And yet this ancient land and its varied societies experienced prolonged and intense interaction with the peoples and cultures of East and Southeast Asia, Europe, Africa, and especially Central Asia and the Iranian plateau.   Richard M. Eaton tells this extraordinary story with relish and originality, as he traces the rise of Persianate culture, a many-faceted transregional world connected by ever-widening networks across much of Asia. Introduced to India in the eleventh century by dynasties based in eastern Afghanistan, this culture would become progressively indigenized in the time of the great Mughals (sixteenth, seventeenth, and eighteenth centuries). Eaton brilliantly elaborates the complex encounter between India's Sanskrit culture—an equally rich and transregional complex that continued to flourish and grow throughout this period—and Persian culture, which helped shape the Delhi Sultanate, the Mughal Empire, and a host of regional states. This long-term process of cultural interaction is profoundly reflected in the languages, literatures, cuisines, attires, religions, styles of rulership and warfare, science, art, music, and architecture—and more—of South Asia.

    I've cycled round the world twice now. I'm not young, I'm not sporty, I never train and I still can't tell a sprocket from a chainring or mend a puncture.'So speaks Anne Mustoe in the opening to this fascinating record of her second epic journey cycling around the globe from East to West.Using historical routes as her inspiration, Anne followed the ancient Roman roads to Lisbon, travelled across South America with the Conquistadors, pursued Captain Cook over the Pacific to Australia and Indonesia and followed the caravans along the fabled Silk Road from Xi'an to Rome.

    

    Because it is in first person, the reader directly sees the psychological impact of the abuse and comes to understand how the abuser manipulates the victim into cooperating in it. We see the psychological costs of being abused—denial, depression, mental splitting, obsessive-compulsive behaviors, alcohol abuse, hopelessness, shame, fear of harm to her family—but gradually we also experience Laila's struggle. Set in the context of Muslim society where the young female victim knows her word will not be believed in preference to that of her "good" Muslim father, the story could have happened anywhere. Yes, the details are shocking, but they are not prurient, as the negative reviews have suggested. They are sickening and saddening but they are real. The details serve to underline the horrible things that abusers do to kids. I learned much about how the relationship between abuser and victim works and why it is so hard for the victim to break away and recover. This story is all the more moving because it is true. It took great courage for Laila to expose her life in this way, even if she does use a pseudonym. Her opening explanation for why she wrote the book reveals her hope that at least one abused individual will read it and live a healthy, happy life after the horrific experiences of such a childhood.Synopsis: Not Easily Washed Away is the true story of a young girl who was born to a Muslim family in Pakistan. She suffered through sexual, mental and physical abuse for fifteen years, which was perpetrated by her father Abdulla. Laila decides to take advantage of her father’s incestuous addiction by having him acquire a visa for her to the United States, where she feels as if she can rid herself of a putrid past. The book is written from a psychological perspective in first person, as Laila shares her painful past with the reader, sparing no details of her ordeal as a child, teenager and young adult. After she realizes her father’s diabolical plan is to keep her in Pakistan for himself, Laila decides to take fate into her own hands. Her new attitude helps her to turn the tables on her father, now living in America, and manipulate him into marrying an American woman to get Laila’s visa to the United States.The United States is not the instantaneous answer to Laila's plight. She arrived in Seattle, Washington, in 2004 to start a new life away from her father, but ends up being unable to stop the incestuous relationship with him and later on, with her stepmother. Things get even worse for Laila, as she is now twenty years old, depressed, and worried that her family’s fate back in Pakistan might be jeopardized if she leaves home. In the Spring of 2007 Laila’s life changes when her younger sister arrived from Pakistan and when she meets an interesting, Christian, Jamaican man at school. The young man confronts Laila about the abuse, and when she realizes she has feelings for him, she tells him everything. The young man tries to convince Laila that she can become mentally stronger and free herself of her abusive father and stepmother by running away with him.

    In this admirable book Montgomery Watt traces the influence of Islam in medieval Europe, looking in detail at commerce, science and technology, philosophy, and the development of European self-awareness.

     The impact of Christianity on world civilization is almost incalculable, and in exploring this rich heritage, nineteen leading scholars range from the earliest origins to the present day to examine virtually every aspect of the faith. They discuss the apostle Peter and Roman Emperor Constantine, describe the role of Charlemagne in the expansion of the religion, and assess medieval scholasticism and the influence of Thomas Aquinas. The profound changes that occurred during both the Reformation and the Enlightenment are fully treated in chapters that offer revealing portraits of such key figures as Erasmus, Luther, Calvin, Wesley, and Rousseau. Fully one third of the book covers Christianity since 1800--with special studies of the faith as practiced in Britain and Europe, North and South America, Africa, India, and the Far East--offering a compelling continuous narrative filled with insight into the enormously diverse Christian world. In the final chapters, the authors consider questions of contemporary Christian theology, conscience and belief, and explore new concepts of Christian community. Over 350 beautiful illustrations--including 32 full color plates--grace the text, ranging from mosaics, paintings and sculptures, to architecture and modern art. There are also ten maps, a chronology of important events, and an annotated guide to further reading. Throughout, the book reflects the changing world in which Christians have found themselves, and the many ways in which, individually and through the institutions of the church, they in turn have influenced history. Comprehensive, vividly narrated, and exquisitely produced, this magnificent book captures the richness and vitality of Christian thought and culture throughout the ages.

    Here he presents ancient Sufi teaching stories rooted in the Islamic tradition. With common sense and insightful wit, he addresses questions and problems of contemporary life and awakens our attention to the often overlooked moments that give importance and meaning to our lives. Through the re-telling of classical stories and his own commentary, a pattern unfolds that helps to distinguish knowledge from information, reality from imagination, and makes what seems to lie beyond our perception - understanding and brief - accessible. Our spiritual potential as human beings is realised in "When You Hear Hoofbeats Think of a Zebra".

    At the end of the Ice Age, Southeast Asia formed a continent twice the size of India, which included Indochina, Malaysia, Indonesia, and Borneo. In Eden in the East, Stephen Oppenheimer puts forward the astonishing argument that here in southeast Asia—rather than in Mesopotamia where it is usually placed—was the lost civilization that fertilized the Great cultures of the Middle East 6,000 years ago. He produces evidence from ethnography, archaeology, oceanography, creation stories, myths, linguistics, and DNA analysis to argue that this founding civilization was destroyed by a catastrophic flood, caused by a rapid rise in the sea level at the end of the last ice age.

    Pharaohs and Kings unveils the historical reality of such biblical personalities as Moses, David, and Solomon, and such archaeological wonders as the desecrated statue of Joseph in his coat of many colors. Basis of a series on The Learning Channel in January 1996. Photos.

    

    Since then, painting has been declared dead several times over, and contemporary art has now expanded to include just about any object, action, or event: dance routines, slideshows, functional hair salons, seemingly random accretions of waste. In the meantime, being an artist has gone from a join-the-circus fantasy to a plausible vocation for scores of young people in America.But why--and how and by whom--does all this art get made? How is it evaluated? And for what, if anything, will today's artists be remembered? In The Contemporaries, Roger White, himself a young painter, serves as our spirited, skeptical guide through this diffuse creative world.White takes us into the halls of the RISD graduate program, where students learn critical lessons that go far beyond how to apply paint to canvases. In New York, we meet the neophytes who assist established artists--and who walk the fine line between "assistance" and "making the art." In Milwaukee, White trails a group of friends trying to create a viable scene where rent is cheap, but where the spotlight rarely shines. And he gives us an intimate perspective on three wildly different careers: that of Dana Schutz, an emerging star who is revitalizing painting; Mary Walling Blackburn, whose challenging art defies market forces; and Stephen Kaltenbach, a '70s wunderkind who is back on the critical radar, perhaps in spite of his own willful obscurity.From young artists trying to elbow their way in to those working hard at dropping out, White's essential book offers a once-in-a-generation glimpse of the inner workings of the American art world at a moment of unparalleled ambition, uncertainty, and creative exuberance.

    It describes three former centers of great wealth, pleasure, and freedom—Smyrna, Alexandria, and Beirut—cities of the Levant region along the eastern coast of the Mediterranean. In these key ports at the crossroads of East and West, against all expectations, cosmopolitanism and nationalism flourished simultaneously. People freely switched identities and languages, released from the prisons of religion and nationality. Muslims, Christians, and Jews lived and worshipped as neighbors.Distinguished historian Philip Mansel is the first to recount the colorful, contradictory histories of Smyrna, Alexandria, and Beirut in the modern age. He begins in the early days of the French alliance with the Ottoman Empire in the sixteenth century and continues through the cities' mid-twentieth-century fates: Smyrna burned; Alexandria Egyptianized; Beirut lacerated by civil war.Mansel looks back to discern what these remarkable Levantine cities were like, how they differed from other cities, why they shone forth as cultural beacons. He also embarks on a quest: to discover whether, as often claimed, these cities were truly cosmopolitan, possessing the elixir of coexistence between Muslims, Christians, and Jews for which the world yearns. Or, below the glittering surface, were they volcanoes waiting to erupt, as the catastrophes of the twentieth century suggest? In the pages of the past, Mansel finds important messages for the fractured world of today.

    David Lamb, who spent years as a correspondent in Cairo, explores the Arabs’ religious, political, and cultural views, noting the differences and key similarities between the many segments of the Arab world. He explains Arab attitudes and actions toward the West, including the growth of terrorism, and situates current events in a larger historical backdrop that goes back more than a thousand years.Now thoroughly revised and updated, The Arabs takes the story up to 2001. Lamb analyzes the developments that led to the attacks on the World Trade Center and the Pentagon, and helps the reader to understand how things got to that point. A veteran journalist, Lamb combines his extensive experience in covering international politics with his deeply informed insider’s knowledge to provide an intimate portrait of the Arab world today.

    A twenty-two-year-old rapper from the Gaza Strip. A young Lebanese singer who quotes Bob Marley’s “Redemption Song.” They are as representative of the world of Islam today as the conservatives and extremists we see every night on the news. Heavy metal, punk, hip-hop, and reggae are each the music of protest, and in many cases considered immoral in the Muslim world. This music may also turn out to be the soundtrack of a revolution unfolding across that world. Why, despite governmental attempts to control and censor them, do these musicians and fans keep playing and listening? Partly, of course, for the joy of self-expression, but also because, in this region, everything is political. In Heavy Metal Islam, Mark LeVine explores the influence of Western music on the Middle East through interviews with musicians and fans, introducing us young Muslims struggling to reconcile their religion with a passion for music and a desire for change. The result is a revealing tour of contemporary Islamic culture through the evolving music scene in the Middle East and Northern Africa. Heavy Metal Islam is a surprising, wildly entertaining foray into a historically authoritarian region where music just might be the true democratizing force.