This autobiographical account chronicles the remarkable odyssey of Harriet Jacobs (1813–1897) whose dauntless spirit and faith carried her from a life of servitude and degradation in North Carolina to liberty and reunion with her children in the North.Written and published in 1861 after Jacobs' harrowing escape from a vile and predatory master, the memoir delivers a powerful and unflinching portrayal of the abuses and hypocrisy of the master-slave relationship. Jacobs writes frankly of the horrors she suffered as a slave, her eventual escape after several unsuccessful attempts, and her seven years in self-imposed exile, hiding in a coffin-like "garret" attached to her grandmother's porch.A rare firsthand account of a courageous woman's determination and endurance, this inspirational story also represents a valuable historical record of the continuing battle for freedom and the preservation of family.

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    Electrocuted. With another woman in there with him. Debbie decides she just isn't going to "do it anymore." But executing her exit strategy from the porn world is a wrenching and far from simple process. Millions of men (and no doubt many women) have watched famed black porn queen Debbie Dare—she of the blond wig and blue contacts-"do it" on television and computer screens every which way with every combination of partners the mind of man can imagine. But one day an unexpected and thunderous on-set orgasm catches Debbie unawares, and when she returns to the mansion she shares with her husband, insatiable former porn star and "film producer" Theon Pinkney, she discovers that he's died in a case of hot tub electrocution, "auditioning" an aspiring "starlet." Burdened with massive debts that her husband incurred, and which various L.A. heavies want to collect on, Debbie must reckon with a life spent in the peculiar subculture of the pornography industry and her estrangement from her family and the child she had to give up. She's done with porn, but her options for what might come next include the possibility of suicide. Debbie . . . is a portrait of a ransacked but resilient soul in search of salvation and a cure for grief.

    The play tells the story of Lincoln and Booth, two brothers whose names were given to them as a joke, foretelling a lifetime of sibling rivalry and resentment. Haunted by the past, the brothers are forced to confront the shattering reality of their future.

    In America, anybody can become president. In 1920, anybody did. Harding was a strikingly handsome man, a high school graduate of impenetrable ignorance whose only two qualifications for the presidency were that he looked and sounded presidential--provided you didn't look or listen too closely. Ohio's "favorite son" at the nominating convention, he recognized his deficiencies, did not want such high office, and never expected to be nominated, no less elected. But his destiny was to become the first packaged candidate, elected largely on the strength of a carefully crafted image. Thus began 12 years of Republican rule that fostered unbridled capitalism and willful isolation, leading to the Great Depression and the rise of European dictatorships, which set the stage for World War II. Greatly complicating things was the relationship between Harding and Nan, who shared a deeper intimacy and hotter sex than anything enjoyed by more contemporary White House occupants. But woven around and through their furtive couplings is the tapestry of corruption and scandal generated by a half-dozen uniquely odious presidential cronies. But this tale is not unremittingly bleak. After having been content all of his life to just slide by, Harding reinvented himself in his last year, proving that nobility can triumph over selfishness, that listening to your heart may be more reliable than listening to your head, and that love which is pure can transcend death itself.

    A simple, apolitical man, he believes in the essential fairness of the South African government and its policies—until the sudden arrest and subsequent "suicide" of a black janitor from Du Toit's school. Haunted by new questions and desperate to believe that the man's death was a tragic accident, Du Toit undertakes an investigation into the terrible affair—a quest for the truth that will have devastating consequences for the teacher and his family, as it draws him into a lethal morass of lies, corruption, and murder.

    The members of the Smales family—liberal whites—are rescued from the terror by their servant, July, who leads them to refuge in his village. What happens to the Smaleses and to July—the shifts in character and relationships—gives us an unforgettable look into the terrifying, tacit understandings and misunderstandings between blacks and whites.Nadine Gordimer was a winner of the Nobel Prize in Literature

    The king has died and Elesin, his chief horseman, is expected by law and custom to commit suicide and accompany his ruler to heaven. The stage is set for a dramatic climax when Pilkings learns of the ritual and decides to intervene and Elesin's son arrives home.

    If finding her mother Nellie in hospital after a savage beating from her husband wasn’t enough, Emily’s plight deepens when she yields to the advances of Tommy, a young soldier, and becomes pregnant with his child.Not for nothing is Victoria station nicknamed the ‘palace of tears’. As trainloads of men leave for the Western Front, and Emily says goodbye to Tommy, she is left contemplating the life of a single mother. Yet amidst the devastation, happiness still lies within her grasp… A classic saga of World War One, Palace of Tears is a perfect read for fans of Carol Rivers, Sally Warboyes, and Annie Murray.

    In a novel that examines the price of freedom and the value of a child's life, Price of a Child is "a stunning achievement...a deeply engrossing story.... Cary's impeccable research and seamless narrative carry us along" (Philadelphia Inquirer).

    These American poems are both elegy and jive, joke and declaration, songs of congregation and self-conception. They connect themes of loneliness, displacement, grief, ancestral trauma, and objectification, while exploring and troubling tropes and stereotypes of Black Americans. Focused primarily on depictions of Black womanhood alongside personal narratives, the collection tackles interior and exterior politics—of both the body and society, of both the individual and the collective experience. In Magical Negro, Parker creates a space of witness, of airing grievances, of pointing out patterns. In these poems are living documents, pleas, latent traumas, inside jokes, and unspoken anxieties situated as firmly in the past as in the present—timeless Black melancholies and triumphs.

    The magic of the drum remains alive in Africa today, and with her magnificent second novel, Berry brings those powerful beats to the streets of Harlem.Harry "Freedom" Hudson is the hottest hip-hop producer in New York City, earning unbelievable fees for his tunes and the innovative sound that puts his artists on the top of the charts. Harry is used to getting what he wants, so when he's irresistibly drawn to a house in Harlem, he assumes he'll be moving in as soon as the papers can be drawn up. The house, after all, has been abandoned for years. Or has it? Rumors are rife in the neighborhood that the house is haunted; that mysterious music, shouts, and sobbing can be heard late at night. Ava, Harry's strong-willed, no-nonsense agent, dismisses it all as "old folks" tales-until she opens the door and finds an eerie, silent group of black people, young and old, all gathered around a man holding an ancient African drum. They are waiting for Harry and bear a warning that touches his very soul: "We gave the drum back to your generation in the form of rap, but it's being used to send the wrong message." The Haunting of Hip Hop is a reminder of the importance of honoring the past as a means of moving safely and firmly into the future. It is sure to raise eyebrows and stir up controversy about the impact, good and bad, of rap culture.

    The story begins with the auction of his mistress, here called Currer, and their two daughters, Clotel and Althesa. The Virginian who buys Clotel falls in love with her, gets her pregnant, seems to promise marriage—then sells her. Escaping from the slave dealer, Clotel returns to Virginia disguised as a white man in order to rescue her daughter, Mary, a slave in her father’s house. A fast-paced and harrowing tale of slavery and freedom, of the hypocrisies of a nation founded on democratic principles, Clotel is more than a sensationalist novel. It is a founding text of the African American novelistic tradition, a brilliantly composed and richly detailed exploration of human relations in a new world in which race is a cultural construct.

    A deceptively simple tale, Petals of Blood is on the surface a suspenseful investigation of a spectacular triple murder in upcountry Kenya. Yet as the intertwined stories of the four suspects unfold, a devastating picture emerges of a modern third-world nation whose frustrated people feel their leaders have failed them time after time. First published in 1977, this novel was so explosive that its author was imprisoned without charges by the Kenyan government. His incarceration was so shocking that newspapers around the world called attention to the case, and protests were raised by human-rights groups, scholars, and writers, including James Baldwin, Toni Morrison, Donald Barthelme, Harold Pinter, and Margaret Drabble.First time in Penguin Classics

    Uniquely and richly African, at the same time it reveals Achebe's keen awareness of the human qualities common to men of all times and places.