Book by John Henrik Clarke

    DuBois, Locke has constructed a vivid look at the new negro, the changing African American finding his place in the ever shifting sociocultural landscape that was 1920s America. With poetry, prose, and nonfiction essays, this collection is widely praised for its literary strength as well as its historical coverage of a monumental and fascinating time in the history of America.

    It sets forth, in fascinating detail, the history, from earliest recorded times, of the black races of the Middle East and Africa.

    The first comprehensive collection to trace the development of African-American feminist thought.

    Capitalist Nigger: The Road to Success (Timbuktu Publishers, September 17, 2000) asserts that the Black Race, is a consumer race and not a productive race. Says the author, Chika Onyeani, "We are a conquered race and it is utterly foolish for us to believe that we are independent. The Black Race depends on other communities for its culture, its language, its feeding, and its clothing." "Despite enormous natural resources," according to the author, "Blacks are economic slaves because they lack the "killer-instinct" and "devil-may-care" attitude of the Caucausian, as well as the "spider web economic mentality" of the Asian." The author is not afriad to use the most hated word, the 'N' word as a title of his book. He says, "It is not what you call me, but what I answer to, that matters most." The further asserts that "Blacks are economic slaves. We are owned lock stock and barrel by people of European-origin ... I am tired of hearing Blacks always blaming others for their lack of progress in this world; I am tired of the whining and victim-mentality. I am tired of listening to the same complaint, day in day out - racism this, racism that. It's getting us nowhere." "Africans have a stance, 'live for today, let tomorrow take care of itself and be damned' attitude," the author says. "We've become a sheep-like consumer race that depends on other communities for our culture, language, feeding, and clothing. We've become economic slaves in Western society." CAPITALIST NIGGER reserves its harshest criticism for African leaders, who according to Onyeani, have allowed Europeans and others to pillage and plunder Africa's wealth, without anything to show for it, other than more starvation, disease, and dictatorships. "We have as little today than when most of the African countries received independence from their colonial masters," Onyeani says. CAPITALIST NIGGER is an anguished cry to the Black race to wake up, stand up and move on." "We must abandon the victim mentality baggage that we've carried for so long: the notion that somebody owes us something," the author says. "We've got to stop whining and stop begging. The Black race needs to wake up and stand on it's own feet." Says Onyeani, "We need to recognize and learn from others what it takes to succeed. We need to adopt the "devil-may-care" attitude and the "killer-instinct and whatever-it-takes attitude" of the white Caucasian, and the "spider web economic mentality" of the Asian."

    Here are four of the most notable narratives: The Life of Olaudah Equiano; The History of Mary Prince; Narrative of the Life of Frederick Douglass; and Incidents in the Life of Slave Girl.

    Bell challenges the idea that significant social, political, and economic progress was achieved by the civil rights movement in the wake of the 1954 Brown v. Board decision. Through a series of fables and dramatic dialogues modeled on the grim fairytales of the eighteenth century, Bell explains the true pervasiveness of racial oppression within the American legal system. Racial inequality, he argues, is an integral part of American law and society, and it cannot be easily reversed through legislation.  Hailed as “fascinating” (New York Times Book Review) and “daring” (Washington Post), this is a landmark work in the study of race in America.

    Beginning with the first Portuguese slaving expeditions, he describes and analyzes the rise of one of the largest and most elaborate maritime and commercial ventures in all of history. Between 1492 and 1870, approximately eleven million black slaves were carried from Africa to the Americas to work on plantations, in mines, or as servants in houses. "The Slave Trade" is alive with villains and heroes and illuminated by eyewitness accounts. Hugh Thomas's achievement is not only to present a compelling history of the time but to answer as well such controversial questions as who the traders were, the extent of the profits, and why so many African rulers and peoples willingly collaborated. Thomas also movingly describes such accounts as are available from the slaves themselves.

    Over the next three months, 800,000 Tutsis were murdered in the most unambiguous case of genocide since Hitler's war against the Jews. Philip Gourevitch's haunting work is an anatomy of the killings in Rwanda, a vivid history of the genocide's background, and an unforgettable account of what it means to survive in its aftermath.

    Mills demonstrates how this peculiar and unacknowledged "contract" has shaped a system of global European domination: how it brings into existence "whites" and "non-whites," full persons and sub-persons, how it influences white moral theory and moral psychology; and how this system is imposed on non-whites through ideological conditioning and violence.The Racial Contract argues that the society we live in is a continuing white supremacist state. Holding up a mirror to mainstream philosophy, this provocative book explains the evolving outline of the racial contract from the time of the New World conquest and subsequent colonialism to the written slavery contract, to the "separate but equal" system of segregation in the United States. According to Mills, the contract has provided the theoretical architecture justifying an entire history of European atrocity against non-whites, from David Hume's and Immanuel Kant's claims that blacks had inferior cognitive power, to the Holocaust, to the kind of imperialism in Asia that was demonstrated by the Vietnam War. Mills suggests that the ghettoization of philosophical work on race is no accident. This work challenges the assumption that mainstream theory is itself raceless. Just as feminist theory has revealed orthodox political philosophy's invisible white male bias, Mills's explication of the racial contract exposes its racial underpinnings.

    This book reveals how five distinct African civilizations have shaped the specific cultures of their New World descendants.

    Cleaver writes in Soul on Ice, "I'm perfectly aware that I'm in prison, that I'm a Negro, that I've been a rapist, and that I have a Higher Uneducation." What Cleaver shows us, on the pages of this now classic autobiography, is how much he was a man.

    First published in English in 1965, this timeless classic explores the psychological effects of colonialism on colonized and colonizers alike.

    Jackson sheds long overdue light on standard Eurocentric and distorting approaches to the history of Africa from early African civilizations to Africa's significance in world history.With brilliantly objective scholarship, respected historian and author John G. Jackson reexamines the outdated, racist, and Westernized history of Africa that is still taught in schools, and presents one infinitely more rich, colorful, varied—and truthful. Challenging the standard dehumanizing and exploitive approaches to African history, from the dawn of prehistory to the resurgent Africa of today—including the portrayal of Africans as "savages" who ultimately benefitted from European enslavement with its "blessings of Christian civilization"—Jackson confronts the parochial historian, devastates the theoretical pretensions of white supremacists, and expands intellectual horizons.Accessible and informed, fascinating and candid, Introduction to African Civilizations is an important historical guide that will enhance antiracist teachings for the general reader and the scholar alike.Introduction by John Henrik Clarke, pioneer of African Studies and author of Christopher Columbus and the African Holocaust. Foreword by Runoko Rashidi, historian, activist, and author of Introduction to the Study of African Classical Civilizations.

    Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, "The Black Atlantic" also complicates and enriches our understanding of modernism.Debates about postmodernism have cast an unfashionable pall over questions of historical periodization. Gilroy bucks this trend by arguing that the development of black culture in the Americas arid Europe is a historical experience which can be called modern for a number of clear and specific reasons. For Hegel, the dialectic of master and slave was integral to modernity, and Gilroy considers the implications of this idea for a transatlantic culture. In search of a poetics reflecting the politics and history of this culture, he takes us on a transatlantic tour of the music that, for centuries, has transmitted racial messages and feeling around the world, from the Jubilee Singers in the nineteenth century to Jimi Hendrix to rap. He also explores this internationalism as it is manifested in black writing from the "double consciousness" of W. E. B. Du Bois to the "double vision" of Richard Wright to the compelling voice of Toni Morrison.In a final tour de force, Gilroy exposes the shared contours of black and Jewish concepts of diaspora in order both to establish a theoretical basis for healing rifts between blacks and Jews in contemporary culture and to further define the central theme of his book: that blacks have shaped a nationalism, if not a nation, within the shared culture of the black Atlantic.