Volume One contains the following 48 short stories:- The Dead Past- The Foundation of S. F. Success- Franchise- Gimmicks Three- Kid Stuff- The Watery Place- Living Space- The Message- Satisfaction Guaranteed- Hell-Fire- The Last Trump- The Fun They Had- Jokester- The Immortal Bard- Someday- The Author's Ordeal- Dreaming Is a Private Thing- Profession- The Feeling of Power- The Dying Night- I'm in Marsport Without Hilda- The Gentle Vultures- All the Troubles of the World- Spell My Name with an S- The Last Question- The Ugly Little Boy- Nightfall- Green Patches- Hostess- Breeds There a Man…?- C-Chute- In a Good Cause—- What If—- Sally- Flies- Nobody Here But—- It's Such a Beautiful Day- Strikebreaker- Insert Knob A in Hole B- The Up-to-Date Sorcerer- Unto the Fourth Generation- What Is This Thing Called Love?- The Machine That Won the War- My Son, the Physicist- Eyes Do More Than See- Segregationist- I Just Make Them Up, See!- Rejection Slips.

    Clarke is the most celebrated science fiction author alive. He is—with H. G. Wells, Isaac Asimov, and Robert A. Heinlein—one of the writers who define science fiction in our time. Now Clarke has cooperated in the preparation of a massive, definitive edition of his collected shorter works. From early work like "Rescue Party" and "The Lion of Comarre," through classics like "The Star," "Earthlight," "The Nine Billion Names of God," and "The Sentinel" (kernel of the later novel, and movie, 2001: A Space Odyssey), all the way to later work like "A Meeting with Medusa" and "The Hammer of God," this immense volume encapsulates one of the great SF careers of all time.

    Then, in 2005, astronomer Mike Brown made the discovery of a lifetime: a tenth planet, Eris, slightly bigger than Pluto. But instead of its resulting in one more planet being added to our solar system, Brown’s find ignited a firestorm of controversy that riled the usually sedate world of astronomy and launched him into the public eye. The debate culminated in the demotion of Pluto from real planet to the newly coined category of “dwarf” planet. Suddenly Brown was receiving hate mail from schoolchildren and being bombarded by TV reporters—all because of the discovery he had spent years searching for and a lifetime dreaming about.Filled with both humor and drama, How I Killed Pluto and Why It Had It Coming is Mike Brown’s engaging first-person account of the most tumultuous year in modern astronomy—which he inadvertently caused. As it guides readers through important scientific concepts and inspires us to think more deeply about our place in the cosmos, it is also an entertaining and enlightening personal story: While Brown sought to expand our understanding of the vast nature of space, his own life was changed in the most immediate, human ways by love, birth, and death. A heartfelt and personal perspective on the demotion of everyone’s favorite farflung planet, How I Killed Pluto and Why It Had It Coming is the book for anyone, young or old, who has ever dreamed of exploring the universe—and who among us hasn’t?

    The more we discover, the more puzzling the universe appears to be. How and why are the laws of nature what they are? A philosopher and a physicist, world-renowned for their radical ideas in their fields, argue for a revolution. To keep cosmology scientific, we must replace the old view in which the universe is governed by immutable laws by a new one in which laws evolve. Then we can hope to explain them. The revolution that Roberto Mangabeira Unger and Lee Smolin propose relies on three central ideas. There is only one universe at a time. Time is real: everything in the structure and regularities of nature changes sooner or later. Mathematics, which has trouble with time, is not the oracle of nature and the prophet of science; it is simply a tool with great power and immense limitations. The argument is readily accessible to non-scientists as well as to the physicists and cosmologists whom it challenges.

    Addressing readers with both a general and scholarly interest in mathematics, Nahin weaves into this narrative entertaining historical facts, mathematical discussions, and the application of complex numbers and functions to important problems.

    Whether pondering black holes or predicting discoveries at CERN, physicists believe the best theories are beautiful, natural, and elegant, and this standard separates popular theories from disposable ones. This is why, Sabine Hossenfelder argues, we have not seen a major breakthrough in the foundations of physics for more than four decades. The belief in beauty has become so dogmatic that it now conflicts with scientific objectivity: observation has been unable to confirm mindboggling theories, like supersymmetry or grand unification, invented by physicists based on aesthetic criteria. Worse, these "too good to not be true" theories are actually untestable and they have left the field in a cul-de-sac. To escape, physicists must rethink their methods. Only by embracing reality as it is can science discover the truth.

    Taken literally, it implies that there are many universes “parallel” to the one we see around us. This multiplicity of universes, according to Deutsch, turns out to be the key to achieving a new worldview, one which synthesizes the theories of evolution, computation, and knowledge with quantum physics. Considered jointly, these four strands of explanation reveal a unified fabric of reality that is both objective and comprehensible, the subject of this daring, challenging book. The Fabric of Reality explains and connects many topics at the leading edge of current research and thinking, such as quantum computers (which work by effectively collaborating with their counterparts in other universes), the physics of time travel, the comprehensibility of nature and the physical limits of virtual reality, the significance of human life, and the ultimate fate of the universe. Here, for scientist and layperson alike, for philosopher, science-fiction reader, biologist, and computer expert, is a startlingly complete and rational synthesis of disciplines, and a new, optimistic message about existence.

    Dick was a master of science fiction, but he was also a writer whose work transcended genre to examine the nature of reality and what it means to be human. A writer of great complexity and subtle humor, his work belongs on the shelf of great twentieth-century literature, next to Kafka and Vonnegut. Collected here are twenty-one of Dick's most dazzling and resonant stories, which span his entire career and show a world-class writer working at the peak of his powers.In "The Days of Perky Pat," people spend their time playing with dolls who manage to live an idyllic life no longer available to the Earth's real inhabitants. "Adjustment Team" looks at the fate of a man who by mistake has stepped out of his own time. In "Autofac," one community must battle benign machines to take back control of their lives. And in "I Hope I Shall Arrive Soon," we follow the story of one man whose very reality may be nothing more than a nightmare. The collection also includes such classic stories as "The Minority Report," the basis for the Steven Spielberg movie, and "We Can Remember It for You Wholesale," the basis for the film Total Recall. Selected Stories of Philip K. Dick is a magnificent distillation of one of American literature's most searching imaginations.» Introduction by Jonathan Lethem1. Beyond Lies the Wub (wikipedia)2. Roog (wikipedia)3. Paycheck (wikipedia, imdb)4. Second Variety (wikipedia, imdb)5. Imposter (wikipedia)6. The King of the Elves (wikipedia, imdb)7. Adjustment Team (wikipedia, imdb)8. Foster, You're Dead! (wikipedia)9. Upon the Dull Earth (wikipedia)10. Autofac (wikipedia)11. The Minority Report (wikipedia, imdb)12. The Days of Perky Pat (wikipedia)13. Precious Artifact14. A Game of Unchance15. We Can Remember It for You Wholesale (wikipedia, imdb)16. Faith of Our Fathers (wikipedia)17. The Electric Ant (wikipedia)18. A Little Something for Us Tempunauts (wikipedia)19. The Exit Door Leads In (wikipedia)20. Rautavaara's Case (wikipedia)21. I Hope I Shall Arrive Soon (wikipedia)

    This text uses place names to describe some of these meanings.

    For even as she sets out to determine how big “really big” may be, Levin gives us an intimate look at the day-to-day life of a globe-trotting physicist, complete with jet lag and romantic disturbances.Nimbly synthesizing geometry, topology, chaos and string theories, Levin shows how the pattern of hot and cold spots left over from the big bang may one day reveal the size and shape of the cosmos. She does so with such originality, lucidity—and even poetry—that How the Universe Got Its Spots becomes a thrilling and deeply personal communication between a scientist and the lay reader.

    "One of today's best popularizers of science." —Kirkus Reviews.Loyal readers of the monthly "Universe" essays in Natural History magazine have long recognized Neil deGrasse Tyson's talent for guiding them through the mysteries of the cosmos with stunning clarity and almost childlike enthusiasm. Here, Tyson compiles his favorite essays across a myriad of cosmic topics. The title essay introduces readers to the physics of black holes by explaining the gory details of what would happen to your body if you fell into one. "Holy Wars" examines the needless friction between science and religion in the context of historical conflicts. "The Search for Life in the Universe" explores astral life from the frontiers of astrobiology. And "Hollywood Nights" assails the movie industry's feeble efforts to get its night skies right. Known for his ability to blend content, accessibility, and humor, Tyson is a natural teacher who simplifies some of the most complex concepts in astrophysics while simultaneously sharing his infectious excitement about our universe.

    Our eyes and minds are drawn to symmetrical objects, from the pyramid to the pentagon. Of fundamental significance to the way we interpret the world, this unique, pervasive phenomenon indicates a dynamic relationship between objects. In chemistry and physics, the concept of symmetry explains the structure of crystals or the theory of fundamental particles; in evolutionary biology, the natural world exploits symmetry in the fight for survival; and symmetry—and the breaking of it—is central to ideas in art, architecture, and music.Combining a rich historical narrative with his own personal journey as a mathematician, Marcus du Sautoy takes a unique look into the mathematical mind as he explores deep conjectures about symmetry and brings us face-to-face with the oddball mathematicians, both past and present, who have battled to understand symmetry's elusive qualities. He explores what is perhaps the most exciting discovery to date—the summit of mathematicians' mastery in the field—the Monster, a huge snowflake that exists in 196,883-dimensional space with more symmetries than there are atoms in the sun.What is it like to solve an ancient mathematical problem in a flash of inspiration? What is it like to be shown, ten minutes later, that you've made a mistake? What is it like to see the world in mathematical terms, and what can that tell us about life itself? In Symmetry, Marcus du Sautoy investigates these questions and shows mathematical novices what it feels like to grapple with some of the most complex ideas the human mind can comprehend.

    From "the man who put the fun into physics" (International Herald Tribune), an entertaining and accessible look at the science behind our daily activities.

    This richly varied collection of observation, fancy and fiction shows the London he knew so intimately at its best and worst - its streets, theatres, inns, pawnshops, law courts, prisons, omnibuses and the river Thames - in honest and visionary descriptions of everyday life and people. Through pen portraits that often anticipate characters from his great novels, we see the condemned man in his prison cell, garrulous matrons, vulgar young clerks and Scrooge-like bachelors, while Dickens's powers for social critique are never far from the surface, in unflinching depictions of the vast metropolis's forgotten citizens, from child workers to prostitutes. A startling mixture of humour and pathos, these Sketches reveal London as wonderful terrain for an extraordinary young writer.Sketches is a remarkable achievement, and looks towards Dickens's giant novels in its profusion of characters, its glimpses of surreal modernity and its limitless fund of pathos and comic invention.

    Offers a humanistic and cultural view of modern physics.