But what shines through these five vignettes is the author's engagement with and immense affection for animals in all their forms. From fish to fowl, from lizards to little water fleas (daphnia), Durrell's eye is acute and his prose is tart. You can read this book for the humor alone (for he did perceive his family as some rare and rarefied species), but between the lines you can discern the makings of a world-class naturalist and a cultivated and engaging writer.

    A series of linked stories about a girl growing up in a small town.

    At 15 she tried in vain to escape by marrying a white man, only to find herself trapped in the slums of Vancouver—addicted to drugs, tempted by suicide, close to death. But the inspiration of her Cree great-grandmother, Cheechum, gives her confidence in herself and in her people, confidence she needs to survive and to thrive.Half-Breed offers an unparalleled understanding of the Métis people and of the racism and hatred they face. Maria Campbell's story cannot be denied and it cannot be forgotten: it stands as a challenge to all Canadians who believe in human rights and human dignity.

    Through his sharply drawn characters, lively storytelling, and intimate evocation of wild beauty, he celebrates the rich culture and unsung splendor of Canada's lakeland. Decrying reckless development in a paradise often taken for granted, Casey tempers evangelical outrage with deep compassion. Often humorous, always thought-provoking, Lakeland should find a place in every lakeside cottage, in the corner of every tent.Nominated for the Saskatchewan Book Award and the Edna Staebler Award for Creative Non-Fiction, Lakeland was the recipient of the prestigious Governor General's Award for Non-Fiction in 2010.Published in partnership with the David Suzuki Foundation.

    Set in Cypress Hills in southern Saskatchewan, where Stegner's family homesteaded from 1914 to 1920, Wolf Willow: A History, a Story & a Memory of the Last Plains Frontier brings to life both the pioneer community and the magnificent landscape that surrounds it. This Twentieth-Century Classics edition includes a new introductory essay by Page Stegner.

    This Norton Critical Edition of Roughing It in the Bush provides everything that a student needs to analyze and enjoy Moodie's tale. A thorough "Backgrounds" section includes images, a map, contemporary reviews of Roughing It, and letters written by Moodie to her husband during the winter of 1839, at which time he was serving a military appointment in the Victoria District and she and her children were facing life-threatening illnesses. "Criticism" contains ten essays by leading Canadian scholars and authors, among them Margaret Atwood, Carl Ballstadt, D. M. R. Bentley, Susan Glickman, and Michael Peterman. A Chronology of Susanna Moodie's life and a Selected Bibliography are also included.

    In her bestselling novels Lullabies for Little Criminals and The Girl Who Was Saturday Night, she transformed the shabbiest streets of Montreal with her beautiful, freewheeling metaphors. She described the smallest of things--a stray cat or a second-hand coat--with an intensity that made them otherworldly. In Daydreams of Angels, O'Neill's first collection of short stories, she gives free reign to her imaginative gifts. In "The Ugly Ducklings," generations of Nureyev clones live out their lives in a grand Soviet experiment. In "Dear Piglet," a teenaged cult follower writes a letter to explain the motivation behind her crime. And in another tale, a grandmother reveals where babies come from: the beach, where young mothers-to-be hunt for infants in the surf. Each of these beguiling stories twists the beloved narratives of childhood--fairy tales, storybooks, Bible stories--to uncover the deepest truths of family life.

    Does it move us with its beauty? Can we make a living from it? But what if we examined a landscape on its own terms, freed from our expectations and assumptions?This is what celebrated writer Helen Humphreys sets out to do in this stunning, groundbreaking examination of place. For more than a decade Humphreys has owned a small waterside property on a section of the Napanee River in Ontario. In the watchful way of writers, she has studied her little piece of the river through the seasons and the years, cataloguing its ebb and flows, the plants and creatures that live in and round it, the signs of human usage at its banks and on its bottom.The River is the result, a gorgeous and moving meditation that uses fiction, non-fiction, natural history, archival maps and images, and stunning full-color photographs to get at the truth. In doing this, Humphreys has created a work of startling originality that is sure to become a new Canadian classic.

    Funny, poignant and smart, full of unforgettable characters, these stories explore the violence of family, the constraints of small-town life and the elusive promise of escape.In "Ice Cream Man," an adolescent girl struggles to come to terms with her mother's death and her father's seeming indifference while conducting a secret affair with an older man from the local arena. Gerald, the young boy in "Big Dog Rage," goes to extreme and reckless measures to thwart the expectations of his parents, teachers, and the local priest, leaving his childhood friend to look longingly on. And in the title story, Bethany sees her gentle fiancé anew as she enters the raucous world of his hard-drinking family. Receiving a sharp shot to the mouth from her future sister-in-law Bethany finds her place in this clan secured.With her incisive, resonant prose, Lynn Coady elicits laughter, sadness, and compassion. Play the Monster Blind is a keenly observed, imaginative collection from one of the most distinctive talents to arrive on Canada's literary scene in years.

    In a narrative spanning several years, casting among the influence of her peers, partner, and her duties to her forbearers, she struggles to make a wise and moral choice. After seeking guidance from philosophy, her body, mysticism, and chance, she discovers her answer much closer to home.Motherhood is a courageous, keenly felt, and starkly original novel that will surely spark lively conversations about womanhood, parenthood, and about how—and for whom—to live.

    She mothers everyoneher social work clients, her husband, her twenty-something daughters, and her reclusive sister who lives in the attic. Elsie is committed to taking care of everyone--everyone but herself. So, when crazy Aunt Hildy writes to demand a bedroom in their Halifax home, Elsie cant help but say yes. When Hilda arrives, she enchants and enrages the family with her moxie. That and her proclamation that she has hidden treasure in the house and the kings ransom will go to whoever loved her most. When someone threatens Aunt Hildy, she responds with her trademark sass: Go ahead. Shoot me. I dare you. Whoever it is takes her up on it. Suddenly, the house is turned topsy-turvy as Elsies family searches for a treasure that Elsie doesnt believe even exists, and for a killer that could be any one of them. Shoot Me is a funny and sometimes heart-wrenching story about family, fortune, and figuring out who you are and who you love. In Elsie, Crewe has created a character who speaks with humour and honesty to conflicts that exist in the lives of so many women: between work and home, between loving one man and wanting others, and between feeling fulfilled not only as a wife and a mother, but as a woman.

    The one with the pink stone façade and the familiar Canadian cartoon characters over the doorway is the Dominion branch of the Great Northern Brotherhood of Canadian Cartoonists, erected in 1935 and the last standing building of the once prestigious members-only organization. For years, this building, filled with art deco lamps, simple handcrafted wood furniture, and halls and halls of black-and-white portraits of Canada's best cartoonists, was where the professionals of the Great White North's active comics community met—so active that there were outposts in Montreal and Winnipeg, with headquarters in Toronto. Everyone from all branches of the industry—newspaper strips, gag cartoons, nickel-backs, comic books, political art, accordion books, graphic novels—gathered in their dark green blazers to drink cocktails, eat, dance, and discuss all things cartooning.Seth opens up his sketchbook to an unseen world of Canadian comics, sometimes fictional and sometimes not, sometimes humorous and sometimes bittersweet, but always fascinating in its creative exploration of Canadian comics history. Whereas Wimbledon Green celebrated the comics collectors, The Great Northern Brotherhood of Canadian Cartoonists celebrates the cartoonists the comic collectors love.

    A must for this counterculture idol's legion of fans.

    

    . . bug stew? In the vein of The Glass Castle and Wild, Cea Sunrise Person’s compelling memoir of a childhood spent with her dysfunctional counter-culture family in the Canadian wilderness—a searing story of physical, emotional, and psychological survival.In the late 1960s, riding the crest of the counterculture movement, Cea’s family left a comfortable existence in California to live off the land in the Canadian wilderness. But unlike most commune dwellers of the time, the Persons weren’t trying to build a new society—they wanted to escape civilization altogether. Led by Cea’s grandfather Dick, they lived a pot-smoking, free-loving, clothing-optional life under a canvas tipi without running water, electricity, or heat for the bitter winters.Living out her grandparents’ dream with her teenage mother Michelle, young Cea knew little of the world beyond her forest. She spent her summers playing nude in the meadow and her winters snowshoeing behind the grandfather she idolized. Despite fierce storms, food shortages, and the occasional drug-and-sex-infused party for visitors, it seemed to be a mostly happy existence. For Michelle, however, now long separated from Cea’s father, there was one crucial element missing: a man. When Cea was five, Michelle took her on the road with a new boyfriend. As the trio set upon a series of ill-fated adventures, Cea began to question both her highly unusual world and the hedonistic woman at the centre of it—questions that eventually evolved into an all-consuming search for a more normal life. Finally, in her early teens, Cea realized she would have to make a choice as drastic as the one her grandparents once had in order to save herself.While a successful international modeling career offered her a way out of the wilderness, Cea discovered that this new world was in its own way daunting and full of challenges. Containing twenty-four intimate black-and-white family photos, North of Normal is Cea’s funny, shocking, heartbreaking, and triumphant tale of self-discovery and acceptance, adversity, and strength that will leave no reader unmoved.