By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day. These stories tackle urgent instances of racism and cultural unrest and explore the many ways we fight for humanity in an unforgiving world.

    Unabashedly classic in the great tradition of Asimov and Clarke, Liu Cixin's science-fiction is firmly rooted in the cosmic. “[most] literature has always left me with the impression of indulging an intense anthropocentric narcissism. […] In the world of literature, the Sun exists for no other reason than to illuminate the pure, unadulterated countryside, the Moon has no other reason to shine than to cast the shadows of the seaside lovers, [but] if the universe is the Sahara, then all that makes the Earth a grain of gold within it, is that a particular bacteria called humanity clinging to its surface.” Liu Cixin uses the unique perspective of science-fiction to take us on a journey into this majestic, desolate cosmos. He gives us the chance to reacquaint ourselves with the fundamental truth that in the face of a vast universe we are no more than a speck of dust; That the Earth is just another celestial body – And an extremely vulnerable one at that. The flash of a gamma-ray burst or the blast of a nearby supernova could, at any moment, reduce our cherished home to nothing but ashes.It can be terrifying to contemplate the end of our world and stories that describe such destruction can be disturbing. At the same time however, they can leave us feeling not only entertained, but exhilarated and inspired. Maybe, they can even give us a chance to renew our love of life. Most stories found in the “The Wandering Earth” collection take us to a sci-fi vision of Earth's end. But here, there are no Hollywood aliens, descending from the depths of space to blow up our cities. In these futures, the dangers humanity faces are much stranger and whimsical than that. The unexpected calamities that befall his richly detailed worlds are only eclipsed by humanity's epic, but always plausible, attempts to escape destruction.In all this peril and doom, Liu Cixin always feels for humanity. His stories are full of a deep love for all of Earth's peoples. But even this love does not escape reflection and even ridicule when viewed through his unrelenting cosmic lens. No matter how dearly one loves the Earth, humanity and all its cultures, there is no avoiding the cold, hard truth that they mean absolutely nothing when viewed against the vastness of the universe. But even an infinite universe could not change the simple fact that we are worthy of love, that we need love. It is this twist that lies at the very heart of the stories in this collection.Table of Contents 1 The Wandering Earth 2 Mountain 3 Of Ants and Dinosaurs 4 Sun of China 5 The Wages of Humanity 6 Curse 5.0 7 The Micro-Age 8 Devourer 9 Taking Care of Gods 10 With Her Eyes 11 The Longest Fall

    Some are familiar mer-people; some as strange as as a golden eye in a pool at the edge of the Great Desert Kalarsham, where the mad god Geljdreth rules; or the unknowable, immense Kraken, dark beyond the darkness of the deepest ocean, who will one day rise and rule the world. 1 Prologue: The water sprite / Robin mcKinley and Peter Dickinson 2 Mermaid song / Peter Dickinson --3 The sea-king's son / Robin McKinley --4 Sea serpent / Peter Dickinson --5 Water horse / Robin McKinley --6 Kraken / Peter Dickinson --7 A pool in the desert / Robin McKinley.

    But in truth, they have continued to prick the imaginations of readers at all ages.Over the years, authors have often borrowed bits and pieces from these stories, grafting them into their own writing, creating literature with both new meaning and age-old significance. In the last few decades or so, they’ve also intentionally retold and reinvented the tales in a variety of ways—delightful or dark, wistful or wicked, sweet or satirical—that forge new trails through the forests of fantastic fiction.This new anthology compiles some of the best modern fairy-tale retellings and reinventions from award-winning and bestselling authors, acclaimed storytellers, and exciting new talents, into an enchanting collection. Explore magical new realms by traveling with us, Beyond the Woods . . .

    Struggling under the curse of a dead comrade, Clirando, a warrior priestess unready to face the powers trapped within her, must face "The Heart of the Moon" to reveal what has been hidden. In "Banshee Cries," ritual murders under a full moon lead Jo Walker to confront a Harbinger of Death

    This star-studded follow-up to the acclaimed "Firebirds" contains riveting, original stories by some of today's masters of science fiction and fantasy, including Fancesca Lia Block, Alan Dean Foster, Diana Wynne Jones, and Tanith Lee.

    And mermaids are on display at the local aquarium.The Beginning of the World in the Middle of the Night is a collection of twelve haunting stories; modern fairy tales brimming with magic, outsiders and lost souls.

    From the Book of Revelation to The Road Warrior, from A Canticle for Leibowitz to The Road, storytellers have long imagined the end of the world, weaving eschatological tales of catastrophe, chaos, and calamity. In doing so, these visionary authors have addressed one of the most challenging and enduring themes of imaginative fiction: The nature of life in the aftermath of total societal collapse. Gathering together the best post-apocalyptic literature of the last two decades from many of today's most renowned authors of speculative fiction - including George R. R. Martin, Gene Wolfe, Orson Scott Card, Carol Emshwiller, Jonathan Lethem, Octavia E. Butler, and Stephen King - Wastelands explores the scientific, psychological, and philosophical questions of what it means to remain human in the wake of Armageddon. Whether the end of the world comes through nuclear war, ecological disaster, or cosmological cataclysm, these are tales of survivors, in some cases struggling to rebuild the society that was, in others, merely surviving, scrounging for food in depopulated ruins and defending themselves against monsters, mutants, and marauders. Wastelands delves into this bleak landscape, uncovering the raw human emotion and heart-pounding thrills at the genre's core. --back coverContains the following stories:Introduction by John Joseph AdamsThe End of the Whole Mess by Stephen KingSalvage by Orson Scott CardThe People of Sand and Slag by Paolo BacigalupiBread and Bombs by M. RickertHow We Got In Town and Out Again by Jonathan LethemDark, Dark Were the Tunnels by George R. R. MartinWaiting for the Zephyr by Tobias S. BuckellNever Despair by Jack McDevittWhen Sysadmins Ruled the Earth by Cory DoctorowThe Last of the O-Forms by James Van PeltStill Life With Apocalypse by Richard KadreyArtie’s Angels by Catherine WellsJudgment Passed by Jerry OltionMute by Gene WolfeInertia by Nancy KressAnd the Deep Blue Sea by Elizabeth BearSpeech Sounds by Octavia E. ButlerKillers by Carol EmshwillerGinny Sweethips’ Flying Circus by Neal Barrett, Jr.The End of the World as We Know It by Dale BaileyA Song Before Sunset by David GriggEpisode Seven... by John LanganAppendix: For Further Reading

    Buildings breathe, cars attack, angels patrol, and hyper-intelligent pets rebel.With unbridled invention and breakneck adventure, Hannu Rajaniemi is on the cutting-edge of science fiction. His post-apocalyptic, post-cyberpunk, and post-human tales are full of exhilarating energy and unpredictable optimism.How will human nature react when the only limit to desire is creativity? When the distinction between humans and gods is as small as nanomachines—or as large as the universe? Whether the next big step in technology is 3D printing, genetic alteration, or unlimited space travel, Rajaniemi writes about what happens after.

    Cimmeria poem1 The Phoenix on the Sword 19322 The Frost-Giant's Daughter 19763 The God in the Bowl 19524 The Tower of the Elephant 19335 The Scarlet Citadel 19336 Queen of the Black Coast 19347 Black Colossus 19338 Iron Shadows in the Moon 19349 Xuthal of the Dusk 193310 The Pool of the Black One 193311 Rogues in the House 193412 The Vale of Lost Women 196713 The Devil in Iron 1934

    The collection contains some of Ellison's best stories from earlier collections and is judged by some to be his most consistently high quality collection of short fiction. The theme of the collection can be loosely defined as God, or Gods. Sometimes they're dead or dying, some of them are as brand-new as today's technology. Unlike some of Ellison's collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two. One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction.His stories will rivet you to the floor and change your heartbeat...as unforgettable a chamber of horror, fantasy and reality as you'll ever experience.-Gallery "Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing."-Richmond Times-Dispatch

    She was given an explanation. Nevertheless, she persisted.Three short lines, fired over social media in response to questions of why Senator Elizabeth Warren was silenced on the floor of the United States Senate, for daring to read aloud the words of Coretta Scott King. As this message was transmitted across the globe, it has become a galvanizing cry for people of all genders in recognition of the struggles that women have faced throughout history.Three short lines, which read as if they are the opening passage to an epic and ageless tale.We have assembled this flash fiction collection featuring several of the best writers in SF/F today, including Seanan McGuire, Charlie Jane Anders, Maria Dahvana Headley, Jo Walton, Amal El-Mohtar, Catherynne M. Valente, Brooke Bolander, Alyssa Wong, Kameron Hurley, Nisi Shawl and Carrie Vaughn. Together these authors share unique visions of women inventing, playing, loving, surviving, and – of course – dreaming of themselves beyond their circumstances.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

     And yet, there is an attraction, undeniable, to the vampire archetype, whether the pale European count, impeccably dressed and coldly masculine, yet strangely ambiguous, ready to sink his sharp teeth deep into his victims' necks, draining or converting them, or the vamp, the count's feminine counterpart, villain and victim in one, using her wiles and icy sexuality to corrupt man and woman alike... Edited and introduced by acclaimed anthologist John Joseph Adams (Wastelands, The Living Dead), By Blood We Live gathers together the best vampire literature from the preceding three decades, authored by many of today's most renowned writers of fantasy, speculative fiction, and horror. Contents: (Author, title (type, year of first publication, beginning page in print edition))01 - Neil Gaiman, Snow, Glass, Apples (short story, 1995, p3)02 - Anne Rice, The Master of Rampling Gate (novelette, 1984, p13)03 - Harry Turtledove, Under St. Peter's (novelette, 2007, p33)04 - Tad Williams, Child of an Ancient City (novelette, 1988, p43)05 - Michael A. Burstein, Lifeblood (novelette, 2003, p75)06 - Barbara Roden, Endless Night (short story, 2008, p88)07 - Garth Nix, Infestation (novelette, 2008, p106)08 - Carrie Vaughn, Life Is the Teacher (short story, 2008, p120)09 - Nancy Kilpatrick, The Vechi Barbat (short story, 2007, p134)10 - Kristine Kathryn Rusch, The Beautiful, The Damned (short story, 1995, p148) 11 - David Wellington, Pinecones (short story, 2006, p161)12 - Norman Partridge, Do Not Hasten to Bid Me Adieu (novelette, 1994, p165)13 - Sergei Lukyanenko, Foxtrot at High Noon (short story, 2008, p180)14 - Michael Marshall Smith, This Is Now (short story, 2004, p189)15 - Nancy Holder, Blood Gothic (short story, 1985, p199)16 - Jane Yolen, Mama Gone (short story, 1991, p204)17 - Joe Hill, Abraham's Boys (short story, 2004, p209)18 - Tanith Lee, Nunc Dimittis (novelette, 1983, p224)19 - Gabriela Lee, Hunger (short story, 2007, p240)20 - Caitlín R. Kiernan, Ode to Edvard Munch (short story, 2006, p250)21 - L.A. Banks, Finders Keepers (short story, 2008, p256)22 - Brian Stableford, After the Stone Age (short story, 2004, p275)23 - Kevin J. Anderson, Much at Stake (short story, 1991, p286)24 - Elizabeth Bear, House of the Rising Sun (short story, 2005, p297)25 - Lilith Saintcrow, A Stand-Up Dame (short story, 2008, p302)26 - Kelley Armstrong, Twilight (novelette, 2007, p316)27 - Eric Van Lustbader, In Darkness, Angels (novelette, 1983, p333)28 - Barbara Hambly, Sunrise on Running Water (novelette, 2007, p355)29 - Bruce McAllister, Hit (short story, 2008, p372)30 - Ken MacLeod, Undead Again (short story, 2005, p385)31 - Robert J. Sawyer, Peking Man (short story, 1996, p388)32 - Ben Lumley, Necros (short story, 1986, p396)33 - Catherynne M. Valente, Exsanguinations: A Handbook for the Educated Vampire by Anna S. Oppenhagen-Petrescu (short story, 2005, p409)34 - Charles Coleman Finlay, Lucy, In Her Splendor (short story, 2003, p415)35 - John Langan, The Wide, Carnivorous Sky (short story, 2009, p426)36 - Stephen King, One for the Road (short story, 1977, p464)37 - Ross E. Lockhart, For Further Reading (By Blood We Live) (essay, 2008, p477)

    12"* "For Want of a Nail"* "The Shocking Affair of the Dutch steamship Friesland"* "Salt of the Earth"* "American Changeling"* "The White Phoenix Feather"* "We Interrupt This Broadcast"* "Rockets Red" (A brand new story in the Lady Astronaut universe)* "The Lady Astronaut of Mars"

    As A.S. Byatt renders this relationship with a powerful combination of erudition and passion, she makes the interaction of the natural and the supernatural seem not only convincing, but inevitable.The companion stories in this collection each display different facets of Byatt's remarkable gift for enchantment. They range from fables of sexual obsession to allegories of political tragedy; they draw us into narratives that are as mesmerizing as dreams and as bracing as philosophical meditations; and they all us to inhabit an imaginative universe astonishing in the precision of its detail, its intellectual consistency, and its splendor.