One door, one window. The window is boarded up. The former resident - a recluse - is deceased. Is there a story here?Estate liquidators make a living disposing of the personal effects of deceased persons. Typically these are elderly people who may have lived alone, and were considered a bit strange because of their aloofness. But as the liquidator goes through the effects of the deceased, they occasionally find a story. Letters, pictures, and other artifacts prove that this person was once young, vibrant, sexy, full of hopes dreams, and possibilities, intriguing and mysterious.Here, Ambrose Bierce explores some possibilities of the strange person that lived in the cabin with the boarded up window.Public Domain (P)2012 Audio Books by Mike Vendetti

    Masterful essays that illuminate not only how we die but also how we live.Thomas Lynch, poet, funeral director, and author of the highly praised The Undertaking, winner of an American Book Award and finalist for the National Book Award, continues to examine the relations between the "literary and mortuary arts."

    Paris, Dylan imagines, is a place where her black skin won't stand out, a place she might feel she belongs.But when she loses her mother in a freak accident, Dylan finds herself on a very different journey: a road trip across outback Australia in the care of her mother's grieving boyfriend, Pat. As they travel through remote towns further and further from the water Dylan longs for, she and Pat form an unlikely bond. One that will be broken when he leaves her with the family she has never known.Metal Fish, Falling Snow is a warm, funny and highly original portrait of a Young girl's search for identity and her struggle to deal with grief. Through families lost and found, this own-voices story celebrates the resilience of the human heart and our need to know who we truly are.

    His brilliant mind, which saw him building power stations and literally bringing light into the lives of others, has succumbed to darkness.As Robyn settles back in the rhythms of life in the rain-soaked vast Welsh valleys, she keeps a diary charting her journey as the dad she knew disappears before her eyes. Lyrical, poignant and with flashes of brilliant humour, My Mad Dad explores how in helping others we can heal ourselves. 'At some point the cared for become the carers...this isn't a shame and it isn't a tragedy and it isn't a chore. It is an honour. To be able to return the gift of love that someone bestows upon you is a gift in itself. This is a story of caring...'

    Gloria is the freak magnet. They're pretty much destined to meet. And when they do, sparks fly . . . for Charlie. Gloria, well, she just thinks he's like every other freak who feels compelled to talk to her, although a little better-looking than most.While Charlie has his head in the clouds, Gloria's got hers in a book: her Freak Folio—a record of every weirdo who's talked to her in the last year (it's a big book). But never before has she felt the pull to get to know one of them better. Until now.In this he-said-she-said tale of love, loss, and lucky signs from the author of the ac-claimed Funny Little Monkey, two young strangers at a crossroads in their lives become friends by happy accident (okay, maybe some harmless stalking is involved—and not by the person you'd think!) and forever change each other.

    But when Nell and Joe Stevens are caught in a flash flood, Nell is swept under, trapped and loses consciousness. When she awakes, safe on shore, she finds a note from Joe, explaining that he has gone for help. He never returns.The search that follows raises more questions than it answers. About the family he never mentioned, who arrive in Nell's sleepy hometown. The enormous inheritance. And worse, the question whispered by the locals: is Nell responsible?Always hoping for Joe's return, Nell tries to put the rumors behind her. But as years slip past, Nell craves answers. She takes to the river again in search of the truth and finds that jealousy, desperation and deception can pull you under faster than churning water—and you may never resurface.

    Its startling popularity marked the emergence of a new type of theatre whose proponents—Beckett, Ionesco, Genet, Pinter, and others—shattered dramatic conventions and paid scant attention to psychological realism, while highlighting their characters’ inability to understand one another. In 1961, Martin Esslin gave a name to the phenomenon in his groundbreaking study of these playwrights who dramatized the absurdity at the core of the human condition.Over four decades after its initial publication, Esslin’s landmark book has lost none of its freshness. The questions these dramatists raise about the struggle for meaning in a purposeless world are still as incisive and necessary today as they were when Beckett’s tramps first waited beneath a dying tree on a lonely country road for a mysterious benefactor who would never show. Authoritative, engaging, and eminently readable, The Theatre of the Absurd is nothing short of a classic: vital reading for anyone with an interest in the theatre.

    Fisher searches for the traces of these lost futures in the work of David Peace, John Le Carré, Christopher Nolan, Joy Division, Burial and many others.

    The last person I expected to show up on my doorstep was his father, Alistair Wilde. Yet, he came with an offer I’d be an idiot to pass up: be his son’s girlfriend for three months, live with the two of them in a remote house, and the one million dollars is mine.The challenge turns out to be harder than I expected. Nash is not just wild, he’s dangerous. And Alistair is far more broken than he lets the world believe. The three of us are bound by grief. It’s up to me to feed Nash’s hunger and heal Alistair’s pain.Lines are crossed.Rules are broken.On the island, there’s no one to tell us this is wrong.I know I have to choose before I tear this family apart.But I belong to both of them—One of them has my body.The other has my heart.

    A random comment by his latest catch draws his mind back to the past, to a boy he once loved so fiercely, a boy drafted and sent to fight in Vietnam.A boy lost in the war. A boy James has never forgotten.

    

    This story takes you behind the closed and guarded gates of a military station, giving you a fat-piece of the grand and mysterious life of the Indian Army Wifes.“An Army wife is probably the only woman in the world whoknows and readily accepts that she is the mistress, because, let’sface it, the Army is the wife and the wife gets all the damnattention!” Pia is a regular, civilian girl with no connection to Army whatsoever. Then she marries Arjun, an Indian Army Officer. For Pia, regular life is a thing of the past. She is now an Army wife. From ‘just Pia’ to an Aunty, a memsaab and – her favorite words in the whole wide world – Mrs Pia Arjun Mehra. At twenty six, Pia finds herself having to suddenly be more ‘lady-like’; focus on themed ladies’ meets, high teas and welfare functions; and deal with long (unexpected) separations from her husband, extraordinary challenges, a little heartache, and, well, growing up. In the mysterious and grand world of Army wives, Pia learns that walking in high heels is okay as long as you don’t trip on combat boots. She learns that ‘civil’ is also a noun, that JCO and GOC are (very!) different, that snacks are ‘shown’ and WTF is better explained as Whiskey Tango Foxtrot. Yes, it really is a new world! Let this quirky, hilarious story of the first year of Pia’s Army-wife life show you that the spice to a soldier’s life is most definitely his better, very strong, bloody extremely elegant, never-cussing, witty, warm and passionate half, his Army wife.

    It amounts to the sudden and complete abolition of human privacy--forever. Then, as society reels, the same technology proves able to look backwards in time as well. What happens next is a story only Arthur C. Clarke and Stephen Baxter could tell. The Light of Other Days is a novel that will change your view of what it is to be human.

    Thisoften leads exasperated viewers to exclaim--is this really art?In this invaluable primer on aesthetics, Freeland explains why innovation and controversy are so highly valued in art, weaving together philosophy and art theory with many engrossing examples. Writing clearly and perceptively, she explores the cultural meanings of art in different contexts, and highlights the continuities of tradition that stretch from modern, often sensational, works back to the ancient halls of the Parthenon, to the medieval cathedral of Chartres, and to African nkisi nkondi fetish statues. She explores the difficulties of interpretation, examines recent scientific research into the ways the brain perceives art, and looks to the still-emerging worlds of art on the web, video art, art museum CD-ROMS, and much more. In addition, Freeland guides us through the various theorists of art, from Aristotle and Kant to Baudrillard. Lastly, throughout this nuanced account of theories, artists, and works, Freeland provides us with a rich understanding of how cultural significance is captured in a physical medium, and why challenging our perceptions is, and always has been, central to the whole endeavor.It is instructive to recall that Henri Matisse himself was originally derided as a "wild beast." To horrified critics, his bold colors and distorted forms were outrageous. A century later, what was once shocking is now considered beautiful. And that, writes Freeland, is art.