Scott Fitzgerald, Ernest Hemingway, Tennessee Williams, John Berryman, John Cheever, and Raymond Carver. All six of these writers were alcoholics, and the subject of drinking surfaces in some of their finest work, from Cat on a Hot Tin Roof to A Moveable Feast. Often they did their drinking together—Hemingway and Fitzgerald ricocheting through the cafés of 1920s Paris; Carver and Cheever speeding to the liquor store in Iowa in the icy winter of 1973.Olivia Laing grew up in an alcoholic family herself. One spring, wanting to make sense of this ferocious, entangling disease, she took a journey across America that plunged her into the heart of these overlapping lives. As she travels from Cheever's New York to Williams' New Orleans, from Hemingway's Key West to Carver's Port Angeles, she pieces together a topographical map of alcoholism, from the horrors of addiction to the miraculous possibilities of recovery. Beautiful, captivating and original, The Trip to Echo Spring strips away the myth of the alcoholic writer to reveal the terrible price creativity can exert.

    Schizophrenia is not a single unifying diagnosis, and Esme Weijun Wang writes not just to her fellow members of the "collected schizophrenias" but to those who wish to understand it as well. Opening with the journey toward her diagnosis of schizoaffective disorder, Wang discusses the medical community's own disagreement about labels and procedures for diagnosing those with mental illness, and then follows an arc that examines the manifestations of schizophrenia in her life. In essays that range from using fashion to present as high-functioning to the depths of a rare form of psychosis, and from the failures of the higher education system and the dangers of institutionalisation to the complexity of compounding factors such as PTSD and Lyme disease, Wang's analytical eye, honed as a former lab researcher at Stanford, allows her to balance research with personal narrative. An essay collection of undeniable power, The Collected Schizophrenias dispels misconceptions and provides insight into a condition long misunderstood.

    Spare, haunted, and haunting, yet not without hope, Double Shadow argues for life as a wilderness through which there’s only the questing forward—with no regrets and no looking back.

    Baker—recently hailed as “one of the most consistently enticing writers of our time” by The New York Times Book Review—moves from political controversy to the intimacy of his own life, from forgotten heroes of pacifism to airplane wings, telephones, paper mills, David Remnick, Joseph Pulitzer, the OED, and the manufacture of the Venetian gondola. In the book’s title essay, Baker surveys our fascination with video games while attempting to beat his teenage son at Modern Warfare 2; in a celebrated essay on Wikipedia, he describes his efforts to stem the tide of encyclopedic deletionism. Through all these pieces (for The New Yorker, Harper’s Magazine, and other publications), Baker shines the light of an inexpugnable curiosity; The Way the World Works is a keen-minded, generous-spirited compendium by a modern American master.

    J.G. Ballard finally achieved world recognition when Steven Spielberg filmed his autobiography (childhood til age 15) in Empire of the Sun. But Ballard has been a visionary iconoclast since the 50s, beginning with his trilogy of disaster novels, The Burning World, The Drowned World, and The Crystal World, and most notoriously, his automobile death-wish classic, Crash, about the psychopathology of the car crash. He predicted Ronald Reagan as president 15 years before it happened! This volume contains long interviews, including one by soundtrack composer/SPK founder Graeme Revell, stories, a biography, bibliography, and many provocative quotations. Ballard is possibly the most futuristic philosopher of the 20th century.