They come from both Sephardic and Ashkenazic Jews who settled all over America, bringing with them a wide variety of regional flavors, changing and adapting their traditional dishes according to what was available in the new country.What makes Jewish cooking unique is the ancient dietary laws that govern the selection, preparation, and consumption of observant Jews. Food plays a major part in rituals past and present, binding family and community. It is this theme that informs every part of Joan Nathan’s warm and lively text. Every dish has a story–from the cholents (the long-cooked rich meat stews) and kugels (vegetable and noodle puddings) prepared in advance for the Sabbath, to the potato latkes (served with maple syrup in Vermont and goat cheese in California) and gefilte fish (made with white fish in the Midwest, salmon in the Northwest, haddock in New England, and shad in Maryland). Joan Nathan tells us how lox and bagels and Lindy’s cheesecake became household words, and how American products like Crisco, cream cheese, and Jell-O changed forever Jewish home cooking.The recipes and stories come from every part of the U.S.A. They are seasoned with Syrian, Moroccan, Greek, German, Polish, Georgian, and Alsatian flavors, and they represent traditional foods tailored for today’s tastes as well as some of the nouvelle creations of Jewish chefs from New York to Tuscon. When Jewish Cooking in America was first published in 1994, it won both the IACP / Julia Child Cookbook Award for Best Cookbook of the Year and the James Beard Award for Best Food of the Americas Cookbook. Now, more than ever, it stands firmly established as an American culinary classic.

    This relationship is important not only for an appreciation of the mystic and Messianic movements but for Jewish history in general.Scholem clarifies the Messianic concept and analyzes its transformation in the Kabbalah up to the paradoxical versions it assumed in the Sabbatian and Frankist movement, in which sin became a vehicle of redemption.

    Combining quality scholarship and sacred spiritual instruction, Living Judaism is a thought-provoking reference and guide for those already steeped in Jewish life, and a comprehensive introduction for those exploring the richness and grandeur of Judaism.

    Driven to explore th origins of the kaddish, from the ancient legend of a wayeard ghost to a 17th-century Ukranian pogrom, he offers as well a mourner's response to the questions of fate, freedom, and faith stirred up in death's wake. Lyric, learned, and deeply moving, Kaddish is suffused with love: a son's embracing of the traditon bequethed to him by his father, a scholar's savoring of its beauty, and a writer's revealing it, proudly unadorned, to the reader.

    Purported to be the actual blueprints by Jewish leaders to take over the world, the Protocols, first published in 1902, have become gospel truth to international millions. Presenting a pageant of historical figures from nineteenth-century Russia to today's ideologues, including Tsar Nicholas II, Henry Ford, and Adolf Hitler, Will Eisner unravels and dispels one of the most devastating hoaxes of the twentieth century.

    We hear words like nosh, schlep, and schmutz all the time, but how did these words come to pepper American English? In Yiddishkeit: Jewish Vernacular and the New Land, Harvey Pekar and Paul Buhle trace the influence of Yiddish from medieval Europe to the tenements of New York’s Lower East Side. This comics anthology contains original stories by notable writers and artists such as Barry Deutsch, Peter Kuper, Spain Rodriguez, and Sharon Rudahl. Through illustrations, comics art, and a full-length play, four major themes are explored: culture, performance, assimilation, and the revival of the language. The last fully realized work by Harvey Pekar, this book is a thoughtful compilation that reveals the far-reaching influences of Yiddish.Praise for Yiddishkeit: “The book is about what Neal Gabler in his introduction labels ‘Jewish sensibility.’ It pervades this volume, which he acknowledges is messy; he writes: ‘You really can't define Yiddishkeit neatly in words or pictures. You sort of have to feel it by wading into it.’ The book does this with gusto.” —New York Times “Yiddishkeit is as colorful, bawdy, and charming as the culture it seeks to represent.” —Print magazine “every bit of it brimming with the charm and flavor of its subject and seamlessly meshing with the text to create a genuinely compelling, scholarly comics experience” —Publishers Weekly“Yiddishkeit is a book that truly informs about Jewish culture and, in the process, challenges readers to pick apart their own vocabulary.” —Chicago Tribune “a postvernacular tour de force” —The Forward “A fascinating and enlightening effort that takes full use of the graphic storytelling medium in an insightful and revelatory way.” —The Miami Herald “With a loving eye Pekar and Buhle extract moments and personalities from Yiddish history.” —Hadassah “gorgeous comix-style portraits of Yiddish writers” ––Tablet “Yiddishkeit has managed to survive, if just barely, not because there are individuals dedicated to its survival, though there are, but because Yiddishkeit is an essential part of both the Jewish and the human experience.” —Neal Gabler, author of An Empire of Their Own: How the Jews Invented Hollywood, from his introduction

    What happened to these rebels in the ghetto and in the forest, and how, fighting for the State of Israel, they moved beyond the violence of the Holocaust and made new lives.In 1944, a band of Jewish guerrillas emerged from the Baltic forest to join the Russian army in its attack on Vilna, the capital of Lithuania. The band, called the Avengers, was led by Abba Kovner, a charismatic young poet. In the ghetto, Abba had built bombs, sneaking out through the city's sewer tunnels to sabotage German outposts. Abba's chief lieutenants were two teenage girls, Vitka Kempner and Ruzka Korczak. At seventeen, Vitka and Ruzka were perhaps the most daring partisans in the East, the first to blow up a Nazi train in occupied Europe. Each night, the girls shared a bed with Abba, raising gossip in the ghetto. But what they found was more than temporary solace. It was a great love affair. After the liquidation of the ghetto, the Avengers escaped through the city's sewage tunnels to the forest, where they lived for more than a year in a dugout beside a swamp, fighting alongside other partisan groups, and ultimately bombing the city they loved, destroying Vilna's waterworks and its powerplant in order to pave the way for its liberation.Leaving a devastated Poland behind them, they set off for the cities of Europe: Vitka and Abba to the West, where they would be instrumental in orchestrating the massive Jewish exodus to the biblical homeland, and Ruzka to Palestine, where she would be literally the first person to bring a first hand account of the Holocaust to Jewish leaders. It was in these last terrifying days--with travel in Europe still unsafe for Jews and the extent of the Holocaust still not widely known--that the Avengers hatched their plan for revenge. Before it was over, the group would have smuggled enough poison into Nuremberg to kill ten thousand Nazis. The Avengers is the story of what happened to these rebels in the ghetto and in the forest, and how, fighting for the State of Israel, they moved beyond the violence of the Holocaust and made new lives.From Rich Cohen, one of the preeminent journalists of his generation and author of the highly praised Tough Jews, a powerful exploration of vindication and revenge, of dignity and rebellion, painstakingly recreated through his exclusive access to the Avengers themselves. Written with insight, sensitivity, and the moral force of one of the last great struggles of the Second World War, here is an unforgettable story for our time.

    Employing time-honored literary devices of scene-setting, impressionistic description, and characterization, he restores to life episodes of war and peace as these amazing individuals, early leaders of Israel, grappled with one another and with the life-and-death decisions they were often called upon to make. In the author's eyes, Menachem Begin emerges as most exceptional, and much of the book is devoted to him. Based largely on personal notes, as well as on actual transcripts and correspondence, some of which are revealed here for the first time, the narrative reenacts how each of the leaders responded under conditions of acute stress - be it terror or war- and how their respective relationships unfolded with Presidents Johnson, Nixon, Ford and Carter.

    But we’d be surprised to learn how much these beloved characters were shaped by the cultural and religious traditions of their makers. Superman Is Jewish? follows the “people of the book” as they become the people of the comic book. Harry Brod reveals the links between Jews and superheroes in a penetrating investigation of iconic comic book figures. With great wit and compelling arguments, Brod situates superheroes within the course of Jewish- American history: they are aliens in a foreign land, like Superman; figures plagued by guilt for not having saved their families, like Spider-Man; outsiders persecuted for being different, like the X-Men; nice, smart people afraid that nobody will like them when they’re angry, like the Hulk. Brod blends humor with sharp observation as he considers the overt and discreet Jewish characteristics of these well-known figures and explores how their creators—including Jerry Siegel, Joe Shuster, Stan Lee, and Jack Kirby— integrated their Jewish identities and their creativity. Brod makes a strong case that these pioneering Jews created New World superheroes using models from Old World traditions. He demonstrates how contemporary characters were inspired by the golem, the mystically created artificial superhuman of Jewish lore. And before Superman was first drawn by Joe Shuster, there were those Jews flying through the air drawn by Marc Chagall. As poignant as it is fascinating, this lively guided tour travels from the Passover Haggadah’s exciting action scenes of Moses’s superpowers through the Yiddish humor of Mad to two Pulitzer Prizes awarded in one decade to Jewish comic book guys Art Spiegelman and Michael Chabon. Superman Is Jewish? explores the deeper story of how an immigrant group can use popular entertainment media to influence the larger culture and in the process see itself in new, more empowering ways. Not just for Jewish readers or comic book fans, Superman Is Jewish? is a story of America, and is as poignant as it is fascinating. *** A surprising question, one that takes a certain amount of chutzpah to even raise. To add even a bit more chutzpah, this book considers questions about the Jewishness of more superheroes than just Superman, and offers answers that will surprise many. You mean Spider-Man is Jewish too? Well, actually, yes, but in a very different way than Superman is. And, as we’ll see, the shift between them reflects the evolution of Jewish life in America itself in the generation between the two, the generation that gets us from World War II and the “Golden Age” of comics to the 1960s and the “Silver Age” of comics. The historical turning points of those tumultuous years and others, like the powerful 1950s crusade against comics for supposedly causing juvenile delinquency, turn out to be central to our story because these events, and their great impact on American Jews, appear on comic book pages themselves, and behind the scenes in their production. For it turns out that the history of Jews and comic book superheroes, that very American invention, is the history of Jews and America, particularly the history of Jewish assimilation into the mainstream of American culture.

    Circling the Jewish calendar from Rosh Hashanah to Tisha B'Av, this lively, accessible guide includes rituals, recipes, songs, prayers, and suggestions for new approaches to holiday observance.

    He must fight for his place against the bullies in his Depression-shadowed Bronx neighborhood and his own frail health. As a young man, he must start anew and define his own path of personal belief that diverges sharply with his devout father and everything he has been taught...

    In addition to surveying the nature and development of Judaism, this Very Short Introduction outlines the basics of practical Judaism -- its festivals, prayers, customs, and various sects. Modern concerns and debates of the Jewish people are also addressed, such as the impact of the Holocaust, the establishment of the State of Israel, the status of women, and medical and commercial ethics. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam

    With understanding and sensitivity, Shtetl limns the culture that influenced Christian villagers' decisions to conceal or betray Jewish neighbors when the Nazis invaded. A New York Times Notable Book.

    Commenting on this startling discovery at the time, noted Talmud scholar Daniel Boyarin argued that “some Christians will find it shocking—a challenge to the uniqueness of their theology.”Guiding us through a rich tapestry of new discoveries and ancient scriptures, The Jewish Gospels makes the powerful case that our conventional understandings of Jesus and of the origins of Christianity are wrong. In Boyarin’s scrupulously illustrated account, the coming of the Messiah was fully imagined in the ancient Jewish texts. Jesus, moreover, was embraced by many Jews as this person, and his core teachings were not at all a break from Jewish beliefs and teachings. Jesus and his followers, Boyarin shows, were simply Jewish. What came to be known as Christianity came much later, as religious and political leaders sought to impose a new religious orthodoxy that was not present at the time of Jesus’s life.In the vein of Elaine Pagels’s The Gnostic Gospels, here is a brilliant new work that will break open some of our culture’s most cherished assumptions.

    Simon, the oldest of five brothers, chronicles the transformation from farmers to soldiers of the five Maccabee brothers and of their struggle for freedom against the Syrian-Greek conquerers of Judea, in a historical novel that recreates the events celebrated by Jews during the holiday of Hanukkah.