With his death just hours away, Troy Phelan wants to send a message to his children, his ex-wives, and his minions, a message that will touch off a vicious legal battle and transform dozens of lives.Because Troy Phelan's new will names a sole surprise heir to his eleven-billion-dollar fortune: a mysterious woman named Rachel Lane, a missionary living deep in the jungles of Brazil.Enter the lawyers. Nate O'Riley is fresh out of rehab, a disgraced corporate attorney handpicked for his last job: to find Rachel Lane at any cost. As Phelan's family circles like vultures in D.C., Nate is crashing through the Brazilian jungle, entering a world where money means nothing, where death is just one misstep away, and where a woman - pursued by enemies and friends alike - holds a stunning surprise of her own.

    It is is a story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side.Seven years in the making, Sacred Games is an epic of exceptional richness and power. Vikram Chandra's novel draws the reader deep into the life of Inspector Sartaj Singh—and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India. Sartaj, one of the very few Sikhs on the Mumbai police force, is used to being identified by his turban, beard and the sharp cut of his trousers. But "the silky Sikh" is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip-off as to the secret hide-out of the legendary boss of G-Company, he's determined that he'll be the one to collect the prize. Vikram Chandra's keenly anticipated new novel is a magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side. Drawing inspiration from the classics of nineteenth-century fiction, mystery novels, Bollywood movies and Chandra's own life and research on the streets of Mumbai, Sacred Games evokes with devastating realism the way we live now but resonates with the intelligence and emotional depth of the best of literature.

    For many of the desert's inhabitants, Ben's visits are their only contact with the outside world, and the only landmark worth noting is a once-famous roadside diner that hasn't opened in years. Ben's routine is turned upside down when he stumbles across a beautiful woman named Claire playing a cello in an abandoned housing development. He can tell that she's fleeing something in her past - a dark secret that pushed her to the end of the earth - but despite his better judgment he is inexorably drawn to her. As Ben and Claire fall in love, specters from her past begin to resurface, with serious and life-threatening consequences not only for them both, but for others who have made this desert their sanctuary. Dangerous men come looking for her, and as they turn Route 117 upside down in their search, the long-buried secrets of those who've laid claim to this desert come to light, bringing Ben and the other locals into deadly conflict with Claire's pursuers. Ultimately, the answers they all seek are connected to the desert's greatest mystery - what really happened all those years ago at the never-open desert diner? In this unforgettable story of love and loss, Ben learns the enduring truth that some violent crimes renew themselves across generations. At turns funny, heartbreaking and thrilling, The Never-Open Desert Diner powerfully evokes an unforgettable setting and introduces readers to a cast of characters who will linger long after the last page.

    and the woman of his dreams. Things hit a snag when a bookmaking driver Alex flags down suddenly ends up dead. With its tight, crisp writing comparable to James M. Cain and Chandler, the work translated perfectly on screen into the legendary noir "Detour," perhaps the greatest low-budget film ever made.

    As Fiction. O. Matthiessen pointed out, “in these loosely connected sketches, she has acquired a structure independent of plot. Her scaffolding is simply the unity of her vision.” Her vision was of a gentle and generous people on a rugged and dangerous coast, of New England character and “characters” limned in colors of high summer and blue skies. Here, too, you will meet the people of Dunnet Landing; the women, who are probably the most unforgettable characters of her book; and Elijah Tilley (among the very few men in Jewett’s cast) who, after the death of his wife, learns the skills of husband and wife, of farm and sea. The black-and-white pencil drawings by Douglas Alvord are nothing short of spectacular. Closely observed and carefully rendered, they possess all of the haunting serenity of Jewett’s landscapes. Faithfully reproduced and printed to the highest standards, this is destined to become a standard gift and reading book for everyone fascinated by New England, the rich history of its rockbound coast, and this magical author.

    In telling their interconnected stories, American Book Award winner William Maxwell delivers a masterfully restrained and magically evocative meditation on the past.

    In his most dazzling novel since the groundbreaking New York Times bestseller An Instance of the Fingerpost, Iain Pears tells the story of John Stone, financier and arms dealer, a man so wealthy that in the years before World War One he was able to manipulate markets, industries, and indeed entire countries and continents.A panoramic novel with a riveting mystery at its heart, Stone’s Fall is a quest to discover how and why John Stone dies, falling out of a window at his London home.Chronologically, it moves backwards–from London in 1909 to Paris in 1890, and finally to Venice in 1867– and in the process the quest to uncover the truth plays out against the backdrop of the evolution of high-stakes international finance, Europe’s first great age of espionage, and the start of the twentieth century’s arms race.Like Fingerpost, Stone’s Fall is an intricately plotted and richly satisfying puzzle–an erudite work of history and fiction that feels utterly true and oddly timely–and marks the triumphant return of one of the world’s great storytellers.

    His lyric, deceptively simple prose conjures a world where the default setting is violence, a world of hunting and fishing, gambling and losing, drinking and poaching—a world most of us have never seen. In the chilling title novella (selected for the anthologies New Stories from the South: The Year's Best, 1999 and Best Mystery Stories of the Century), three wild boys confront a mythic game warden as mysterious and deadly as the river they haunt. And, as a weathered, hand-painted sign reads: "Jesus is not coming;" This terrain isn't pretty, isn't for the weak of heart, but in these desperate, lost people, Franklin somehow finds the moments of grace that make them what they so abundantly are: human.

    There's no identification on the body. Only the dogged work of a pair of local newspapermen and a graduate student in forensics turns up any clues. But that's just the beginning of the mystery. Because the more they learn about the man and the baffling circumstances of his death, the less they understand. Was it an impossible crime? Or something stranger still...? No one but Stephen King could tell this story about the darkness at the heart of the unknown and our compulsion to investigate the unexplained. With echoes of Dashiell Hammett's The Maltese Falcon and the work of Graham Greene, one of the world's great storytellers presents a surprising tale that explores the nature of mystery itself...

    When Richard Bone sees a picture of conglomerate tycoon J.J. Wolfe in the newspaper, he's struck by how closely he resembles the man Bone saw dumping the body: could this millionaire redneck be the killer? Bone's close friend Cutter, a crippled Vietnam vet, is convinced that Wolfe is the killer. With nothing much more to lose, the reckless Cutter and handsome gigolo Bone hit the road to the Wolfe headquarters in the Ozarks, totally unprepared for what awaits them. Cutter and Bone are two of the most brilliantly drawn characters in modern American fiction. Cutter and Bone is a brilliant look at the underbelly of post-Vietnam America. Filmed and immortalized as Cutter's Way, this new edition marks the return of one of the greatest American post-war novels.

    Now she’s set her eyes on a backwater burg—where, while posing as an innocent (albeit drop-dead gorgeous) newcomer to town, she means to sniff out old grudges and engineer new opportunities, deftly playing different people and different interests against each other the better, as always, to make a killing. But then something snaps: the master manipulator falls prey to a pure and wayward passion.Aimée has become the avenging angel of her own nihilism, exacting the destruction of a whole society of destroyers. An unholy original, Jean-Patrick Manchette transformed the modern detective novel into a weapon of gleeful satire and anarchic fun. In Fatale he mixes equal measures of farce, mayhem, and madness to prepare a rare literary cocktail that packs a devastating punch.

    The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet - unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss.

    Here, the released convict and his ride pal Kelp plot to steal the $500,000 Balaboma Emerald. The former British colony has recently become independent and split. The Akinzi have the stone, the Talabwo want it back, and their UN rep will pay for retrieval.

    On the same day that Roy Cady is diagnosed with a terminal illness, he senses that his boss, a dangerous loan-sharking bar-owner, wants him dead. Known “without affection” to members of the boss’s crew as “Big Country” on account of his long hair, beard, and cowboy boots, Roy is alert to the possibility that a routine assignment could be a deathtrap. Which it is. Yet what the would-be killers do to Roy Cady is not the same as what he does to them, which is to say that after a smoking spasm of violence, they are mostly dead and he is mostly alive.Before Roy makes his getaway, he realizes there are two women in the apartment, one of them still breathing, and he sees something in her frightened, defiant eyes that causes a fateful decision. He takes her with him as he goes on the run from New Orleans to Galveston, Texas—an action as ill-advised as it is inescapable. The girl’s name is Rocky, and she is too young, too tough, too sexy—and far too much trouble. Roy, Rocky, and her sister hide in the battered seascape of Galveston’s country-western bars and fleabag hotels, a world of treacherous drifters, pickup trucks, and ashed-out hopes. Any chance that they will find safety there is soon lost. Rocky is a girl with quite a story to tell, one that will pursue and damage Roy for a very long time to come in this powerful and atmospheric thriller, impossible to put down. Constructed with maximum tension and haunting aftereffect, written in darkly beautiful prose, Galveston announces the arrival of a major new literary talent.

    For the oddballs and lowlifes who inhabit the sleepy, working class bayou town of Jeannette,  these desperate circumstances serve as the catalyst that pushes them to enact whatever risky schemes they can dream up to reverse their fortunes. At the center of it all is Gus Lindquist, a pill-addicted, one armed treasure hunter obsessed with finding the lost treasure of pirate Jean Lafitte. His quest brings him into contact with a wide array of memorable characters, ranging from a couple of small time criminal potheads prone to hysterical banter, to the smooth-talking Oil company middleman out to bamboozle his own mother, to some drug smuggling psychopath twins, to a young man estranged from his father since his mother died in Hurricane Katrina. As the story progresses, these characters find themselves on a collision course with each other, and as the tension and action ramp up, it becomes clear that not all of them will survive these events.