This jewel-like novella by the writer that Thomas Mann praised as "one of the most extraordinary, the most enigmatic, the most secretly daring and the most strangely gripping narrators in world literature" is among the most unusual, moving, and memorable of Christmas stories. Two children—Conrad and his little sister, Sanna—set out from their village high up in the Alps to visit their grandparents in the neighboring valley. It is the day before Christmas but the weather is mild, though of course night falls early in December and the children are warned not to linger. The grandparents welcome the children with presents and pack them off with kisses. Then snow begins to fall, ever more thickly and steadily. Undaunted, the children press on, only to take a wrong turn. The snow rises higher and higher, time passes: it is deep night when the sky clears and Conrad and Sanna discover themselves out on a glacier, terrifying and beautiful, the heart of the void.

    When the box fails to return, he constructs another and tests it the same way, but it also fails to return. Believing the entire experiment to be a failure, he discontinues his efforts and gives up on time machines. The first box arrives in the middle of the twentieth century and the second in the latter part of the nineteenth century. Both have had their time-travel circuitry irreparably damaged by the journey.Originally published in the February 1943 issue of "Astounding Science Fiction Magazine.Novelette, Classic science fiction, the basis for the film "The Last Mimsy"

    At that point, Elantris had only been out in stores for about seven or eight months, but I actually hadn't written anything new on the story or world since 2000, when I'd finished the first draft of the original book. This story was originally posted for sale on Amazon.com; once the contract with them ran out, I posted it on my website.There were always a few holes in the manuscript where I decided not to include viewpoints or sections of explanation in the name of streamlining, particularly at the end. In the back of my mind, I knew what happened. This story talks about one of those holes; it is meant to be read after you've finished the novel and takes place during the events of the climax. In the annotation, I've written a further explanation of why I wrote this piece. Some of you may find it interesting to read this ahead of time; I put it in the annotation, however, as I know others would rather enjoy the story without bias beforehand, then read my thoughts afterward. Either way, if you haven't read the novel Elantris, this contains major spoilers. Might I suggest reading the book first? This story won't work at all for you if you haven't.As always, thanks for reading!

    In Only Once, a woman reminisces about her charming daredevil of a lover and his ultimate—and final—act of foolishness. Collins’s work seamlessly integrates the African-American experience in her characters’ lives, creating rich, devastatingly familiar, full-bodied men, women, and children who transcend the symbolic, penetrating both the reader’s head and heart.Both contemporary and timeless, Whatever Happened to Interracial Love? is a major addition to the literary canon, and is sure to earn Kathleen Collins the widespread recognition she is long overdue.

    Campbell Jr.By His Bootstraps / by Robert A. Heinlein (writing as Anson MacDonald); interior artwork by Hubert RogersIn Times to Come / essay by The EditorThe Analytical Laboratory: August 1941 / essay by The EditorNot Final! (Jovians #1) / by Isaac Asimov; interior artwork by KollikerThe Sea King's Armored Division (Part 2 of 2) / essay by L. Sprague de CampManic Perverse / by Winston K. Marks; interior artwork by Frank KramerTwo Percent Inspiration / by Theodore Sturgeon; interior artwork by Hubert RogersCommon Sense / by Robert A. Heinlein; interior artwork by Paul OrbanBrass Tacks / essay by The EditorLetters / P. Schuyler Miller; Paul A. Carter; and E. Everett Evans

    In Rushdie's hybrid world, an Indian guru can be a redheaded Welshman, while Christopher Columbus is an immigrant, dreaming of Western glory. Rushdie allows himself, like his characters, to be pulled now in one direction, then in another. Yet he remains a writer who insists on our cultural complexity; who, rising beyond ideology, refuses to choose between East and West and embraces the world.

    Seventeen stories written over the past fifteen years reveal the author's vision of human love and tragedy.Wants --Debts --Distance --Faith in the afternoon --Gloomy tune --Living --Come on, ye sons of art --Faith in a tree --Samuel --The burdened man --Enormous changes at the last minute --Politics --Northeast playground --The little girl --A conversation with my father --The immigrant story --The long-distance runner

    But when Andrew started to develop special talents which exceeded the confines of his allotted positronic pathways, he abandoned his domestic duties in favour of more intellectual pursuits. As time passed, Andrew acquired knowledge, feelings and ambitions way beyond anything ever experienced by any other mechanical men. And he found himself launched on to a career which would bring him fame fortune — and danger. For a robot who wants to be human must also be prepared to die...In the Bicentennial Man, Isaac Asimov returns to his first and most enduring love — robotics. The result is a brilliant book of first-class entertainment and mind-spinning ideas which confirm Asimov's supreme status as Grand Master of science fiction.Content"Feminine Intuition" (1969)"Waterclap" (1970) "That Thou Art Mindful of Him" (1974)"Stranger in Paradise" (1974)"The Life and Times of Multivac" (1975)"The Winnowing" (1976)"The Bicentennial Man" (1976)"Marching In" (1976) "Old-Fashioned" (1976)"The Tercentenary Incident" (1976)"Birth of a Notion" (1976)Cover Illustration: Don Dixon

    This story is a companion folk tale to Leigh Bardugo’s upcoming novel, Siege and Storm, the second book in the Grisha Trilogy.This story is also included in Some of the Best From Tor.com, 2013 Edition

    An English clergyman and his family are gathered together with some friends in their cottage, Higher Crowstairs, to celebrate the baptism of one of their daughters. During the evening three strangers knock on the door asking for shelter and they will eventually join the party, creating havoc and misunderstanding that will be resolved only at the end of the story.

    Here’s the correct version, as published in Omni, 1990." -- Terry Bisson

    Scott's source, which he acknowledged in the 'Magnum Opus' edition of Chronicles of the Canongate (1831), was George Constable (1719 - 1803), a friend of his father and the model for Jonathan Oldbuck in The Antiquary. It has not been established to date whether Constable's anecdote refers to a historically verifiable case.

    "Number Thirteen," "The Mezzotint," "Canon Alberic's Scrapbook," and more. Renowned for their wit, erudition and suspense, these stories are each masterfully constructed and represent a high achievement in the ghost genre. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    Rich in verbal and situational humour, they offer a fascinating insight into many of the issues which preoccupied Beckett all his working life. As the first novella reveals, nobody writes with quite such cruel and unnervingly clever wit as Beckett...

    Now THE BEST AMERICAN SHORT STORIES OF THE CENTURY brings together the best of the best - fifty-five extraordinary stories that represent a century's worth of unsurpassed accomplishments in this quintessentially American literary genre. Here are the stories that have endured the test of time: masterworks by such writers as Ernest Hemingway, William Faulkner, Willa Cather, F. Scott Fitzgerald, William Saroyan, Flannery O'Connor, John Cheever, Eudora Welty, Philip Roth, Joyce Carol Oates, Raymond Carver, Cynthia Ozick, and scores of others. These are the writers who have shaped and defined the landscape of the American short story, who have unflinchingly explored all aspects of the human condition, and whose works will continue to speak to us as we enter the next century. Their artistry is represented splendidly in these pages. THE BEST AMERICAN SHORT STORIES series has also always been known for making literary discoveries, and discovery proved to be an essential part of selecting the stories for this volume too. Collections from years past yielded a rich harvest of surprises, stories that may have been forgotten but still retain their relevance and luster. The result is a volume that not only gathers some of the most significant stories of our century between two covers but resurrects a handful of lost literary gems as well. Of all the great writers whose work has appeared in the series, only John Updike's contributions have spanned five consecutive decades, from his first appearance, in 1959. Updike worked with coeditor Katrina Kenison to choose stories from each decade that meet his own high standards of literary quality.