The photographs show the ambiguities and dramas of family life and hauntingly evoke the mysteries of childhood. Sally Mann herself says in the introduction: 'These are photographs of my children ... many of these pictures are intimate, some are fictions and some are fantastic, but most are of ordinary things every mother has seen. I take pictures when they are bloodied or sick or naked or angry. They dress up, they pout and posture, they paint their bodies, they dive like otters in the dark river.' The result is a book that is ethereal, tender and sometimes disquieting.

    This book, the permanent embodiment of Edward Steichen's monumental exhibition, reproduces all of the 503 images that Steichen described as a mirror of the essential oneness of mankind throughout the world. Photographs made in all parts of the world, of the gamut of life from birth to death. A classic and inspiring work, The Family of Man has been in print for more than 40 years. The New York Times once wrote that it symbolizes the universality of human emotions. First produced by a magazine publisher and sold by the hundreds of thousands on newsstands and in airport shops, The Family of Man has been in more recent years published by the Museum. It has been continuously in print since 1955; the present thirtieth-anniversary edition was prepared from original photographs with all new duotone plates in 1986.

    Reissue.

    It's a compilation of my daily ramblings as a first time novelist encouraging myself and others to bite the bullet and do it despite the fear of the blank paper, the insecurities, and the angst every writer faces when trying to bleed the story out. My Twitter followers asked me to make this book. They said they want to carry it around in their pockets and take it out each time they feel stuck, scared, or simply need to smile. They tell me my tweets are encouraging and funny. You be the judge.

    Excerpts from the Taoist classic the Chuang-tzu and the writings of Western aesthetes are complemented by over 60 photographs from the work of such canonical photographers as Henri Cartier-Bresson, Alfred Stieglitz, and Dorothea Lange. Lucid instructional text and enlightening exercises assure that photographers of all levels will be able to incorporate the lessons of the Tao into their own work.

    More neurotic than it is sane. More corrupt than it is law-abiding. And more prone to hurricanes than it should be.This book is a celebration of life, love and adventure--an enchanting account of a couple who weren't afraid to jump off the hamster wheel and have a go at a dream.

    His performance of “Starman” mesmerized Critchley: it was “so sexual, so knowing, so strange.” Two days later Critchley’s mum bought a copy of the single; she liked both the song and the performer’s bright orange hair (she had previously been a hairdresser). The seed of a lifelong love affair was thus planted in the mind of her son, aged 12.In this concise and engaging excursion through the songs of one of the world’s greatest pop stars, Critchley, whose writings on philosophy have garnered widespread praise, melds together personal narratives of how Bowie lit up his dull life in southern England’s suburbs with philosophical forays into the way concepts of authenticity and identity are turned inside out in Bowie’s work. The result is nearly as provocative and mind-expanding as the artist it portrays.Playlist of Bowie's songs that appear in the Critchley's book:https://www.youtube.com/playlist?list...

    This evil, this urge to hurt, to torment - to kill, is hidden behind a thin veil of normality, only to be unleashed behind closed doors. A few of the people who moved there sense that there's something very wrong with this bleak town, but nothing in their imagination could prepare them for the real truth. When a stranger unlocks the town's dark secret, both visitors and the recent inhabitants now find themselves fighting to stay alive as an orgy of violence, mayhem and murder is unleashed in Brutality! A less intense version of this story was previously published under the title of Rags and Bones.

    The perfect summer read for 2019! Angie has always wanted to travel. But at 29, she has still never left her small mining town in the Australian outback. When her grandmother passes away, Angie finally feels free to see the world – until she discovers a letter addressed to the father she never knew and is forced to question everything. As Angie sets off on her journey to find the truth – about her family, her past and who she really is – will enigmatic stranger Alessandro help guide the way?

    Until the night the stray on her doorstep turns out to be a man! A Devil's Bargain' With educated speech and sterling manners, Kyle Hayden isn't the average homeless man. Touched by his situation, Gianna offers him a place to stay and a job. And when he cleans up to reveal a super-hunk, he's the perfect phony, doting boyfriend to escort Gianna to her ex's upcoming wedding. Or maybe this time, love could be for real. Hell Breaks Loose' Until the truth comes out. For while Gianna dreams of happily ever after, Kyle will soon return to the life he left behind--a life that won't include Gianna. Unless he can regain her trust and show her' A Little Slice of Heaven. This is a new release of a previously published edition.

    Soon she discovers she has no choice, unless she can win an ancient and mysterious board game. And every roll of the dice leads her further into danger. The Name at the End of the Ladder is a fantasy adventure for younger readers by award-winning New Zealand poet Elena de Roo. This junior fiction novel about the power of language and friendship is ideal for fans of Jumanji, Zathura and The Phantom Tollbooth. For more about the author and her books, please visit www.elenaderoo.com

    Author Biography: Mark Blake is a veteran journalist who has written for many international music magazines.

    But with over one trillion photos taken each year, why are there so few successes? Why do so many fail? With advances in camera technology, it is not because the images lack focus or proper exposure; the camera does that so well these days. Photographer David duChemin believes the majority of our images fall short because they lack soul. And without soul, the images have no ability to resonate with others. They simply cannot connect with the viewer, or even--if we're being truthful--with ourselves.In The Soul of the Camera: The Photographer's Place in Picture-Making, David explores what it means to make better photographs. Illustrated with a beautiful collection of black-and-white photographs, the book's essays speak to topics such as craft, mastery, vision, audience, discipline, story, and authenticity. The Soul of the Camera is a personal and deeply pragmatic book that quietly yet forcefully challenges the idea that our cameras, lenses, and settings are anything more than dumb and mute tools. It is the photographer, not the camera, that can and must learn to make better photographs--photographs that convey our vision; that connect with others; that, at their core, contain our humanity.

    Rabindranath cannot shake off the disquiet in his heart after the death of his wife Mrinalini. Happiness and well-being elude him. His daughters and daughter-in-law struggle hard to cope with incompatible marriages, ill health and the stigma of childlessness. The extended family of Jorasanko is steeped in debt and there is talk of mortgaging one of the houses. Even as Rabindranath deals with his own financial problems and strives hard to keep his dream of Santiniketan alive, news reaches him that he has been awarded the Nobel Prize for literature. Will this be a turning point for the man, his family and their much-celebrated home?Daughters of Jorasanko sequel to the bestselling novel Jorasanko explores Rabindranath Tagore’s engagement with the freedom movement and his vision for holistic education, brings alive his latter-day muses Ranu Adhikari and Victoria Ocampo and maps the histories of the Tagore women, even as it describes the twilight years in the life of one of the greatest luminaries of our times and the end of an epoch in the history of Bengal.

    They tell us about Kaem Seba, a sickly and financially destitute young man who uses his extraordinary math talents to work out a way to stop time within limited volumes of space-time. He and Arya Vaii, a business student, set out to develop the phenomenon. It quickly becomes obvious that, beyond the fact that time stops inside the stasis field, the volume of space-time in stasis might be useful for some of its other phenomenal properties. Since it essentially can’t be altered (time’s stopped inside) it’s stronger than any known substance and, unlike matter, does not melt. This makes it the perfect material for building rocket engines. They set out to sell such engines in order to provide their budding business enough profit to let them develop other useful products. Unfortunately, the owner of the lab that tested the properties of their samples also recognizes their potential. His desire to share in their profits unhinges his shaky grasp on reality. When he can’t talk them into letting him join their enterprise, he demands a share at gunpoint.