“You know I just worked a twelve-hour shift. Gotta get me right before I go to sleep.” He smiled his ugly smile and opened the screen door. “I’ll take you shoppin’ when I wake up; spend a couple bands on you.”He put his key in the lock and turned it… But the door was snatched open before Mone’s hand could even reach the doorknob.Lacresha’s eyes opened wide with fear as she witnessed a tall masked man step from behind the door and raise a gun to Mone’s face.“Payback’s a bitch, ain’t it?” The masked man stated coldly.

    A fateful, stormy night that changes everything... Once the lead singer of a band with a promising career ahead of her, twenty-two-year-old Ashima settles into a contented married life with the band's lead guitarist, Gautam, who sweeps her off her feet.Until, Irfan, a young musician, bursts into their life unexpectedly, injecting a fresh spark of excitement.What will Ashima do as an inexplicable yearning grips her, stirring feelings and emotions that wreak upheaval? Will she choose contentment or passion, conscience or abandon, lust or love? Will her life ever be the same again? Read this short, riveting story to find out.

    The result: "The most creative, generous, and democratic of any of the annual volumes" (Rick Moody).Among its numerous awards, the Pushcart Prize has been chosen for the Poets Writers / Barnes Noble "Writers for Writers" Award and the National Book Critics Circle Lifetime Achievement recognition.

    Bey had spent his entire life running through the woods and never once saw anything to convince him there were creatures worth fearing. When his littler sister, Chensei, whines about the trip home at night, Bey only mocks her. Until she disappears beyond the treeline. I, PONTIANAK Everyone hates and fears monsters, except for when you’re the monster. I never asked for it, and honestly I can’t say I’ve really enjoyed it. But I am what I am, and I can’t change it. Hell, I can’t even control it. My name used to be Anastasia, and I am a Pontianak.

    Returning to the Paris hotel where he spent his honeymoon six years earlier, he decides to take what seems like the only way out - suicide. But a chance encounter with a Russian in a similar predicament leaves Nick with an unlikely obligation to fulfil, one that will take him to Italy, and offer him a chance at something like redemption. www.kevinwignall.com

    Here are stories culled from hundreds of writing programs such as the Iowa Writers’ Workshop and Johns Hopkins and from summer conferences such as Sewanee and Bread Loaf—as well as a complete list of contact information for these programs. This collection showcases tomorrow’s literary stars: Julie Orringer, Adam Johnson, William Gay, David Benioff, Rattawut Lapcharoensap, Maile Meloy, Amanda Davis, Jennifer Vanderbes, and John Murray are just some of the acclaimed authors whose early work has appeared in this series since its launch in 2000. The best new American voices are heard here first.

    In its harrowing chronicle of the breakup of a relationship, Interiors confirmed Cash's remarkable talents as a lyricist, with songs that were intelligent and astonishingly frank, songs that with their stark empathy transcended the self-involvement that had come to confine the work of many "confessional" singer-songwriters. The Wheel (1993) was further evidence that she had few equals in her field. As one of our most literate lyricists, Cash naturally began to turn to longer prose pieces, and in her first collection, Bodies of Water, she reveals the full breadth and depth of her talent. These stories are a series of portraits of the inner lives of women seeking self-forgiveness, resolution, and freedom in the face of the familiar betrayals of everyday existence. A mother spends a comically forlorn New Year's Eve alone with her young children. Alone in Paris, a traveler faces her loneliness as middle age approaches. A dinner party becomes a battleground of concealed disappointment. It is at the margins of reality and dreams, the boundaries between art and insanity, that Cash's characters come to learn that their redemption is to be found in facing the past, and finally, in retrieving power from it.

    In between, Moore’s stories have been shortlisted for more than a dozen different awards including the Bridport Prize, the Fish Prize, the Lightship Flash Fiction Prize, the Manchester Fiction Prize and the Nottingham Short Story Competition. The title story won first prize in the novella category of The New Writer Prose and Poetry Prizes.

    In spare, elegant prose, Freed delivers surprise after surprise as she shakes the truth from life. Whether it's her portrayal of a mother mired in senile dementia in "Ma," a young girl experiencing her first sexual encounter with an itinerant knife-sharpener in "Under the House," or a young woman incapable of loving conventionally in "An Error of Desire," Freed portrays the absurdity, the delusions, the dramas, and the dignity of her characters' lives. These masterful stories reinforce her reputation as one of our most fearless and sophisticated explorers of sexual and filial love.

    

    C. Boyle is one of the most renowned storytellers of the modern era. This collection of fourteen stories drifts effortlessly between myth and reality, encompassing a panorama of human emotions. In “The Marlbane Manchester Musser Award,” Boyle reveals a writer’s dismay when a simple trip is turned upside down by a stranger. “Los Gigantes” tells the story of a group of giants being used to create a new breed of soldier for the military. In “The Way You Look Tonight” Boyle examines the way our perceptions of our loved ones can change on a dime with just a simple revelation. And in “Sic Transit” he shows how quickly we can become consumed with curiosity.Boyle travels the world in these and the rest of the stories, from California to Russia, Latin America to upstate New York, but his adept touch at depicting the lives of his characters never wavers.

    There is something very familiar about Simon that brings Eleanor great peace, and Simon feels the same way. But when Eleanor's boyfriend, Abe, sees her talking to Simon, his jealousy is unleashed, and he warns her to stay away from Simon. Eleanor refuses, planning to break up with Abe - until an emergency changes her plan. But Eleanor cannot stop thinking about Simon and is shocked when he reveals a secret about their childhood years. Torn between Abe and Simon, Eleanor prays to Gott for an answer. Should she leave the possessive Abe and run to Simon?

    The walking wounded. These are the stories of ordinary people.

    Full of memorable characters and masterfully composed narrative, these short stories constitute a wonderful addition to any personal library, and are not to be missed by discerning collectors of Runyon's work. The stories contained herein include: Beach of Promise, Romance in the Roaring Forties, Dream Street Rose, The Old Doll's House, Blood Pressure, The Bloodhounds of Broadway, Tobias the Terrible, The Snatching of Bookie Bob, The Lily of St. Pierre, Earthquake, and more. Alfred Damon Runyon (1880 1946) was an American newspaperman and author, best remembered for his short stories about the world of Broadway in New York City that resulted from the Prohibition era. This volume is being republished now in an affordable, modern edition complete with a specially commissioned new biography of the author."

    Her novels and short stories speak to women and men about their most intense relationships and heartfelt feelings.In this collection of five short stories and a novella, Ms. Godwin is at her best. In the title novella, "Mr. Bedford," a young would-be writer spends time in England under the strange and watchful eye of a rather unusual elderly couple; in "Amanuensis," a charming college student cares for a famous but blocked novelist, with unpredictable results; and in "The Angry Year," a rebellious student is drawn to two different kinds of men until she discovers what she has been running to and from.