Margot, who plays the chimp’s lawyer, knows the production is dreadful and bemoans the failure of her acting career. She’s settled into the drudgery of playing a humiliating part—until the day she receives a mysterious letter from an anonymous admirer . . . and later, in the middle of a performance, has a shocking encounter with Adam, the twelve-year-old who plays the title role.Francine Prose’s effervescent comedy is told from the viewpoints of wildly unreliable, seemingly disparate characters whose lives become deeply connected as the madcap narrative unfolds. There is Adam, whose looming adolescence informs his interpretation of his role; Edward, a young audience member who is candidly unimpressed with the play; Ray, the author of the novel on which the musical is based, who witnesses one of the most awkward first dates in literature; and even the eponymous Mister Monkey, the Monkey God himself.With her trademark wit and verve, Prose delves into humanity’s most profound mysteries: art, ambition, childhood, aging, and love. Startling and captivating, Mister Monkey is a breathtaking novel from a writer at the height of her craft.

     In 1975, Paul and Roz Mellow write a bestselling Joy of Sex-type book that mortifies their four school-aged children and ultimately changes the shape of the family forever. Thirty years later, as the now dispersed family members argue over whether to reissue the book, we follow the complicated lives of each of the grown children and their conflicts in love, work, marriage, parenting, and, of course, sex—all shadowed by the indelible specter of their highly sexualized parents. Insightful, panoramic, and compulsively readable, The Position is an American original.

    In Boston, a renowned hand surgeon awaits the opportunity to perform the nation’s first hand transplant; meanwhile, in the distracting aftermath of an acrimonious divorce, the surgeon is seduced by his housekeeper. A married woman in Wisconsin wants to give the one-handed reporter her husband’s left hand – that is, after her husband dies. But the husband is alive, relatively young, and healthy.

    Deeply stressed by an SEC investigation and by his three-year-old son's diagnosis of autism, he flees New York on a Greyhound bus in search of a simpler, more romantic life with his old college sweetheart. Meanwhile, his super-smart wife, Seema--a driven first-generation American who craved the picture-perfect life that comes with wealth--has her own demons to face. How these two flawed characters navigate the Shteyngartian chaos of their own making is at the heart of this piercing exploration of the 0.1 Percent, a poignant tale of familial longing and an unsentimental ode to what really makes America great.LONGLISTED FOR THE CARNEGIE MEDAL FOR EXCELLENCE IN FICTION

    But it’s what she leaves unsaid—she’s alone, a drinker, a former artist, a shrieker in bed, captain of the sinking ship that is her flesh—that feels the most true. Everyone around her seems to have an entirely different idea of what it means to be an adult: her best friend, Indigo, is getting married; her brother—who miraculously seems unscathed by their shared tumultuous childhood—and sister-in-law are having a hoped-for baby; and her friend Matthew continues to wholly devote himself to making dark paintings at the cost of being flat broke. But when Andrea’s niece finally arrives, born with a heartbreaking ailment, the Bern family is forced to reexamine what really matters. Will this drive them together or tear them apart? Told in gut-wrenchingly honest, mordantly comic vignettes, All Grown Up is a breathtaking display of Jami Attenberg’s power as a storyteller, a whip-smart examination of one woman’s life, lived entirely on her own terms.

    With an unforgettable comic touch, Bank skillfully teases out issues of the heart, puts a new spin on the mating dance, and captures in perfect pitch what it's like to be a young woman coming of age in America today.

    Then sixth grade happened. Suddenly finding herself a favorite target of bullies, Rachel endures an endless year of escalating abuse. Adults turn a blind eye, or worse, blame her. At the end of that year, she vows to forget what happened at George Washington Elementary and move on with her life. Unfortunately, this is easier said than done, as she finds herself caught in a life long trap, continuously seeking validation from abusive men who remind her of her long gone bullies. The Playground illustrates the lasting trauma caused by childhood bullying, demonstrating how it continues to adversely affect the life of its victims many years after the bullies have vanished. Note: This book contains some sexually explicit scenes. It is intended for mature audiences only.

    With its sly and uproarious humor and a heart that embraces humanity's follies as well as its triumphs, Nobody's Fool is storytelling at its most generous.

    Guido plans to write poetry while Vincent feels confident he will win a Nobel prize for physics. When Guido spots Holly while exiting a museum, he can immediately sense that she will be difficult, quirky, and hard to live with. He loves her on sight. Vincent, open-minded and cheerful, meets Misty at work. Though she is a  bored and misanthropic brunette, he finds himself desperate to know her. Through courtship, jealousy, estrangement, and other perils, Happy All the Time follows four sane, intelligent, and good-intentioned people who manage to find love in spite of themselves.

    He's a perennial couch-surfer, an aspiring writer searching for himself in spite of himself, and he's just trying to survive. But life has other things in store for the fuck-up. From being dumped by his girlfriend to getting fired for asking for a raise, from falling into a robbery to posing as a gay man to keep his job at a porno theater, the fuck-up's tragi-comedy is perfectly realized by Arthur Nersesian, who manages to create humor and suspense out of urban desperation. "Read it and howl," says Bruce Benderson (author of User), "and be glad it didn't happen to you."

    They speak a secret “twin” tongue of their own as toddlers; as adults making their way in 1980s Manhattan, their verbal infatuation continues, but this love, which has always bound them together, begins instead to push them apart. Daphne, copy editor and grammar columnist, devotes herself to preserving the dignity and elegance of Standard English. Laurel, who gives up teaching kindergarten to write poetry, is drawn, instead, to the polymorphous, chameleon nature of the written and spoken word. Their fraying twin-ship finally shreds completely when the sisters go to war, absurdly but passionately, over custody of their most prized family heirloom: Merriam Webster’s New International Dictionary, Second Edition.Cathleen Schine has written a playful and joyful celebration of the interplay of language and life. A dazzling comedy of sisterly and linguistic manners, a revelation of the delights and stresses of intimacy, The Grammarians is the work of one of our great comic novelists at her very best.

    Michael is a rising OB/GYN at a prominent private practice in Albany, New York; he also moonlights at a local women’s health clinic. But Annie, his wife, has become tired of her workaholic husband’s absences, and the soccer-mom lifestyle has worn thin. She begins a passionate love affair with bad-boy, fading celebrity painter Simon Haas—an affair that quickly goes awry when Simon’s wife Lydia, who is also the model upon whom he built his career, discovers the truth.  Abortion, local evangelism, marital disenchantment, and the rifts of social class:  Brundage takes on the fault lines of our era with a deft hand.

    Deep, deep, deep; past your desire for true love, for inexhaustible riches or uncontested sexual championship, for the ability to fight crime and restore peace to a weary world. Underneath all this, if you are a true, red-blooded American, you'll find the throbbing desire to be famous. Liza Normal wants fame worse than air, food, sleep, or self-preservation. Her talents are slim, but she's been raised on a crash diet of Hollywood "I-can-do-it " mythology, game-show anthems, and Love's Baby Soft- scented teen dreams. According to the delusional logic inherent in these value-starved sources, the key to Making It Big as a pop star is to simply want it badly enough and Believe in Yourself (and to follow the B-movie template for becoming one of life's golden winners -- see page 20). And so, innocent Liza's disco-ball fantasies are bowled down the yellow brick road, on a direct collision course with that whirling hall of hammers: Reality. She endures a wretched series of mishaps on the road to failure: disastrous love affairs, scorching humiliations. But Liza, a far better human than the two-dimensional starlet she thinks she wants to be, is indestructible.In Colors Insulting to Nature, Cintra Wilson has fused a hilarious yet strangely touching coming-of-age story with a blistering satire of our celebrity-debased culture. In a world where unknowns compete to wear their ethical pants around their ankles on TV, where actors become presidents and plucky American Idols claw their way to stardom over the corpses of the dreams of a million wishful losers, Colors Insulting to Nature shocks us into seeing ourselves as we truly are, not as wethink we look when we make that French pout face in the mirror. Not since John Kennedy Toole's A Confederacy of Dunces, Martin Amis's Money, or, yes, Rabelais's Gargantua and Pantagruel has an antihero peeled away the lamination of our society with such savage glee and empathy. Laugh, cry, cringe with self-recognition: Colors Insulting to Nature is a brilliant achievement.

    Wayne and Scout shoot to kill. In a single night they find out the hard way what's real and what's not, who's the hero and who's the villain. The USA watches slack-jawed as Bruce and Wayne together resolve some serious questions. Does Bruce use erection cream? Does art imitate life or does life simply imitate bad art? And most of all, does sugar-pie really love his honeybun?

    Filmmaker Sam Dolan has a difficult relationship with his father, B-movie actor Booth Dolan—a boisterous, opinionated, lying lothario whose screen legacy falls somewhere between cult hero and pathetic. Allie, Sam’s dearly departed mother, was a woman whose only fault, in Sam’s eyes, was her eternal affection for his father. Also included in the cast of indelible characters: a precocious, frequently violent half-sister; a conspiracy-theorist second wife; an Internet-famous roommate; a family friend and contractor who can’t stop expanding his house; a happy-go-lucky college girlfriend and her husband, a retired Yankees catcher; the morose producer of a true crime show; and a slouching indie film legend. Not to mention a tragic sex monster.Praise for Double Feature: “[Double Feature]… is epic, ambitious, and dedicated to the uncontainable… [King] has a captivating energy, a precision and a fondness for people that are rare…” – David Thomson, The New York Times Book Review 4/7/13“What a kinetic, joyful, gonzo ride – Double Feature made me laugh so loudly on a plane that I had to describe the plot of Sam’s Spruce Moose of a debut film (it stars a satyr) to my seatmate by way of explanation. Booth and Sam are an unforgettable Oedipal duo. A book that delivers walloping pleasures to its lucky readers.” – Karen Russell, author of Swamplandia!“The literary and the popular can coexist. Double Feature makes this point, and proves it too.” — Brian Gresko, The Rumpus 7/2/13"I liked [Double Feature] so much that it sort of pisses me off – the fact that Owen King, who is something like 142 years younger than I am, is such a skilled, imaginative and complete writer. This is a well-wrought and thoroughly satisfying novel, which manages, at the same time, to be both moving and – this is what pisses me off the most – very funny." - Dave Barry, author of Insane City“… [A] darkly humorous and often heartfelt work that’s part ode to low-budget movies, part family drama and part screwball comedy with a slew of oddball characters…” — Brian Truitt, USA Today, 3/22/13