It makes an effort to value aspects of historical gay experience that now threaten to disappear, branded as embarrassing evidence of the bad old days before Stonewall. Love argues that instead of moving on, we need to look backward.

    In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including the Alien trilogy, The Exorcist and Psycho, Creed analyses the seven `faces' of the monstrous-feminine: archaic mother, monstrous womb, vampire, witch, possessed body, monstrous mother and castrator. Her argument that man fears woman as castrator, rather than as castrated, questions not only Freudian theories of sexual difference but existing theories of spectatorship and fetishism, providing a provocative re-reading of classical and contemporary film and theoretical texts.

    methodologically innovative... precise and perceptive and conscious... " --Text and Performance QuarterlyWoman, Native, Other is located at the juncture of a number of different fields and disciplines, and it genuinely succeeds in pushing the boundaries of these disciplines further. It is one of the very few theoretical attempts to grapple with the writings of women of color." --Chandra Talpade MohantyThe idea of Trinh T. Minh-ha is as powerful as her films... formidable... " --Village Voice... its very forms invite the reader to participate in the effort to understand how language structures lived possibilities." --ArtpaperHighly recommended for anyone struggling to understand voices and experiences of those 'we' label 'other'." --Religious Studies Review

    She shows us that this most intellectual of poets is in fact the most personal of poets; that his words are not devoted to epistemological questions alone but are also "words chosen out of desire."

    Children’s Literature charts the makings of the Western literary imagination from Aesop’s fables to Mother Goose, from Alice's Adventures in Wonderland to Peter Pan, from Where the Wild Things Are to Harry Potter.The only single-volume work to capture the rich and diverse history of children’s literature in its full panorama, this extraordinary book reveals why J. R. R. Tolkien, Dr. Seuss, Laura Ingalls Wilder, Beatrix Potter, and many others, despite their divergent styles and subject matter, have all resonated with generations of readers. Children’s Literature is an exhilarating quest across centuries, continents, and genres to discover how, and why, we first fall in love with the written word.

    Here Girard explores violence as it is represented and occurs throughout history, literature and myth. Girard's forceful and thought-provoking analyses of Biblical narrative, Greek tragedy and the lynchings and pogroms propagated by contemporary states illustrate his central argument that violence belongs to everyone and is at the heart of the sacred.

    He argues that the development of communication media has transformed the spatial and temporal constitution of social life, creating new forms of action and interaction which are no longer linked to the sharing of a common locale. The consequences of this transformation are far-reaching and impinge on many aspects of our lives, from the most intimate aspects of personal experience and self-formation to the changing nature of power and visibility in the public domain.Combining breadth of vision with sensitivity to detail, this book situates the study of the media where it belongs: among a set of disciplines concerned with the emergence, development and structural characteristics of modern societies and their futures.

    But it isn't long before her sister Ella is brought to the castle herself. What Ella finds there starts a quest that will change her life and the entire kingdom. Cinder and Ella is a Cinderella story like no other, and one you'll never forget.

    A pair of pet cats, a blue fairy godmother, and an endearing, if somewhat overweight, Prince Charming are just a few of the delightful details that dance across these pages—right into readers’ hearts—in this thoroughly charming, sometimes surprising, and always original version of the classic fairy tale.

    He insists that such a move could bring new luster to a tired field, one that in some respects is among “the most backwards disciplines in the academy.” Literary study, he argues, has been random and unsystematic. For any given period scholars focus on a select group of a mere few hundred texts: the canon. As a result, they have allowed a narrow distorting slice of history to pass for the total picture.Moretti offers bar charts, maps, and time lines instead, developing the idea of “distant reading,” set forth in his path-breaking essay “Conjectures on World Literature,” into a full-blown experiment in literary historiography, where the canon disappears into the larger literary system. Charting entire genres—the epistolary, the gothic, and the historical novel—as well as the literary output of countries such as Japan, Italy, Spain, and Nigeria, he shows how literary history looks significantly different from what is commonly supposed and how the concept of aesthetic form can be radically redefined.

    Opening with the original Dracula, Vlad the Impaler, and his status as a national hero in Romania, he endeavors to winnow out truths from the complex legend and folklore. From Demons to Dracula tracks the evolution of the vampire as an icon and supernatural creature, drawing on classical Greek and Roman myths, witch trials and medieval plagues, Gothic literature, and even contemporary works such as Anne Rice’s Interview with a Vampire and Elizabeth Kostova’s The Historian.  Beresford also looks at the widespread impact of screen vampires from television shows, classic movies starring Bela Lugosi and Christopher Lee, and more recent films such as Underworld and Blade.  Whether as a demon of the underworld or a light-fearing hunter of humans, the vampire has endured through the centuries, the book reveals, as powerfully symbolic figure for human concerns with life, death, and the afterlife.A wide-ranging and engrossing chronicle, From Demons to Dracula casts this blood-thirsty nightstalker as a remarkably complex and telling totem of our nightmares, real and imagined.

    Ella had sworn to watch over her father and care for him. But then her father had married anew. Her stepmother and two stepsisters took sharp delight in causing Ella grief from morn to eve. They bullied her, called her Cinderella, and treated her as little more than a slave in her own home. It took all of Ella's courage to swallow the insults and to honor her word. Now the crown prince had returned home from the battlefront, and a ball was announced to celebrate his arrival. All eligible young women from the entire kingdom were invited to attend. Ella had but one desire left. To see the king's gardens one last time before she fled home. It would be a final way to commemorate her beloved mother before considering her vow's terms to be complete. She had no idea what waited her on that arched stone bridge ... * * * Cinderella - A Retelling with Strength and Courage is Book 1 of a gently cliff-hangered short story series. The series honors the original intention of the Grimm Fairy Tales - to present women of strength and courage tackling challenges which seemed insurmountable. With each new book a new heroine is interwoven into the story. The series sequence leads up to a happily ever after ending. The series is clean romance and is suitable for teens and up. Half of all author's proceeds benefit battered women's shelters. I publish my books one at a time to get feedback and suggestions as I go. If you prefer to read your stories complete, you are welcome to wait until the sequence is complete and then buy the box set. Either way, you support the cause! I have been working on these stories for many years. As fairy tales are so integral to so many young girls' lives, it was critical for me to do my very best to present each heroine in a way which honored her strength and showcased her ability to stand on her own. I feel strongly that no woman should ever sit around waiting for a man to "rescue" them. They should not endure abusive behavior in the hopes that a man will change or magically become that prince. Be the change you wish to see in the world. I have a library of over 300 books running the gamut from medieval romance to cozy mystery, from mythology to fairy tale to Biblical retellings. Most of my series benefit battered women's shelters. Please contact me with any questions!

    Gifted writer and educator Esme Raji Codell has writtten a book that incorporates fractured fairy tales with this kind of parent-child interplay to create a pitch-perfect combination of bedtime read-aloud and fairytales that will delight children and parents!

    The editors have collected more than a hundred poems inspired by Grimm tales and written by our finest living poets. A brilliant and informative anthology, a teachable text. Jeanne Marie Beaumont first book of poetry, "Placebo Effects," was selected by William Matthews for the National Poetry Series in 1997. She teaches at Rutgers University. Claudia Carlson works at Oxford University Press in New York. Her poems have appeared in "Heliotrope, Coracle, Space and Time, Fantastic Stories" and "NYCBigCityLit.comm"

    Professor Douglas makes points which illuminate matters in the philosophy of religion and the philosophy of science and help to show the rest of us just why and how anthropology has become a fundamentally intellectual discipline.