Like her fictional forebears Kate Reddy and Bridget Jones, Alice plays many roles (which she never refers to as “wearing many hats” and wishes you wouldn’t, either). She is a mostly-happily married mother of three, an attentive daughter, an ambivalent dog-owner, a part-time editor, a loyal neighbor and a Zen commuter. She is not: a cook, a craftswoman, a decorator, an active PTA member, a natural caretaker or the breadwinner. But when her husband makes a radical career change, Alice is ready to lean in—and she knows exactly how lucky she is to land a job at Scroll, a hip young start-up which promises to be the future of reading, with its chain of chic literary lounges and dedication to beloved classics. The Holy Grail of working mothers―an intellectually satisfying job and a happy personal life―seems suddenly within reach.Despite the disapproval of her best friend, who owns the local bookstore, Alice is proud of her new “balancing act” (which is more like a three-ring circus) until her dad gets sick, her marriage flounders, her babysitter gets fed up, her kids start to grow up and her work takes an unexpected turn. Readers will cheer as Alice realizes the question is not whether it’s possible to have it all, but what does she―Alice Pearse―really want?

    On a hot July night on Cape Cod when Adrienne was fourteen, her mother, Malabar, woke her at midnight with five simple words that would set the course of both of their lives for years to come: Ben Souther just kissed me.    Adrienne instantly became her mother’s confidante and helpmate, blossoming in the sudden light of her attention, and from then on, Malabar came to rely on her daughter to help orchestrate what would become an epic affair with her husband’s closest friend. The affair would have calamitous consequences for everyone involved, impacting Adrienne’s life in profound ways, driving her into a precarious marriage of her own, and then into a deep depression. Only years later will she find the strength to embrace her life—and her mother—on her own terms.  Wild Game is a brilliant, timeless memoir about how the people close to us can break our hearts simply because they have access to them, and the lies we tell in order to justify the choices we make. It’s a remarkable story of resilience, a reminder that we need not be the parents our parents were to us.

    For in this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of Sleepless in Seattle reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter.Seven months into her pregnancy, Rachel Samstat discovers that her husband, Mark, is in love with another woman. The fact that the other woman has "a neck as long as an arm and a nose as long as a thumb and you should see her legs" is no consolation. Food sometimes is, though, since Rachel writes cookbooks for a living. And in between trying to win Mark back and loudly wishing him dead, Ephron's irrepressible heroine offers some of her favorite recipes. Heartburn is a sinfully delicious novel, as soul-satisfying as mashed potatoes and as airy as a perfect soufflé.

    Funny Rhyming Picture Book for Beginner ReadersSuitable for ages 2-8Beautifully Illustrated Story that will have both parents and children laughing out loud!Find out what happened to this family when Mom gets fed up and decides to stop doing all the chores.How will the family cope when they are so used to Mom doing so much for them?What happens next is hilarious, but also includes a valuable lesson for the entire family, even the cat and dog!What would you do if your Mommy quit on you?You and your children will love how the family resolves the issue in this adorable and humorous tale.

    Is there any practical value in knowing that your child resembles produce? And where's the good stuff, the useful details, like beware of the baby registry and all the crap you will never use, or be prepared to get breast milk all over everything you own? Hilarious, candid, and easy to read, Funny Little Pregnant Things is full of helpful information about all the stuff people don t tell you about pregnancy the good, the bad, and the ugly.

    Ruth Plank is an artist and a romantic with a rich, passionate, imaginative life. The last of five girls born to a gentle, caring farmer and his stolid wife, she yearns to soar beyond the confines of the land that has been her family's birthright for generations. Dana Dickerson is a scientist and realist whose faith is firmly planted in the natural world. Raised by a pair of capricious drifters who waste their lives on failed dreams, she longs for stability and rootedness. Different in nearly every way, Ruth and Dana share a need to make sense of who they are and to find their places in a world in which neither has ever truly felt she belonged. They also share a love for Dana's wild and beautiful older brother, Ray, who will leave an indelible mark on both their hearts. Told in the alternating voices of Ruth and Dana, The Good Daughters follows these "birthday sisters" as they make their way from the 1950s to the present. Master storyteller Joyce Maynard chronicles the unlikely ways the two women's lives parallel and intersect—from childhood and adolescence to first loves, first sex, marriage, and parenthood; from the deaths of parents to divorce, the loss of home, and the loss of a beloved partner—until past secrets and forgotten memories unexpectedly come to light, forcing them to reevaluate themselves and each other. Moving from rural New Hampshire to a remote island in British Columbia to the '70s Boston art-school scene, The Good Daughters is an unforgettable story about the ties of home and family, the devastating force of love, the healing power of forgiveness, and the desire to know who we are.

    In A Year in the Life of the Yorkshire Shepherdess she describes the age-old cycles of a farming year and the constant challenges the family faces, from being cut off in winter to tending their flock on some of Yorkshire's highest, bleakest moors - land so inaccessible that in places it can only be reached on foot. Writing with her trademark warmth and humour, Amanda takes us into her life as nine-year-old Miles gets his first flock, Reuben takes up the flugelhorn and she gives birth to a new baby girl. She is touched by the epic two-day journey of a mother sheep determined to find her lamb and gives a new home to an ageing and neglected horse. Meanwhile Clive is almost arrested on a midnight stakeout to catch a sheep-worrying dog and becomes the object of affection for a randy young bull. Funny, poignant and charming, A Year in the Life of the Yorkshire Shepherdess is a must for anyone interested in the countryside and those who farm it.

    Now, however, conversation has turned to whether it's necessary to have it all or, perhaps more controversial, whether children are really a requirement for a fulfilling life. The idea that some women and men prefer not to have children is often met with sharp criticism and incredulity by the public and mainstream media.In this provocative and controversial collection of essays, curated by writer Meghan Daum, sixteen acclaimed writers explain why they have chosen to eschew parenthood. Contributors Lionel Shriver, Sigrid Nunez, Kate Christiensen, Elliott Holt, Geoff Dyer, and Tim Kreider, among others, offer a unique perspective on the overwhelming cultural pressure of parenthood.Selfish, Shallow, and Self-Absorbed makes a thoughtful and passionate case for why parenthood is not the only path in life, taking our parent-centric, kid-fixated, baby-bump-patrolling culture to task in the process. What emerges is a more nuanced, diverse view of what it means to live a full, satisfying life.

    But it’s what she leaves unsaid—she’s alone, a drinker, a former artist, a shrieker in bed, captain of the sinking ship that is her flesh—that feels the most true. Everyone around her seems to have an entirely different idea of what it means to be an adult: her best friend, Indigo, is getting married; her brother—who miraculously seems unscathed by their shared tumultuous childhood—and sister-in-law are having a hoped-for baby; and her friend Matthew continues to wholly devote himself to making dark paintings at the cost of being flat broke. But when Andrea’s niece finally arrives, born with a heartbreaking ailment, the Bern family is forced to reexamine what really matters. Will this drive them together or tear them apart? Told in gut-wrenchingly honest, mordantly comic vignettes, All Grown Up is a breathtaking display of Jami Attenberg’s power as a storyteller, a whip-smart examination of one woman’s life, lived entirely on her own terms.

    In mapping their struggles over one wild and emotional wedding weekend, Laura Dave gives us a brilliantly subtle and honest look at contemporary courtship, family tension, and the angst that we all experience when we have to make difficult choices. Three years ago, Emmy Everett made the painful decision to call off her engagement and leave New York City behind. Since then she has been hiding out in Rhode Island working at a bait and tackle shop and haphazardly shooting a documentary about fishermen's wives. July 4th weekend has rolled around again and Emmy is mustering up the courage to return home to New York (the site of her own failed romance) to celebrate her brother Josh's wedding. En route to his bachelor party, Emmy is shocked when her typically resolute brother confesses that he is having serious doubts about getting married and he may even be in love with another woman. Emmy is determined to help her brother face up to this decision the one she fled from herself. With less than twenty-four hours to go before the wedding, she takes Josh on a road trip to find this mystery woman. Along the way, Emmy embraces her own hard-earned lessons about romance, commitment and what happens when we refuse to let go of the past. London is the Best City in America is a courageous, big-hearted portrait of love, loyalty, and heartbreak. Emmy is lively, wise and, ultimately, very brave as she tries to answer the universal question: how do we take that first step toward making our lives our own?

    Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast's memoir is both comfort and comic relief for anyone experiencing the life-altering loss of elderly parents.When it came to her elderly mother and father, Roz held to the practices of denial, avoidance, and distraction. But when Elizabeth Chast climbed a ladder to locate an old souvenir from the "crazy closet"—with predictable results—the tools that had served Roz well through her parents' seventies, eighties, and into their early nineties could no longer be deployed.While the particulars are Chast-ian in their idiosyncrasies—an anxious father who had relied heavily on his wife for stability as he slipped into dementia and a former assistant principal mother whose overbearing personality had sidelined Roz for decades—the themes are universal: adult children accepting a parental role; aging and unstable parents leaving a family home for an institution; dealing with uncomfortable physical intimacies; managing logistics; and hiring strangers to provide the most personal care.An amazing portrait of two lives at their end and an only child coping as best she can, Can't We Talk about Something More Pleasant will show the full range of Roz Chast's talent as cartoonist and storyteller.

    It's a peaceful life, really, and surely with her recent purchase of a sweet bungalow on Turpentine Lane her life is finally on track. Never mind that her fiancé is off on a crowdfunded cross-country walk, too busy to return her texts (but not too busy to post photos of himself with a different woman in every state.) And never mind her witless boss, or a mother who lives too close, or a philandering father who thinks he's Chagall. When she finds some mysterious artifacts in the attic of her new home, she wonders whether anything in her life is as it seems. What good fortune, then, that Faith has found a friend in affable, collegial Nick Franconi, officemate par excellence . . .

    Harold also has beef with Shawn’s father, William Henry Harrison Middle School football coach Sam Farmer. So when Harold finds out his mother has been secretly dating Coach Farmer, he is understandably upset. And when Coach Farmer proposes to his mother at an all-you-can-eat buffet, it’s understandable when he completely flips. Fortunately Harold has an ally on his side… the school bully himself, Shawn. Like Harold, Shawn realizes a merger of the Farmer and O’Connell clans will completely obliterate his standing as the most popular guy in school. Harold and Shawn form an unholy alliance and strive to stop the wedding from heck. This task is easier said than done, however. Coach Farmer and Ms. O’Connell are deeply in love, and they’re not breaking up without a fight, no matter how many times Harold and Shawn sabotage their wedding plans. But that’s not what troubles Harold the most. What he is most troubled by is the fact that, as he and his former nemesis spend more time together, they are slowly yet surely becoming friends. At William Henry Harrison Middle School, the school bully and the school nerd becoming best buds is like a lion singing Kumbaya with a zebra. Will Harold and Shawn succeed in their dastardly plot to stop their parents’ wedding, or will they allow their emerging friendship to blossom and throw their schools’ social order out of whack? The School Bully Is My Brother is a simultaneously hilarious and sweet take on middle school life. It should appeal to any kid who must deal with bullies. Likewise, it should appeal to the bullies out there who like to dish out torment (and hopefully convince them that nerds and geeks aren’t all that bad). Think of it as Modern Family meets Diary of a Wimpy Kid. This novel is unique in that it features characters of different races, religions, sexual orientations, and socio-economic backgrounds, and most kids (and adults) will appreciate the books’ message of inclusiveness.

    Three years later, she did--when John returned to New York, walked back into Lucy's life, and proposed. This is not that story. It is the story of the "happily ever aftermath"--the wedding.In this funny and moving memoir, Knisley--a working artist skeptical of the very institution of marriage--rolls up her sleeves and gets to work putting her personal artistic stamp on a tradition almost as old as humanity itself. From the venue (building a barn) to the reception (constructing a photo booth) to her wedding dress (sewing her own veil), Knisley channels her artist's ingenuity into every element of the wedding planning process, finally emerging from the creative chaos to stand, certain and joyful, at the altar with the man she loves.

    Guido plans to write poetry while Vincent feels confident he will win a Nobel prize for physics. When Guido spots Holly while exiting a museum, he can immediately sense that she will be difficult, quirky, and hard to live with. He loves her on sight. Vincent, open-minded and cheerful, meets Misty at work. Though she is a  bored and misanthropic brunette, he finds himself desperate to know her. Through courtship, jealousy, estrangement, and other perils, Happy All the Time follows four sane, intelligent, and good-intentioned people who manage to find love in spite of themselves.