Lansdale whips up yet another batch of stories to amaze, surprise, and entertain you.His new offering covers a lot of territory, producing what may be his best short story collection yet.One tale concerns an East Texas mule race in the early 1900s that proves to be an unexpected turning point and learning experience for the main character, a lifelong loser. It also chronicles the unusual circumstances of the race, which include a friendship between a rare white mule that can run like the wind, and his friend, a loyal, spotted pig.Another tale drops us into the disturbed mind of a mass murderer and his friendship with the shadows.Two others stories reintroduce us to the supernatural adventures of Reverend Rains, the flawed hero from Lansdale's cult favorite novel, Dead in the West. Here ghouls prowl and werewolves howl.There's a poetic collaboration with Melissa Mia Hall about the nature of loneliness and loss that echoes back to science fiction stories of an earlier time, as well as a famous, award winning novella reprinted here for the first time in several years about a clutch of unusual crime solvers.Read about a world where the dead almost rule, and venture into an alternate universe that is the background for perhaps the strangest tale of all, an adventure concerning an earnest and horny steam shovel named Bill, and his challenge to do the right thing at all costs.It's the usual wild and crowd pleasing display of what has become a subgenre of modern literature as only Joe R. Lansdale can present it: Tales Lansdalien.Welcome to his world.

    'Red' seems to me to be a masterwork. 'Vampire' is a breathtaking work of virtuosity."—Dennis Etchison, from his Introduction"An impressive debut. These stories are all beautifully written and very, very disturbing."—Fangoria"Richard Christian Matheson's prose is elegant, yet spare. He is undoubtedly the master of the contemporary horror short story. His potent, subtle horror sneaks up on the reader and its echoes linger long after the story has ended."—Ellen Datlow, fiction editor, Omni

    The nine stories in this volume exhibit Strantzas’s wide range in theme and subject matter, from the Lovecraftian “Thistle’s Find” to the Robert W. Chambers homage “Beyond the Banks of the River Seine.” But Strantzas’s imagination, while drawing upon the best weird fiction of the past, ventures into new territory in such works as “On Ice,” a grim novella of arctic horror; “One Last Bloom,” a grisly account of a scientific experiment gone hideously awry; and the title story, an emotionally wrenching account of terror and loss in the baked Mexican desert. With this volume, Strantzas lays claim to be discussed in the company of Caitlín R. Kiernan and Laird Barron as one of the premier weird fictionists of our time.Cover artwork by Santiago Caruso

    As in life, there are no happy endings, and no matter how high one flies, theres always gravity.

     THE STICK WOMAN - Priscilla has been held hostage, physically mutilated, and fed feces for years. And her situation is about to get much, much worse. SHIT-HOUSE - How bad is the world around you? How much worse could it get? How far would you go to fix it? THE USHERS - They are always there - somewhere in the background and just out of sight. A force of violence and lust. They are the ushers... THE SEA-SLOP THING - June needs a new job - and she's found it, along with something from the deepest depths of the sea.

    Told by individual inhabitants, the stories recount tales of disappearing dead deer, enchanted gardens, invisible killer dogs, and rattlesnakes that fall from the sky; each contribution adds to a composite portrait that skitters between eerie, ghoulish, and poignant. Miller is a master storyteller, clearly delighting in his mischievous creations.” Thirty-Three Tales. Thirty-Three Tellers. One Lost Town.

    Contents:Neither Brute nor HumanInto Whose HandsOld LovesMore Sinned AgainstShrapnelThe Last WolfNeither Brute Nor HumanSign of the SalamanderBlue Lady, Come BackLacunaeLost ExitsSilted In

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    Some of Howard’s best-known characters–Solomon Kane, Bran Mak Morn, and sailor Steve Costigan among them–roam the forbidding locales of the author’s fevered imagination, from the swamps and bayous of the Deep South to the fiend-haunted woods outside Paris to remote jungles in Africa.The collection includes Howard’s masterpiece “Pigeons from Hell,” which Stephen King calls “one of the finest horror stories of [the twentieth] century,” a tale of two travelers who stumble upon the ruins of a Southern plantation–and into the maw of its fatal secret. In “Black Canaan” even the best warrior has little chance of taking down the evil voodoo man with unholy powers–and none at all against his wily mistress, the diabolical High Priestess of Damballah. In these and other lavishly illustrated classics, such as the revenge nightmare “Worms of the Earth” and “The Cairn on the Headland,” Howard spins tales of unrelenting terror, the legacy of one of the world’s great masters of the macabre.

    And that's a scary place to be.

    These are stories to be savored late at night in bed, read by the light of a single lamp in an empty, dark house.

    The secrets of the core of the earth. Dreams of other people’s lives. A girl who goes mad in the darkness. Monsters in Bavaria. A generational spaceship where night doesn’t exist. And other mysteries and oddities. The contributors to the enthralling collection are: Sarah Rees Brennan, Tessa Gratton, Rachel Hawkins, Christine Johnson, Valerie Kemp, Malinda Lo, Myra McEntire, Saundra Mitchell, Sarah Ockler, Jackson Pearce, Aprilynne Pike, Dia Reeves, Beth Revis, Carrie Ryan, Jon Skovron, Courtney Summers, and Kate Espy, winner of the Defy the Dark new author contest.

    Gifted with a supple and mellifluous prose style, an imagination that can conjure up clutching terrors with seeming effortlessness, and a thorough knowledge of the rich heritage of weird fiction, Langan has already garnered his share of accolades. This new collection of nine substantial stories includes such masterworks as “Technicolor,” an ingenious riff on Poe’s “Masque of the Red Death”; “How the Day Runs Down,” a gripping tale of the undead; and “The Shallows,” a powerful tale of the Cthulhu Mythos. The capstone to the collection is a previously unpublished novella of supernatural terror, “Mother of Stone.” With an introduction by Jeffrey Ford and an afterword by Laird Barron.Table of ContentsIntroduction: Reading Langan, by Jeffrey FordKidsHow the Day Runs DownTechnicolor The Wide, Carnivorous SkyCity of the DogThe ShallowsThe Revel June, 1987. Hitchhiking. Mr. Norris. Mother of Stone Story Notes Afterword: Note Found in a Glenfiddich Bottle, by Laird BarronAcknowledgments

    The Undead The Second Week.Days Eight to Fourteen Compilation Edition.A deadly infection spreads across Europe.The Undead Series: A terrifying account of one man desperately struggling to survive this harrowing event.

    There are tales of murder, death, loss, revenge, greed, and hate. There are also tales of hope, survival, and love.For the sea was a fair master.