Is it the covers? Is it because the audience and authors are largely comprised of women? Or is it something else? Perhaps the bad reputation of romance has to do with surprising dictionary definitions, women, window taxes, the poor, the cost of a ream of paper in the nineteenth century, the rise of the love match marriage, the social status quo, the industrial revolution, and the ongoing tension between high and low art. Discover the origins of the stigma against popular romance novels, those who read it and those who wrote it. It has nothing to do with the covers. These books were scorned because they were dangerous.

    A long-standing favorite of English speaking tourists and visitors, Chinglish is now quickly becoming a culture relic: in preparation for the 2008 Olympic Games in Beijing, the Chinese government was determined to wipe out incorrect English usage.

    After he marries a woman he had seen eight years earlier, the story becomes, on one level, an analogy between his temporary sexual impotence and the position of intellectuals. A year later he is ready to abandon his wife and escape from the camp. Cameo appearances by philosophic and literary figures (Marx and Meng-tz, Othello and Song Ji) and discussing China and sex allow the incorporation of non-novelistic elements while indulging in gallows humor.

    But what is it about the two-hundred-year-old hero that we so ardently admire and love?Dr Gabrielle Malcolm examines Jane Austen’s influences in creating Darcy’s potent mix of brooding Gothic hero, aristocratic elitist and romantic Regency man of action. She investigates how he paved the way for later characters like Heathcliff, Rochester and even Dracula, and what his impact has been on popular culture over the past two centuries. For twenty-first century readers the world over have their idea of the ‘perfect’ Darcy in mind when they read the novel, and will defend their choice passionately. In this insightful and entertaining study, every variety of Darcy jostles for attention: vampire Darcy, digital Darcy, Mormon Darcy and gay Darcy. Who does it best and how did a clergyman’s daughter from Hampshire create such an enduring character? A must-read for every Darcy and Jane Austen fan.

    For well over two centuries now, Americans of all stripes--presidents and activists, writers and soldiers--have turned to Shakespeare's works to address the nation's political fault lines, such as manifest destiny, race, gender, immigration, and free speech. In a narrative arching across the centuries, James Shapiro traces the unparalleled role of Shakespeare's 400-year-old tragedies and comedies in making sense of so many of these issues on which American identity has turned. Reflecting on how Shakespeare has been invoked--and at times weaponized--at pivotal moments in our past, Shapiro takes us from President John Quincy Adams's disgust with Desdemona's interracial marriage to Othello, to Abraham Lincoln's and his assassin John Wilkes Booth's competing obsessions with the plays, up through the fraught debates over marriage and same-sex love at the heart of the celebrated adaptations Kiss Me Kate and Shakespeare in Love. His narrative culminates in the 2017 controversy over the staging of Julius Caesar in Central Park, in which a Trump-like leader is assassinated.Extraordinarily researched, Shakespeare in a Divided America shows that no writer has been more closely embraced by Americans, or has shed more light on the hot-button issues in our history. Indeed, it is by better understanding Shakespeare's role in American life, Shapiro argues, that we might begin to mend our bitterly divided land.

    With a blend of academic insight and the true passion of a fan, V. Arrow explores how Panem could have evolved from the America we know today and uses textual clues to piece together Panem’s beliefs about class, ethnicity, culture, gender, sexuality, and more. Includes an extensive name lexicon and color-illustrated unofficial map of Panem.

      Yang Fei was born on a moving train. Lost by his mother, adopted by a young switchman, raised with simplicity and love, he is utterly unprepared for the tempestuous changes that await him and his country. As a young man, he searches for a place to belong in a nation that is ceaselessly reinventing itself, but he remains on the edges of society. At age forty-one, he meets an accidental and unceremonious death. Lacking the money for a burial plot, he must roam the afterworld aimlessly, without rest. Over the course of seven days, he encounters the souls of the people he’s lost.   As Yang Fei retraces the path of his life, we meet an extraordinary cast of characters: his adoptive father, his beautiful ex-wife, his neighbors who perished in the demolition of their homes. Traveling on, he sees that the afterworld encompasses all the casualties of today’s China—the organ sellers, the young suicides, the innocent convicts—as well as the hope for a better life to come. Yang Fei’s passage maps the contours of this vast nation—its absurdities, its sorrows, and its soul. Vivid, urgent, and panoramic, The Seventh Day affirms Yu Hua’s place as the standard-bearer of modern Chinese fiction.

    But despite the nation's growing influence, the average Chinese person is still a mystery - or, at best, a baffling set of seeming contradictions - to Westerners who expect the rising Chinese consumer to resemble themselves. Here, Tom Doctoroff, the guiding force of advertising giant J. Walter Thompson's (JWT) China operations, marshals his 20 years of experience navigating this fascinating intersection of commerce and culture to explain the mysteries of China. He explores the many cultural, political, and economic forces shaping the twenty-first-century Chinese and their implications for businesspeople, marketers, and entrepreneurs - or anyone else who wants to know what makes the Chinese tick. Dismantling common misconceptions, Doctoroff provides the context Westerners need to understand the distinctive worldview that drives Chinese businesses and consumers, including:- why family and social stability take precedence over individual self-expression and the consequences for education, innovation, and growth;- their fundamentally different understanding of morality, and why Chinese tolerate human rights abuses, rampant piracy, and endemic government corruption; and -the long and storied past that still drives decision making at corporate, local, and national levels.Change is coming fast and furious in China, challenging not only how the Western world sees the Chinese but how they see themselves. From the new generation's embrace of Christmas to the middle-class fixation with luxury brands; from the exploding senior demographic to what the Internet means for the government's hold on power, Doctoroff pulls back the curtain to reveal a complex and nuanced picture of a facinating people whose lives are becoming ever more entwined with our own.

    Seriousness and ardor characterize all the essays in This Quiet Dust, the first book of nonfiction by the Pulitzer Prize-winning author of Lie Down in Darkness and Sophie's Choice.In this edition, which has been updated with the inclusion of six previously uncollected essays, Styron covers a wide range of concerns; yet whether he is recounting his search for the historic Nat Turner, peering into the abyss of Auschwitz, navigating the battlefields of Vietnam and Chicago in 1968, or offering fresh assessments of Thomas Wolfe, F. Scott Fitzgerald, William Faulkner, James Jones, and Robert Penn Warren, Styron is always a consummate literary stylist. One who is as engaging as he is engaged.

    Will the Old Man understand and help us once again?' The Old Man of the Moon is Shen Fu's intimate and moving account of his marriage - from early passion to the trials of poverty and separation - and his great, enduring love for his wife in eighteenth-century China.

    Lewis's classic analysis springs from the conviction that literature exists for the joy of the reader and that books should be judged by the kind of reading they invite. Crucial to his notion of judging literature is a commitment to laying aside expectations and values extraneous to the work, in order to approach it with an open mind.

    When American lives or vital interests are at stake, the public—and especially the news media and political opponents—expect aggressive leadership. But, contrary to the dramatizations of Hollywood, rarely does a president have that option.In Presidents in Crisis, a former director of the Situation Room takes the reader inside the White House during seventeen grave international emergencies handled by the presidents from Truman to Obama: from North Korea’s invasion of South Korea to the revolutions of the Arab Spring, and from the thirteen days of the Cuban Missile Crisis to the taking of American diplomats hostage in Iran and George W. Bush’s response to the attacks of September 11, 2001. In narratives that convey the drama of unfolding events and the stakes of confrontation when a misstep can mean catastrophe, he walks us step by step through each crisis. Laying out the key players and personalities and the moral and political calculations that the leaders have had to make, he provides a fascinating insider’s look at modern presidential decision making and the fundamental role in it of human frailty.Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

    But it is also much more than that: in talk and writing, in music and images, in film and television, genres actively generate and shape our knowledge of the world. Understanding genre as a dynamic process rather than a set of stable rules, this book explores:*the relation of simple to complex genres*the history of literary genre in theory*the generic organisation of implied meanings*the structuring of interpretation by genre*the uses of genre in teaching.John Frow’s lucid exploration of this fascinating concept will be essential reading for students of literary and cultural studies.

    This volume also provides discussion of Chekhov's plays by some of the twentieth century's great directors, including Konstantin Stanislavsky, Peter Brook, and Mark Rozovsky.A Chronology and Selected Bibliography are also included.

    A major collection of writings from one of the most important twentieth century French authors, "The Blanchot Reader" includes six works of fiction ("Death Sentence, The Madness of the Day, When the Time Comes, Vicious Circles, Thomas the Obscure", and "The One Who Was Standing Apart from Me") and extended selections of critical and philosophical essays from his major book, "The Gaze of Orpheus".