemporary novelists.

    Many of these characters live in a utopian future of instant connection and technological gratification that belies an unbridgeable human distance, while others inhabit a post-collapse landscape made primitive by disaster, which they must work to rebuild as we once did millennia ago.In “The Cartographers,” the main character works for a company that creates and sells virtual memories, while struggling to maintain a real-world relationship sabotaged by an addiction to his own creations. In “Saying Goodbye to Yang,” the robotic brother of an adopted Chinese child malfunctions, and only in his absence does the family realize how real a son he has become.Children of the New World grapples with our unease in this modern world and how our ever-growing dependence on new technologies has changed the shape of our society. Alexander Weinstein is a visionary new voice in speculative fiction for all of us who are fascinated by and terrified of what we might find on the horizon.

    Passions hopelessly conceived, affections betrayed, marriages made and broken: the joys, fears, loves and awakenings of women echo throughout these twelve unforgettable stories, laying bare the unexceptional and yet inescapable pain of human contact.

    A native of Haiti, Dimitry Elias Léger makes his remarkable debut with this story of romance, politics, and religion that traces the fates of three lovers in Port-au-Prince, Haiti, and the challenges they face readjusting to life after an earthquake devastates their city.Reflecting the chaos of disaster and its aftermath, God Loves Haiti switches between time periods and locations, yet always moves closer to solving the driving mystery at its center: Will the artist Natasha Robert reunite with her one true love, the injured Alain Destiné, and live happily ever after? Warm and constantly surprising, told in the incandescent style of José Saramago and Roberto Bolaño, and reminiscent of Gabriel García Márquez’s hauntingly beautiful Love in The Time of Cholera, God Loves Haiti is an homage to a lost time and city, and the people who embody it.