Samson captures the essential images of contemporary life. Whether on the streets of his beloved and bewildering hometown of Winnipeg, an outpost in Antarctica, or a room in an Edward Hopper painting, he finds whimsy and elegance in the everyday, beauty and sorrow in the overlooked.This collection gathers together Samson's writing, starting with his band The Weakerthans' 1997 debut album Fallow, through Left and Leaving, Reconstruction Site, and the award-winning Reunion Tour. It also features lyrics from Samson's newly released solo album, Provincial, and selected poems.

    I’ve gone back and repurchased a lot of the CDs I sold off—which, thanks to the bargain bin at Half-Price Books, has actually been a fairly inexpensive proposition—and reacquainted myself with groups that I once adored before they died off, broke up, or settled into respectable but uninspired careers. My goal is to rediscover what I saw in these bands when I was a teenager, and figure out why the music went from enlightening to deadening so rapidly, from the bucolic early years of Lollapalooza to the apocalyptic assault of Woodstock ’99. Because as easy as it is now to take potshots at the mumbly, histrionic sounds of the ’90s, this is music that meant a great deal to me and many others at the time. Out of respect for my teenaged self, I’m giving it an honest re-examination.Each installment of Whatever Happened To Alternative Nation? will be tied to a year, starting with 1990—which I’m packaging with this introduction, since it’s really a prologue year—and proceed chronologically up through 1999. However, this isn’t intended to be a definitive history of grunge; I won’t be writing about every single Seattle band, or even most Seattle bands. A lot of it won’t even be about grunge; I also plan on looking at the feel-good bro tunes of Sublime, and the ironic arena-rock posturing of Urge Overkill, among other groups, and how they fit in with the overall narrative of ’90s alt-rock’s rise and fall. I promise I’ll completely overlook at least one of your favorite bands; please don’t take it personally. As a general rule, I’m interested in discussing ’90s bands that were played regularly on MTV and on the radio, even in a small city like my hometown of Appleton, Wisconsin, because this was the last time (as of now, anyway) that rock music acted as the engine under the hood of American pop culture. Inevitably, this series will reflect what I liked and cared about back then, which fortunately matches up with what millions of other teenaged residents of Alternative Nation liked and cared about. More than an exercise in nostalgia—or, worse, an excuse to pick on bands that haven’t aged all that well—I hope to give those who deserve it their due, and maybe figure out how something that seemed so promising at the time went so wrong." - excerpt from Whatever Happened To Alternative Nation?

    It traces his beginnings in British Columbia growing up hearing a wealth of music, continues through his rapid rise to professional status, touring and recording with Steve Vai and developing his career with Strapping Young Lad and Devin Townsend Project. More than just an honest and intimate autobiography though, Only Half There is also a brutally honest expression of his life as a working, touring and recording artist, a husband, father and bi-polar artist.

    But long before he was a Backstreet Boy, he was my boy--and I want to share his whole exciting story with you.

    

    She has the look down: beat-up leather jacket, motorcycle boots, cheekbones, and wild hair. But she’s no ordinary guitar heroine. Her guitar is like none her audience has ever seen, part deadly weapon, part creature from some alien lagoon. Is that hair? Are those nipples? Is it flesh? Where does Jenny Slade come from? Where does she go? Geoff Nicholson fans know that wherever that is, the ride will be like no other.

    Released early and reconciled with Barat, The Libertines confounded the critics by rounding off 2003 with three triumphant sold-out shows at London's Forum and kicking off 2004 with the prestigious Best UK band gong at the NME awards. For the first time, the full, extraordinary story of the most gifted yet nihilistic London band since The Sex Pistols is told. With the complete co-operation of the major players in their gloriously destructive ascent. A documentation of the break-ins, break-ups, punch-ups and make-ups of the first two phenomenal years of The Libertines. Illustrated with many unseen photographs from the authors archive.

    Now in its fifth printing, this is a sma...see site for more info.

    Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    Author Mark Wilkerson interviewed Townshend himself and several of Townshend's friends and associates for this biography.

    They set records--in four hours they wrote four songs that became #1 hits. Their story is also the story of rock 'n' roll--and a trend-setting era they helped to create. - Their own story: Both were born in 1933--Leiber in Baltimore, Stoller on Long Island. They met in Los Angeles in 1950 and went on to write more hits than any other song writing team with the exception of John Lennon and Paul McCartney. With the help of veteran music writer David Ritz, they tell their incredible story in their own words.- Great stories about a great era: Jerry Leiber's parents ran a grocery store in a black neighborhood in Baltimore; he learned about R&B from their customers. Mike Stoller's parents sent him to integrated summer camps, where he received an education in boogie-woogie. When the duo met Elvis (they wrote "Jailhouse rock" for him), they were surprised to discover a kindred spirit in the King, who had an encyclopedic knowledge of the blues. They wrote songs for the Coasters, the Drifters, and Ben e. King. Working in the famous Brill Building in New York City, they mentored Carole King and Burt Bacharach and also helped out a pushy kid named Phil Spector.- The birth of rock 'n' roll: Leiber and Stoller were a vital component of rock 'n' roll's early sound. As songwriters, they teamed catchy hooks with the rhythms of R&B and swing, crafting hundreds of classic hits; as producers, they revolutionized the recording industry. Their memoir will be a must-read for music fans.

    His influential work spans many practices over a 23-year period, from music packaging to installation work to printmaking. Here, he reveals his personal notebooks, photographs, sketches, and abandoned routes to iconic Radiohead artworks. Arranged chronologically, each chapter is dedicated to a major work—whether an album cover, promotional piece, or a personal project—and is presented as a step-by-step working case study. Featuring commentary by Thom Yorke and never-before-seen archival material, this is the first deep dive into Donwood’s creative practice and the artistic freedom afforded to him by working for a major music act. It is a must-have for fans of the band and anyone interested in graphic design and popular culture.

    Her performance as the droll and leggy Lorelei Lee in the Broadway version of "Gentlemen Prefer Blondes" made her a star and launched a career that has spanned over fifty years and has included a number of Broadway plays, many television appearances, and two movies, including "Thoroughly Modern Millie," for which she was nominated for an Academy Award. Capping them all, of course, was her Tony award-winning signature performance as the irrepressible Dolly.Conversational in style, and written entirely by Miss Channing, this star-studded chronicle gives you the feeling that you are sitting down with this fascinating woman and having her delight you with tales from her long and amazing life, both personal and professional. You'll be invited behind the scenes for stories featuring an all-star cast of celebrities such as Marilyn Monroe, Barbra Streisand, Ethel Merman, Mary Martin, Tallulah Bankhead, Gower Champion, Clint Eastwood, Julie Andrews, Marlene Dietrich, David Merrick, Noel Coward, Al Pacino, and Yul Brynner. And you'll learn of the not-so-glamorous times, too, as Miss Channing reveals her theatrical triumphs, her heritage, and her winning battle with ovarian cancer. Through it all, Carol Channing -- the real star of this story -- demonstrates with wit and candor how she kept up her spirits and forged fearlessly ahead.From the first page to its triumphant conclusion -- and including many never-before-seen photographs -- "Just Lucky I Guess" is perhaps Miss Carol Channing's most engaging performance yet.

    From the son of a sharecropper to an itinerant bluesman, Honeyboy’s stories of good friends Charlie Patton, Big Walter Horton, Little Walter Jacobs, and Robert Johnson are a godsend to blues fans. History buffs will marvel at his unique perspective and firsthand accounts of the 1927 Mississippi River flood, vagrancy laws, makeshift courts in the back of seed stores, plantation life, and the Depression.

    At the thirty-year anniversary of his death, his sound, a mix of country and rock 'n' roll, is absolutely everywhere. Popular musicians of today trace their inspiration to pick up a guitar to when they first heard his music. His songs and his style have had a lasting effect on the music of our time. Now, together with Parsons's daughter, Polly, Jessica Hundley has created an intimate and extensive biography that brings together never-before-seen photos and illustrations, unpublished letters, and in-depth interviews with some of the many artists whose work was shaped by Parsons, including Keith Richards, Emmylou Harris, Wilco, and Ryan Adams, among many others. Grievous Angel is the tribute that the legions of Parsons fans have been waiting for—a book that brings to life the story of the Southern boy who revolutionized the way music sounds.