It was the first novel of Zahir Raihan.

    All the stories and poems are accompanied by Sukumar Rays inimitable illustrations.

    He is at his inimitable best as he tracks down the last known letter of Napoleon, or investigates a sinister crime that has to do with Tintoretto's painting of Jesus. In The Case of Apsara Theatre, Feluda foils the insidious plans of a clever murderer, and in The House of Death, he investigates the theft of a priceless manuscript. Maganlal Meghraj, Feluda's arch-enemy, reappears in The Criminals of Kathmandu as the kingpin in a case involving spurious drugs, and again in The Mystery of the Pink Pearl, but Feluda is equal to the challenge. Also included here are the two final Feluda cases, Robertson's Ruby and The Magical Mystery, both of which were published posthumously.

    By the time the monsoon broke, almost a million of them were dead, and all of northern India was in arms, in terror, or in hiding. The only remaining oases of peace were a scatter of little villages lost in the remote reaches of the frontier. One of these villages was Mano Majra.”It is a place, Khushwant Singh goes on to tell us at the beginning of this classic novel, where Sikhs and Muslims have lived together in peace for hundreds of years. Then one day, at the end of the summer, the “ghost train” arrives, a silent, incredible funeral train loaded with the bodies of thousands of refugees, bringing the village its first taste of the horrors of the civil war. Train to Pakistan is the story of this isolated village that is plunged into the abyss of religious hate. It is also the story of a Sikh boy and a Muslim girl whose love endured and transcends the ravages of war.Introduction by Arthur Lall

    Nobles at the court of Awadh, the chess-addicts Mir and Mirza, move to an undisclosed location to play undisturbed as their kingdom falls around them..Shorts stories were the inspiration for fourteen of master filmmaker Satyajit Ray's movies, every one of them a classic - Devi, Jalsaghar and Shatranj Ke Khiladi, among them. This book brings together all of those stories in one volume. These tales, by the likes of Rabindranath Tagore, Tarashankar Bandopadhyay, Prabhat Kumar Mukhopadhyay, Rajshekhar Basu and Premchand, are milestones in Indian literature quite apart from their cinematic glory. The anthology also contains two stories by Ray himself -Atithi and Pikoor Diary, that illustrate his own craft as a writer. From the dramatic to the starkly real, the humorous to the dark, the lyrical to the prosaic, Fourteen Stories... sparkles with narrative brilliance. Read together, these stories also provide us with the context for a new insight into the mind of one of India's most loved and revered filmmakers.

    His life is mostly on an even keel until he sits down to chronicle his childhood - an endeavour that draws him inexorably into his memories and into an enchanting world somewhere in suburban Calcutta. He remembers the girl who spoke to fish and birds, the girl he first loved. He recalls the stream of visitors to his parents' door those days, some bearing want, some malice and others, generosity and wisdom. As those memories return him to a time when communal tension was gathering force in undivided Bengal and the trauma it brought to his younger self, Khaleq's remembrance stops being a pleasant retreat. He becomes desperately despondent. Khaleq's relentless nostalgia enrages his wife Rekha, who resents his lack of ambition and aloofness. Prodded by the village physician, Doctor Narhari, the couple embark on a boat ride that forces them to confront their discord and desires, and plumb the roots of Abdul Khaleq's alienation.First published in 1977 in Bengali, Black Ice draws on Mahmudul Haque's own experience of Partition to intimately probe the invisible scars bequeathed to the inheritors of Partition.

    Each set of family members occupies a floor of the home, in accordance to their standing within the family. Poisonous rivalries between sisters-in-law, destructive secrets, and the implosion of the family business threaten to unravel bonds of kinship as social unrest brews in greater Indian society. This is a moment of turbulence, of inevitable and unstoppable change: the chasm between the generations, and between those who have and those who have not, has never been wider. The eldest grandchild, Supratik, compelled by his idealism, becomes dangerously involved in extremist political activism—an action that further catalyzes the decay of the Ghosh home.Ambitious, rich, and compassionate, The Lives of Others anatomizes the soul of a nation as it unfolds a family history, at the same time as it questions the nature of political action and the limits of empathy. It is a novel of unflinching power and emotional force.

    ফ্ল্যাপে লিখা কথাঃI hear a sudden cry of pain!There is a rabbit in a snare:Now I hear the cry again,But i cannot tell from where.But i cannot tell from whereHe is calling out for aid;Crying of the frightened air,Making everything afraid.Making everything afraid,Wrinkling up his little face.As he cries again for aid;And i cannot find the place!And i cannot find the placeWhere his paw is in the snare;Little one! Oh, little one!I am searching everywhere.JAMES STEPHENS

    This volume contains the stories of the famous character Byomkesh Bakshi.

    The stories recounts the life of times of the hero Domrudhar in colonial India. The protagonist Domrudhar is portrayed as a dishonest man who rises from a lowly shop-assistant to a land owner.

    As she grows from an impetuous; spirited child to a lonely young woman; Swati is witness to the upheavals and joys of the Mitra family even as the country slides towards the promise of independence and the inevitability of war.Anxious to ensure that his daughters find suitable husbands; Rajen-babu realizes it is only a matter of time before his favourite child too must leave home. While the boorish entrepreneur Prabir Majumdar decides that she will make him a fitting wife; Swati finds herself increasingly drawn to Satyen; the young professor who introduces her to a world of books and the heady poetry of Tagore and Coleridge.First published in Bengali as Tithidore in 1949; When the Time Is Right is a moving tale of a family and a nation.

    An elderly woman who knows that death is close, but learns how to cheat it... A child with a dangerous friend who happens to be invisible... A ghost who can't stop reliving his suicide over and over again... People you'll wish you never have to meet, and stories you'll never forget. Skilfully translated into English for the very first time, these chilling tales from master storyteller Ratnakar Matkari are bound to keep readers of all ages up at night. With every page you turn, you'll be looking over your shoulder to make sure no one's there. Look again. Maybe there is!

    This novel focuses on the trauma of a mother who awakens one morning to the shattering news that her son is lying dead in the police morgue, reduced to a mere numeral: Corpse No. 1084. Through her struggle to understand his revolutionary commitment as a Naxalite, she recognizes her own alienation—as a woman and a wife—from the complacent, hypocritical, and corrupt feudal society her son had so fiercely rebelled against.

    Economic and social conflict in a north Indian village are brilliantly captured in the story of Hori, a poor farmer and his family’s struggle for survival and self-respect. Hori does everything he can to fulfill his life’s desire: to own a cow, the peasant’s measure of wealth and well-being. Like many Hindus of his time, he believes that making the gift of a cow to a Brahman before he dies will help him achieve salvation. An engaging introduction to India before Independence, Godaan is at once village ethnography, moving human document and insightful colonial history.

    Also contains the stories by Buddhadeb Guha, Shyamal Gangopadhyay, Shirshendu Mukhopadhyay, Dibyendu Palit, Sanjeev Chattopadhyay, Baren Gangopadhyay, and Moti Nandi.