Each work of literature featured here is a seminal work key to understanding and appreciating the written word.The featured works have been handpicked by a team of international critics and literary luminaries, including Derek Attridge (world expert on James Joyce), Cedric Watts (renowned authority on Joseph Conrad and Graham Greene), Laura Marcus (noted Virginia Woolf expert), and David Mariott (poet and expert on African-American literature), among some twenty others.Addictive, browsable, knowledgeable--1001 Books You Must Read Before You Die will be a boon companion for anyone who loves good writing and an inspiration for anyone who is just beginning to discover a love of books. Each entry is accompanied by an authoritative yet opinionated critical essay describing the importance and influence of the work in question. Also included are publishing history and career details about the authors, as well as reproductions of period dust jackets and book designs.

    In vivid, hard-hitting articles, Connelly leads the reader past the yellow police tape as he follows the investigators, the victims, their families and friends--and, of course, the killers--to tell the real stories of murder and its aftermath. Connelly's firsthand observations would lend inspiration to his novels, from The Black Echo, which was drawn from a real-life bank heist, to Trunk Music, based on an unsolved case of a man found in the trunk of his Rolls Royce.And the vital details of his best-known characters, both heroes and villains, would be drawn from the cops and killers he reported on: from loner detective Harry Bosch to the manipulative serial killer the Poet. Stranger than fiction and every bit as gripping, these pieces show once again that Michael Connelly is not only a master of his craft, but also one of the great American writers in any form.The cops --The call --The open territory --Crossing the line --Cops accused --Death squad --Killed by a kid --The killers --Killer on the run --Dark disguise --The stalker --America's most wanted --Wife killer --The gang that couldn't shoot straight --Evil until he dies --The cases --Nameless grave --Double life --Death of an heiress --Hollywood homicide --The family --High time --Lying in wait --Trunk music --Open-unsolved

    For centuries, royal families have feared the gut-roiling, vomit-inducing agony of a little something added to their food or wine by an enemy. To avoid poison, they depended on tasters, unicorn horns, and antidotes tested on condemned prisoners. Servants licked the royal family’s spoons, tried on their underpants and tested their chamber pots.Ironically, royals terrified of poison were unknowingly poisoning themselves daily with their cosmetics, medications, and filthy living conditions. Women wore makeup made with mercury and lead. Men rubbed turds on their bald spots. Physicians prescribed mercury enemas, arsenic skin cream, drinks of lead filings, and potions of human fat and skull, fresh from the executioner. The most gorgeous palaces were little better than filthy latrines. Gazing at gorgeous portraits of centuries past, we don’t see what lies beneath the royal robes and the stench of unwashed bodies; the lice feasting on private parts; and worms nesting in the intestines.In The Royal Art of Poison, Eleanor Herman combines her unique access to royal archives with cutting-edge forensic discoveries to tell the true story of Europe’s glittering palaces: one of medical bafflement, poisonous cosmetics, ever-present excrement, festering natural illness, and, sometimes, murder.

    Now an Edgar Award Nominee!This is the first book about the Detection Club, the world’s most famous and most mysterious social network of crime writers. Drawing on years of in-depth research, it reveals the astonishing story of how members such as Agatha Christie and Dorothy L. Sayers reinvented detective fiction.Detective stories from the so-called “Golden Age” between the wars are often dismissed as cosily conventional. Nothing could be further from the truth: some explore forensic pathology and shocking serial murders, others delve into police brutality and miscarriages of justice; occasionally the innocent are hanged, or murderers get away scot-free. Their authors faced up to the Slump and the rise of Hitler during years of economic misery and political upheaval, and wrote books agonising over guilt and innocence, good and evil, and explored whether killing a fellow human being was ever justified. Though the stories included no graphic sex scenes, sexual passions of all kinds seethed just beneath the surface.Attracting feminists, gay and lesbian writers, Socialists and Marxist sympathisers, the Detection Club authors were young, ambitious and at the cutting edge of popular culture – some had sex lives as bizarre as their mystery plots. Fascinated by real life crimes, they cracked unsolved cases and threw down challenges to Scotland Yard, using their fiction to take revenge on people who hurt them, to conduct covert relationships, and even as an outlet for homicidal fantasy. Their books anticipated not only CSI, Jack Reacher and Gone Girl, but also Lord of the Flies. The Club occupies a unique place in Britain’s cultural history, and its influence on storytelling in fiction, film and television throughout the world continues to this day.The Golden Age of Murder rewrites the story of crime fiction with unique authority, transforming our understanding of detective stories and the brilliant but tormented men and women who wrote them.

    And a very strange, very English obsession. But where did this fixation develop? And what does it tell us about ourselves?In The Art of the English Murder, Lucy Worsley explores this phenomenon in forensic detail, revisiting notorious crimes like the Ratcliff Highway Murders, which caused a nationwide panic in the early nineteenth century, and the case of Frederick and Maria Manning, the suburban couple who were hanged after killing Maria's lover and burying him under their kitchen floor. Our fascination with crimes like these became a form of national entertainment, inspiring novels and plays, prose and paintings, poetry and true-crime journalism. At a point during the birth of modern England, murder entered our national psyche, and it's been a part of us ever since.The Art of the English Murder is a unique exploration of the art of crime and a riveting investigation into the English criminal soul by one of our finest historians.

    Anjette Lyle's restaurant was a popular gathering place. It was the place to go for lunch to hear the latest news. Then, one day, Anjette Lyles was charged with the murders of two husbands, her mother-in-law, and her nine-year-old daughter, all committed over the course of seven years. The case was the most sensational Macon had ever seen. The newspaper accounts spiced up the allegations of murder with references to voodoo ceremonies and black magic. The trial attracted record crowds and received worldwide coverage. Anjette Lyles was a glamorous figure and spectators stood in line for hours, hoping for just a glimpse of the defendant. Both lucidly written and emotionally engaging, this is the story of a woman who was called both "cold-blooded" and the "sweetest woman I ever knew," and despite overwhelming evidence and her conviction, many still believe that she was innocent.

    Until their troubled son showed up with a need for cash--and a thirst for murder. . . Two Bodies David Legg was an obsessive control freak and an army deserter. After fathering an illegitimate child, he wooed and wed a trusting young woman--only to destroy his marriage with lies and infidelities. But his deceptions were far from over. . . A Savage Son In June of 1996, Jeannie and Brian were found shot to death, their bodies sitting next to each other on their living room loveseat. Jeannie's expensive ring and the couple's credit cards were missing. Meanwhile, David, the prime suspect, was living it up in Hawaii with his fifteen-year-old girlfriend, draining his dead parents' savings through ATMs. After a long and costly chase this remorseless killer faced a jury of his peers in 2000, and was locked behind bars for life. "True crime afficionados will savor this riveting read." --Publishers Weekly on Honeymoon with a Killer

    Beginning in the Prohibition Era, the Purple Gang prevailed in distilling alcohol and running liquor from Canada, kidnapping, and labor racketeering. This is the hitherto untold story of the rise and fall of one of American's most notorious criminal groups. In an era resembling the Wild West when post World War I America groped for identity, chaos was the rule. And in Detroit's underworld, the Purple Gangsters were the rulers.

    Now, from the much-acclaimed author of Deviant, Deranged, and Depraved, comes the ultimate resource on the serial killer phenomenon.Rigorously researched and packed with the most terrifying, up-to-date information, this innovative and highly compelling compendium covers every aspect of multiple murderers—from psychology to cinema, fetishism to fan clubs, “trophies” to trading cards. Discover:WHO THEY ARE: Those featured include Ed Gein, the homicidal mama’s boy who inspired fiction’s most famous Psycho, Norman Bates; Angelo Buono and Kenneth Bianchi, sex-crazed killer cousins better known as the Hillside Stranglers; and the Beanes, a fifteenth-century cave-dwelling clan with an insatiable appetite for human fleshHOW THEY KILL: They shoot, stab, and strangle. Butcher, bludgeon, and burn. Drown, dismember, and devour . . . and other methods of massacre too many and monstrous to mention here.WHY THEY DO IT: For pleasure and for profit. For celebrity and for “companionship.” For the devil and for dinner. For the thrill of it, for the hell of it, and because “such men are monsters, who live . . . beyond the frontiers of madness.” PLUS: in-depth case studies, classic killers’ nicknames, definitions of every kind of deviance and derangement, and much, much more.For more than one hundred profiles of lethal loners and killer couples, Bluebeards and black widows, cannibals and copycats— this is an indispensable, spine-tingling, eye-popping investigation into the dark hearts and mad minds of that twisted breed of human whose crimes are the most frightening . . . and fascinating.

    Randy Roth was handsome, hardworking, kind, and in top physical shape. But for all his charm and good looks, he was seemingly cursed with the ladies. His first marriage ended in divorce before the couple’s fifth anniversary; his second wife plunged to her death during a hike; and his third wife left him after less than five months.   But when Roth’s fourth wife, Cynthia, drowned in an apparent speedboating accident in Washington State’s Lake Sammamish just weeks after their first anniversary, a pattern of suspicious behavior finally caught up to him. As Roth set about collecting on a hefty insurance payout, the authorities were on to his game.   Roth had been careful—and so close to getting away with it. But, as chronicled by Seattle Times reporter and Pulitzer Prize finalist Carlton Smith, his lies were about to come crashing down around him.

    When all was said and done, Gilbert Joseph Bland, Jr., had become the Al Capone of cartography. 20 illustrations throughout.

    Narcocorridos are Mexican ballads about the daring deeds of cross-border drug traffickers. Tracing the narcocorrido from its birth during the Mexican Revolution, up through its recent developments on the Mexican West Coast, the cradle of drug traffic. From there, the story moves to Los Angeles, where drug music began to blend with the corridos of Mexican immigrants and the concerns they have with living in the United States. The books narrative then heads across the Southwest to the Texas border region, where drug songs are still competing with more old-fashioned gunfighter ballads, then down through Mexico to the southern states of Michoacan, the latest big drug area. Finally, we are taken to Mexico City, with a traveling balladeer of the Zapatista revolution, and a meeting with Teodoro Bello, an illiterate genius who has not only become the most popular present-day corrido writer but the best-selling composer in Mexican history. Through this journey, we feel what how important the music is to the people who make and listen to it, while understanding the deep historical significance this music has on culture, both in Mexico and the United States.

    Through his wife Janet, Perry won a position in his father-in-law's firm and joined the city's social elite. The couple raised two children in a mansion that Janet, a talented artist, designed. They seemed to have the good life and more...A Husband's Betrayal...But in 1996, when Janet vanished, police dug into Perry's past, turning up strange stories of sexual obsession, unfaithfulness, and vicious arguments with Janet. When they suspected that one of those fights ended in murder, Perry skipped town with his children. A Father's Vow For Justice  Janet's father would not let Perry escape so easily. He and his agents pursued the murder suspect to Chicago, and then to Mexico, where Perry opened a new practice and remarried. Still, ten years would pass before the desperate fugitive became trapped in his own web of deceit and betrayal. Includes 16 Pages Of Revealing Photos!

    As a young child his life was shaped by his parent’s extreme beliefs. Little did he know that the recurring nightmares of his early life would lead to one of the most horrific cases in British criminal history. Other than his obsession with cleanliness, John George Haigh was described by his acquaintances as someone who was as normal as any young man during the 1940s in England. In fact, most people said he was a true gentleman with exceptional manners and a profound love for classical music. However, in the back of John’s crisp mind was a much darker side; a craving for wealth combined with a lust for blood… After spending many years in prison for fraud and theft, John Haigh concluded that the only reason he always got caught was because people talked. What if I can make them disappear? he thought one evening. What if I can stop them from talking to the police? Using his scientific knowledge (and a tiny bit of the legal system he had read about while in prison) he derived a new sinister plan to get rich. That was the disturbing turning point in his life. That was the point when John The Gentleman became John The Serial Killer. This is the true story of the notorious Acid Bath Murderer, a cold-blooded murderer who imagined he was above the law. A man who believed he could literally get away with murder… Caution: The material in this publication has a strong adult theme and is intended for an adult audience. Reader discretion is advised.

    For the very first time, this book prints Agatha's original ending, painstakingly transcribed from the hand-written draft in one of her earliest notebooks.Every decade saw Agatha Christie's success grow to new heights. The emergence of the world-famous Collins Crime Club in 1930 brought with it the very first Miss Marple novel; the austerity of the 1940s had Agatha Christie preparing to kill off Hercule Poirot; and the 1950s saw her experiment increasingly with stories influenced by more modern thrillers. Focusing on more than 20 Christie novels as detailed evidence, John Curran demonstrates the evolution of Agatha's writing through the decades, including her perseverance through the Swinging Sixties and Seventies into old age, concluding with a look at Agatha's last notebook and her ideas for an unwritten final book.As well as revealing more than a dozen unpublished book ideas, 'Agatha Christie's Murder in the Making' contains two new short stories from her archives - 'The Man Who Knew' and an early Miss Marple draft, 'The Case of the Caretaker's Wife'.NB: The first edition, first printing, has the ISBN on the reverse of the title page as in this record of the book but the back of the dust wrapper carries a different ISBN - 9780007908561! In addition there seems to be a variant title in that in some editions the last word of the sub-title is 'Notebooks' as opposed to 'Archive'.