. . . It’s not hyperbole to suggest that We Disappear is the eeriest Kansas-set story since Truman Capote’s In Cold Blood." — Chicago Sun-TimesA dark and compelling novel of addiction, obsession, love, and family from the acclaimed author of  Mysterious Skin The body of a teenage boy is discovered in a Kansas field. The murder haunts Donna—a recent widow battling cancer—calling forth troubling details from long-suppressed memories of her past. Hoping to discover more about "disappeared" people, she turns to her son, Scott, who is fighting demons of his own. Addicted to methamphetamines and sleeping pills, Scott is barely holding on—though the chance to help his mother in her strange and desperate search holds out a slim promise of some small salvation.But what he finds is a boy named Otis handcuffed in a secret basement room, and the questions that arise seem too disturbing even to contemplate. With his mother's health rapidly deteriorating, Scott must surrender to his own obsession, and unravel Otis's unsettling connections to other missing teens . . . and, ultimately, to himself.

    The film Rent stole most of its best plot points from this novel.

    Powerful and artful, and ten years in the writing, it is a masterwork from Jamie O’Neill.Jim Mack is a naïve young scholar and the son of a foolish, aspiring shopkeeper. Doyler Doyle is the rough-diamond son—revolutionary and blasphemous—of Mr. Mack’s old army pal. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the nude, the two boys make a pact: Doyler will teach Jim to swim, and in a year, on Easter of 1916, they will swim to the distant beacon of Muglins Rock and claim that island for themselves. All the while Mr. Mack, who has grand plans for a corner shop empire, remains unaware of the depth of the boys’ burgeoning friendship and of the changing landscape of a nation.

    Decca is in love with Rupert, but he in turn is in love with her brother, Istvan. When Istvan comes to town, louche puppet troupe in tow, the lines of their age-old desires intersect against a backdrop of approaching war. Hearts are broken when old betrayals and new alliances - not just their own - take shape, as the townsmen seek refuge from the onslaught of history by watching the girls of the Poppy cavort onstage with Istvan's naughty puppets . . .Under the Poppy is a vivid, sexy, historical novel that zips along like the best guilty pleasure. Nominated for the IMPAC Award. Winner of the Gaylactic Spectrum Award.

    1944 - Barnard, Texas. At the height of World War II, a killer preys on the young men of a quiet Texas town. The murders are calculated, vicious, and they are just beginning. Sheriff Tom Rabbit and his men are baffled and the community he serves is terrified of the monster lurking their streets. The only clues the killer leaves behind are painted snuffboxes containing notes written in German. As the panic builds all eyes turn toward a quiet man with secrets of his own. Ernst Lang fled Germany in 1934. Once a brute, a soldier, a leader of the Nazi party, he has renounced aggression and embraces a peaceful obscurity. But Lang is haunted by an impossible past. He remembers his own execution and the extremes of sex and violence that led to it. He remembers the men he led into battle, the men he seduced, and the men who betrayed him. But are these the memories of a man given a second life, or the delusions of a lunatic?

    Now Is the Hour is the wondrous story of how Rigby John got to this point. It traces his gradual emancipation from the repressions of a strictly religious farming family and from the small-minded, bigoted community in which he has grown up during a time of explosive cultural change. Transforming this familiar journey from American Graffiti to On the Road into something rich and strange and hilarious is the persona of Rigby John himself. Intimately in touch with his fears, hesitantly awakening to his own sexuality, and palpably open to life's mysteries, Rigby John is a protagonist whom readers will fall in love with, root for, and be moved by.Now Is the Hour is a powerful, vastly entertaining story of self-awakening, of the complex bonds of family, and ultimately of America during a period of tremendous upheaval.

    Through his eyes we encounter the composer Robert Christian Gustafson, an Iowa preacher's son whose good looks constitute both a mythic draw and a major limitation, and Angelina "Alabama" Byrnes, a failed deb, five feet tall but bristling with outsized talent.  These friends shelter each other, promote each other's work, and compete erotically.  When tragedy strikes, this circle grows up fast, somehow finding, at the worst of times, the truest sort of family.Funny and heartbreaking, as eventful as Dickens and as atmospheric as one of Fitzgerald's parties, Plays Well with Others combines a fable's high-noon energy with an elegy's evening grace.  Allan Gurganus's celebrated new novel is a lovesong to imperishable friendship, a hymn to a brilliant and now-vanished world.

    In FUNNY BOY we follow the life of the family through Arjie's eyes, as he comes to terms both with his own homosexuality and with the racism of the society in which he lives. In the north of Sri Lanka there is a war going on between the army and the Tamil Tigers, and gradually it begins to encroach on the family's comfortable life. Sporadic acts of violence flare into full scale riots and lead, ultimately, to tragedy. Written in clear, simple prose, Syam Selvadurai's first novel is masterly in its mingling of the personal and political.

    Boston's political and queer communities are up in arms about the matter, and police are bent on finding the killer -- fast. Best friends Daniel Valentine and Clarisse Lovelace team up and hit the streets of Boston. Through a sinister underworld of bars and baths, bondage and blackmail, they're out to solve a very bizarre murder.

    Racially polarized and desperately poor, the town is dominated by Rosemary Krebs. a white matriarch determined to resurrect her lost Southern childhood, and Abraham Greeving, the black preacher who will do anything to stop her. Now It's Time to Say Goodbye is the story of violence and prejudice in small-town America: of Divine, a black hustler who's slept with as many men as he can seduce: of Wade Painter, a white artist insulated by his wealth and hermitlike existence: of Webbie Greeving, a budding academic called back to take care of her disabled father; and of Myra Robinson, the grieving mother who lost her daughter long before she was kidnapped. As their stories unfold we learn the true story of Galatea's dark past and even darker future: of Eric Johnson, an albino black man lynched because of the color of his skin: and of Lucy Robinson, the white teenager who must pay for her parents' crimes.Now It's Time to Say Goodbye is a literary thriller writ large. An astonishing achievement that recalls the work of James Baldwin and Carson McCullers, it marks a bold new direction for a young novelist already recognized as "one of the most eloquent voices of his generation" (Michiko Kakutani, New York times).

    But her dreams become a nightmare when Louisa is sent to Wildthorn Hall: labeled a lunatic, deprived of her liberty and even her real name. As she unravels the betrayals that led to her incarceration, she realizes there are many kinds of prison. She must be honest with herself - and others - in order to be set free. And love may be the key...

    He lives in the exact center of center-less Los Angeles with his depressed father, Greg, and imaginative younger sister, Sandra. When Greg suddenly dies, more than everything changes and the relatively smooth orbits of family and friends are altered when Adam needs them most. In the middle of the drama, a man in uniform appears—and he is more than interested in Adam. This man, a policeman, is warm, witty and wise. He is 6 foot-something, dirty blond, and . . . well, he’s a California Boy trapped inside the body of a 38 year-old man. But how can Adam consider the possibility of a relationship when he is dealing with his father’s death, his friends’ (and his own) pre-pre-pre mid-life crises, his mother’s ambivalence, and his little sister’s need for him? Then again, how can he not?Half-Life is about being—or at least feeling—young and old at the same time. About loving, or wanting to love, but knowing that life and love are both as exuberant and seductive yet two-dimensional and illusory as a billboard along any of Los Angeles’s endless freeways.Aaron Krach has written for Time Out New York, Out magazine, InStyle, thePosition.com, CBSHealthwatch.com, The Independent Film and Video Monthly, TVTS, Oui, DOX: International Documentary Film, indieWIRE, A&U magazine Instinct, HX, The Villager, Downtown Express, and TWN (Florida). The former editor of Empire Magazine and arts editor of Gay City News, he is now the senior editor of Cargo magazine. He lives in New York City. Half-Life is his first novel.

    But Robert can't resist Michael, even though the man's motto is Money Can Buy Happiness. And reformed megaslut Michael can't resist strapping southerner Max Crawford, who has agreed to marry him in a wedding that promises to be New York's ultimate gay event.While Michael busies himself booking the First Church of Christ, Scientist, Homosexual �and ordering enough exotic flowers to strip a tropical rainforest, Robert commiserates with Monette, who shares his envy of Michael, his affinity for practical jokes, and his inability to find a lasting same-sex love. Little do they know that what lies in store for Michael is far from wedded bliss.The big day finds Michael, Robert, and Monette mingling with hundreds of Michael's closest friends, plus a crowd of drag queens in rustling taffeta. Curiously, the groom's husband-to-be is nowhere to be found... and neither is Michael's priceless Matisse painting.What's a jilted lover to do? Purchase the finest rifle money can buy and vow to kill the SOB, that's what. With a reluctant Robert in tow, Michael tracks Max all the way to Provincetown, where, amidst throngs of beautiful thong-clad boys, Max turns up dead before Michael can shoot him. Primary suspects Michael and Robert swiftly go into full Hardy Boys mode, accompanied by their own personal Nancy Drew, Monette. When the clues indicate that the culprit is a murderous Bette Davis impersonator, Robert must endure the ultimate test of friendship. Does he dare go undercover with Michael in a drag revue to smoke out the real killer? Does he dare not to? Before you can say, "accessory to murder," Robert and Michael have made their drag debut in heels, sequins, and enough makeup to make Joan Collins look pasty, determined to find the real killer before the killer� and the cops� find them!

    A century later, David tells his own tale of unashamed decadence while waiting to be released from prison, addressing his story to the lover who betrayed him. Where their paths cross, in the politically sensitive 1950s, the artist Colin Read tentatively explores his sexuality as he draws in preparation for his most ambitious painting yet — ‘London Triptych’.Rent boys, aristocrats, artists and felons populate this bold début as Jonathan Kemp skilfully interweaves the lives and loves of three very different men across the decades

    The gay son of a wealthy family has disappeared. Now it's up to private dick Don Strachey to get to the bottom of this mess--even if he has to cruise every gay bar in the city to do it Don Strachey isn't exactly the most sought-after private eye in Albany, New York. In fact, this gay P.I. has gotten to the point of having to write checks to pay his tab at the cheapest lunch counter in town. And he isn't sure that the latest one, for the grand total of two dollars and ninety-three cents, is going to clear. Then the phone rings. Billy Blount, the gay heir to one of Saratoga Springs' upper-crust families, has disappeared, and his parents want him back. On top of that, Billy, a young and outspoken gay activist, is wanted for the grisly murder of the man he slept with on his last night in Albany--a man he'd never met before that night Set in the glorious, promiscuous pre-HIV late 1970s, Death Trick: A Murder Mystery is a fast-paced excursion through the seamy underside of gay Albany. From gay discos where the hard-pumping music never stops, to the city's infamous baths, to the dark alley behind the local precinct house, this hard-bitten private dick searches for answers to the questions that plague Billy's parents and the police. With his faithful companion (and unfaithful lover) Timmy, plus a cast of characters that includes drag queens, ex-jock gay bar owners, homophobic cops, male hustlers, and wealthy suburbanites, Strachey begins a chase that leads him to seedy gay bars, posh suburban homes, and pricey mental institutions where they use electric shock to destroy "sick" gay tendencies.