One is the main course of dinner, another the porn star contracted to copulate in space for a reality TV show. They become futuristic ant farms, get knocked up by the star high school quarterback and have secret abortions, use parakeets to reverse amputations, make love to garden gnomes, go into air conditioning ducts to confront their mother’s ghost, and do so in settings that range from Hell to the local white-supremacist bowling alley.

    Romero reminds us, “There was a collection of stories called Book of the Dead, in which horror and science-fiction writers came together and wrote short stories about what was happening to other people on that first night (as depicted) in Night of the Living Dead.” Noted authors such as Joe R. Lansdale, Stephen King, Robert R. McCammon, and Douglas E. Winter use their macabre vision to bring us those stories. Forwarded by the Godfather himself, this anthology imbeds itself in the cannon of zombie lore.

    Sometimes they are just like ours—except landlocked countries may disappear overnight, marriages to camels are the norm, and the dead turn into musical instruments. Sometimes there is horror, and dreams fulfilled and squandered, of true love. They do the same things different there.

    Splatterpunk legend John Skipp turns the mirror back on ourselves, showing us all the ways that make us the worst monsters of all. A decade in the making, The Art of Horrible People collects John Skipp's most horrific, hilarious, and starkly honest short stories, raising horror fiction to gleefully deranged new heights.

    . . and winds up a castaway on an impossibly solid cloud, a Prospero’s island of roiling vapor that seems animated by a mind of its own in Aloft.On a seemingly ordinary day in Boulder, Colorado, the clouds open up in a downpour of nails—splinters of bright crystal that shred the skin of anyone not safely under cover. Rain explores this escalating apocalyptic event, as the deluge of nails spreads out across the country and around the world.In Loaded, a mall security guard in a coastal Florida town courageously stops a mass shooting and becomes a hero to the modern gun rights movement. But under the glare of the spotlights, his story begins to unravel, taking his sanity with it. When an out-of-control summer blaze approaches the town, he will reach for the gun again and embark on one last day of reckoning.

    Along the way, lines will be crossed, taboos will be violated, and common decency will take an extended leave of absence. This is not for the faint of heart or weak of stomach. Or anyone who enjoyed Fifty Shades of Grey. A young hospital security guard with a disturbingly unique taste in women. A maternity doctor with a horrifically unusual appetite. When the two of them meet, they embark on a journey of self-discovery as they shatter societal norms while engaging in destructive and abhorrent behavior. As they unwittingly help each other understand a world in which neither of them seems to belong, they begin to realize what it truly means to be alive...and that it might not always be a good thing.

    Harlan Wilson returns with another ferociously mindbending collection of short fiction. Masked in absurdity, these stories reveal the horrifying and hilarious faces of everyday life. Wilson tells of egg raids, hog rippers, monk spitters, fathers who take their children to pet stores to buy them whales, sociopaths who threaten to clothesline eternity, and the simple act of the story itself becoming a means of repetitive, endless torture. Put on your goat head, hop in your hovercraft, and take a ride with a juggernaut of modern imaginative fiction.

    In his singular universe, televisions talk (and sometimes sing), animals live in small apartments where their nephews visit from the sea, and men and women and boys and girls fall down wells and fly through space and find love on Ferris wheels. In a voice full of fable, myth, and dream, Stories for Nighttime and Some for the Day draws us into a world of delightfully wicked recognitions, and introduces us to a writer of uncommon talent and imagination.Contains 40 stories, including "The Duck," "The Man and the Moose," and "Death and the Fruits of the Tree," as heard on NPR's This American Life, "The Book," as heard on Selected Shorts, and "The TV," as found in The New Yorker.A selection of the Barnes & Noble Discover Great New Writers Program and the Starbucks Coffee Bookish Reading Club.Winner of the 2011 Nobbie Award for Best Book of the Year."This guy can write!" –Ray Bradbury, author of Fahrenheit 451

    LovecraftActor, journalist, devotee of Celtic Christianity and the Holy Grail legend, Welshman Arthur Machen is considered one of the fathers of weird fiction, a master of mayhem whose work has drawn comparisons to H. P. Lovecraft and Edgar Allan Poe. Readers will find the perfect introduction to his style in this new collection. With the title story, an exercise in the bizarre that leaves the reader disoriented virtually from the first page, Machen turns even fundamental truths upside down. "There have been those who have sounded the very depths of sin," explains the character Ambrose, "who all their lives have never done an 'ill deed.'"

    P. Lovecraft, Peter Straub, and Thomas Ligotti. His stories have garnered critical acclaim and have been reprinted in numerous year’s best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards. His debut collection, The Imago Sequence and Other Stories, was the inaugural winner of the Shirley Jackson Award.He returns with his second collection, Occultation. Pitting ordinary men and women against a carnivorous, chaotic cosmos, Occultation’s nine tales of terror (two published here for the first time) were nominated for just as many Shirley Jackson awards, winning for the novella “Mysterium Tremendum” and the collection as a whole. Occultation brings more of the spine-chillingly sublime cosmic horror Laird Barron’s fans have come to expect. Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    a midnight caller keeping his promise ... forests where Nature is deliberate and malefic ... enchanted houses ... these are the beings and ideas that flood through this collection of ghost stories by Algernon Blackwood (1869-1951). Altogether 13 stories, gathered from the entire corpus of Blackwood's work, are included; stories of such sheer power and imagination that it is easy to see why he has been considered the foremost British supernaturalist of the twentieth century.Blackwood's ability to create an atmosphere of unrelieved horror and sustain it to the end of the story is almost unsurpassed. “The Willows” — which has been called by H.P. Lovecraft the finest supernatural story — is a typical example of Blackwood's art: slowly and surely Blackwood draws the reader into a world of shadows, nuances and unearthly terror.Blackwood was also a master at evoking feelings of mysticism and cosmic experience; dealing with such ideas as interpenetrating levels of existence and pantheistic elemental powers, he expanded the content of supernatural literature enormously. But even the more traditional elements of horror stories such as ghosts and haunted houses are handled with such energy and feeling that they rise far above their predecessors.Drawing on serious Oriental thought, modern psychology and philosophy, Algernon Blackwood introduced a sophistication to the horror story that — with a few exceptions — it was devoid of before. The results are stories that are not only guaranteed to chill, but stories that have something to say to the intelligent reader.Contents:- The Willows (1907)- Secret Worship (1908)- Ancient Sorceries (1908)- The Glamour of the Snow (1911)- The Wendigo (1910)- The Other Wing (1915)- The Transfer (1911)- Ancient Lights (1914)- The Listener (1907)- The Empty House (1906)- Accessory before the Fact (1914)- Keeping His Promise (1906)- Max Hensig (1945)

    P. Lovecraft--with eighteen chilling contemporary tales that would have made the master proud.- The Barrens by F. Paul Wilson: In a tangled wilderness, unearthly lights lead the way to a world no human was meant to see.- His Mouth Will Taste of Wormwood by Poppy Z. Brite: Two dabblers in black magic encounter a maestro of evil enchantment.- On the Slab by Harlan Ellison: The corpse of a one-eyed giant brings untold fortune--and unspeakable fear--to whoever possesses it.- Pickman's Modem by Lawrence Watt-Evans: Horror is a keystroke away, when an ancient evil lurks in modern technology.PLUS FOURTEEN MORE BLOOD-CURDLING STORIES

    Some of Howard’s best-known characters–Solomon Kane, Bran Mak Morn, and sailor Steve Costigan among them–roam the forbidding locales of the author’s fevered imagination, from the swamps and bayous of the Deep South to the fiend-haunted woods outside Paris to remote jungles in Africa.The collection includes Howard’s masterpiece “Pigeons from Hell,” which Stephen King calls “one of the finest horror stories of [the twentieth] century,” a tale of two travelers who stumble upon the ruins of a Southern plantation–and into the maw of its fatal secret. In “Black Canaan” even the best warrior has little chance of taking down the evil voodoo man with unholy powers–and none at all against his wily mistress, the diabolical High Priestess of Damballah. In these and other lavishly illustrated classics, such as the revenge nightmare “Worms of the Earth” and “The Cairn on the Headland,” Howard spins tales of unrelenting terror, the legacy of one of the world’s great masters of the macabre.

    A fading magician encounters his former mentor performing a terrifying new act. A party-goer ducks out early and is pursued by a creature of bent on cruel malevolence. Winged creatures of unknown origin terrorize a small town. A disgruntled employee works his dark magic on a new breed of middle managers. A radio stunt shatters the sanity of a DJ. And a father talks his young daughter through a cataclysmic apocalypse. The Stay Awake Men and Other Unstable Entities. Seven new tales of terror by Matthew M. Bartlett.

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.