Both have democratic polities, mixed-enterprise economies, individuated societies, pluralist cultures, and a deep concern for human rights and the rule of law. But all ofthese elements take different forms, because constellations of value are far apart. The dream of living free is America's Polaris; fairness and natural justice are New Zealand's Southern Cross.Fischer asks why these similar countries went different ways. Both were founded by English-speaking colonists, but at different times and with disparate purposes. They lived in the first and second British Empires, which operated in very different ways. Indians and Maori were important agents ofchange, but to different ends. On the American frontier and in New Zealand's Bush, material possibilities and moral choices were not the same. Fischer takes the same comparative approach to parallel processes of nation-building and immigration, women's rights and racial wrongs, reform causes andconservative responses, war-fighting and peace-making, and global engagement in our own time--with similar results.On another level, this book expands Fischer's past work on liberty and freedom. It is the first book to be published on the history of fairness. And it also poses new questions in the old tradition of history and moral philosophy. Is it possible to be both fair and free? In a vast array ofevidence, Fischer finds that the strengths of these great values are needed to correct their weaknesses. As many societies seek to become more open--never twice in the same way, an understanding of our differences is the only path to peace.

    Despite the death of Richard III and Henry VII's victory, it continued underground into the following century with plots, pretenders and subterfuge by the ousted white rose faction. Here, Desmond Seward reviews the story of the Tudors' seizure of the throne.

    Soon after the World Trade Center towers fell, leaving ashes floating over journalist Lee Smith’s Brooklyn neighborhood, he left for Cairo to find out “why the Arabs hate us.” He spent eight years reporting from Cairo, Beirut, and Jerusalem and discovered that the anger and disorder in the Middle East are not caused by a clash of civilizations between East and West, as is so often contended. Instead, he found a clash among Arab civilizations that led him to reassess America’s efforts to bring a “freedom agenda” to the Arab world. In The Strong Horse, Lee Smith offers paradigm-shifting insight into how the Arab world works and what America’s role should be in that world today.The Strong Horse combines evocative reporting with brilliant analysis that gracefully overturns many of the myths held about the region. Perhaps the most important myth that hobbles policy in the Middle East is the idea that the turmoil there is the legacy of Western interference. In fact, Smith shows, violence has been the only currency of power in the region for centuries. Another myth is that dictators are the main cause of widespread oppression in countries like Egypt, Saudi Arabia, and Syria. Yet Smith finds that much of the repression that stagnates Arab society happens at the level of the family where rigorous redlines of social and religious behavior are enforced. What’s more, in a region seething with minorities, with no liberal tradition, no reverence for individual rights, and no tolerance for difference, authoritarian regimes exist because the alternative, as has been seen most recently in Lebanon and Iraq, is endless sectarian violence. In The Strong Horse, Smith reveals the Arab world to be defined by a tribal culture where support goes to “the strong horse.” Technology and democracy will not transform the Arab world, Smith convincingly demonstrates. Rather, Arab peoples and governments naturally align themselves with the strongest power, even when that power is the United States or Israel. Smith’s groundbreaking book redefines America’s role in the Middle East as “benevolent strong horse” and offers an important corrective to our understanding of the Arab world.

    He would never have come to power if Germany’s leading politicians had not responded to a spate of populist insurgencies by trying to co-opt him, a strategy that backed them into a corner from which the only way out was to bring the Nazis in. Hett lays bare the misguided confidence of conservative politicians who believed that Hitler and his followers would willingly support them, not recognizing that their efforts to use the Nazis actually played into Hitler’s hands. They had willingly given him the tools to turn Germany into a vicious dictatorship.Benjamin Carter Hett is a leading scholar of twentieth-century Germany and a gifted storyteller whose portraits of these feckless politicians show how fragile democracy can be when those in power do not respect it. He offers a powerful lesson for today, when democracy once again finds itself embattled and the siren song of strongmen sounds ever louder.

    Postwar is the first modern history that covers all of Europe, both east and west, drawing on research in six languages to sweep readers through thirty-four nations and sixty years of political and cultural change-all in one integrated, enthralling narrative. Both intellectually ambitious and compelling to read, thrilling in its scope and delightful in its small details, Postwar is a rare joy.Finalist for the Pulitzer PrizeWinner of the Council on Foreign Relations Arthur Ross Book AwardOne of the New York Times' Ten Best Books of the Year.Table of contentsAbout the authorCopyright pageDedicationPreface & acknowledgementIntroductionPART ONE - Post-War: 1945-19531. The legacy of war2. Retribution3. The rehabilitation of Europe4. The impossible settlement5. The coming of the Cold War6. Into the whirlwind7. Culture warsCODA The end of old EuropePART TWO - Prosperity and its discontents: 1953-19718. The politics of stability9. Lost illusions10. The age of affluencePOSTSCRIPT: A Tale of two economies11. The Social Democrat moment12. The spectre of revolution13. The end of the affairPART THREE - Recessional: 1971-198914. Diminished expectations15. Politics in a new key16. A time of transition17. The new realism18. The power of the powerless19. The end of the old orderPART FOUR - After the Fall: 1989-200520. A fissile continent21. The reckoning22. The old Europe -and the new23. The varieties of Europe24. Europe as a way of lifePhoto crditsSuggestions for further readings

    These devoted murderers were under the powerful control of a grand master who used assassination as part of a grand strategic vision that embraced Egypt, the Levant and Persia and even reached the court of the Mongol Khans in far away Qaraqorum. The Assassins often slayed their victims in public, cultivating their terrifying reputation. They assumed disguises and their weapon of choice was a dagger. The dagger was blessed by the grand master and killing with it was a holy and sanctified act poison or other methods of murder were forbidden to the followers of the sect.Surviving a mission was considered a deep dishonor and mothers rejoiced when they heard that their Assassin sons had died having completed their deadly acts. Their formidable reputation spread far and wide. In 1253, the Mongol chiefs were so fearful of them that they massacred and enslaved the Assassins women and children in an attempt to liquidate the sect. The English monarch, Edward I, was nearly dispatched by their blades and Richard the Lionheart's reputation was sullied by his association with the Assassins murder of Conrad of Montferrat.The Ismaili Assassins explores the origins, actions and legacy of this notorious sect. Enriched with eyewitness accounts from Islamic and Western sources, this important book unlocks the history of the Crusades and the early Islamic period, giving the reader entry into a historical epoch that is thrilling and pertinent.

     The illegitimate daughter of a captain in the Royal Navy and an enslaved African woman, Dido Belle was sent to live with her great-uncle, the Earl of Mansfield, one of the most powerful men of the time and a leading opponent of slavery. Growing up in his lavish estate, Dido was raised as a sister and companion to her white cousin, Elizabeth. When a joint portrait of the girls, commissioned by Mansfield, was unveiled, eighteenth-century England was shocked to see a black woman and white woman depicted as equals. Inspired by the painting, Belle vividly brings to life this extraordinary woman caught between two worlds, and illuminates the great civil rights question of her age: the fight to end slavery.

    There, one man and his five brilliant sons made their fortune as court agents to a royal prince. It would take Napoleon’s earth-shattering quest to conquer Europe to scatter the five brothers to the four winds, but when the dust of war settled, there was a Rothschild brother and a Rothschild bank in five cities: London, Paris, Frankfurt, Naples, and Vienna. The era of haute finance had begun, and the legend of a banking dynasty more powerful than any royal family in history was established. In this book, you will follow the progress of the Rothschild family through the centuries. Their ranks included not only bankers and financiers but doctors, scientists, bomb experts, and collectors who amassed not only some of the finest art collections in Europe, but also one of the finest bug collections. Find out for yourself how the Rothschilds prevented wars, crowned and uncrowned kings, helped win the battle of Waterloo, looked down their noses at Nazis, and established a Jewish homeland in Palestine.

    In addition to articles in which Fonercalls out politicians and the powerful for their abuse and misuseof American history, Foner assesses some of his fellow leadinghistorians of the late 20th century, including Richard Hofstadter,Howard Zinn and Eric Hobsbawm. Foner ends with an open letterto Bernie Sanders analysing the great tradition of radicalism thathe has spent his career studying and which, he argues, Americansof progressive disposition should seek to celebrate and retrieve.

    Kennedy? This riveting companion to the upcoming History Channel documentary follows Oswald in the immediate aftermath of the assassination, searching for the answers to the questions that have troubled America for a half century: Did he actually pull the trigger? Was he alone? And if so, why? Steven M. Gillon, Scholar-in-Residence at the History Channel, explores the possibility that Cuban intelligence officials may have encouraged Oswald to commit the crime and promised to help him escape. Gillon recreates in painstaking detail the long interrogation sessions and reveals that many of the police officers who witnessed the sessions were convinced that Oswald had received special training. He was simply too good at deflecting questions, too smart, too confident. With new information from recently declassified documents, and revealing photos and documents, these pages offer a refreshingly new and complicated portrait of the man who assassinated President John F. Kennedy.

    Using a decade of original research into the 17th and 18th century, this text unearths ideas and stories about liberty, democracy and freedom that terrified the ruling classes of the time and form the foundations of modern revolutions.

    Indeed, no artistic movement has ever been quite so controversial. The drama of its birth, played out on canvas and against the backdrop of the Franco-Prussian War and the Commune, would at times resemble a battlefield; and as Ross King reveals, it would reorder both history and culture, and resonate around the world.

    In Queen of Fashion, Caroline Weber shows how Marie Antoinette developed her reputation for fashionable excess, and explains through lively, illuminating new research the political controversies that her clothing provoked. Weber surveys Marie Antoinette's "Revolution in Dress," covering each phase of the queen's tumultuous life, beginning with the young girl, struggling to survive Versailles's rigid traditions of royal glamour (twelve-foot-wide hoopskirts, whalebone corsets that crushed her organs). As queen, Marie Antoinette used stunning, often extreme costumes to project an image of power and wage war against her enemies. Gradually, however, she began to lose her hold on the French when she started to adopt "unqueenly" outfits (the provocative chemise) that, surprisingly, would be adopted by the revolutionaries who executed her. Weber's queen is sublime, human, and surprising: a sometimes courageous monarch unwilling to allow others to determine her destiny. The paradox of her tragic story, according to Weber, is that fashion--the vehicle she used to secure her triumphs--was also the means of her undoing. Weber's book is not only a stylish and original addition to Marie Antoinette scholarship, but also a moving, revelatory reinterpretation of one of history's most controversial figures.

    The Changing Face of War is the book that reveals the path that led to the impasse in Iraq, why powerful standing armies are now helpless against ill-equipped insurgents, and how the security of sovereign nations may be maintained in the future.While paying close attention to the unpredictable human element, Martin van Creveld takes us on a journey from the last century’s clashes of massive armies to today’s short, high-tech, lopsided skirmishes and frustrating quagmires. Here is the world as it was in 1900, controlled by a handful of “great powers,” mostly European, with the memories of eighteenth-century wars still fresh. Armies were still led by officers riding on horses, messages conveyed by hand, drum, and bugle. As the telegraph, telephone, and radio revolutionized communications, big-gun battleships like the British Dreadnought, the tank, and the airplane altered warfare.Van Creveld paints a powerful portrait of World War I, in which armies would be counted in the millions, casualties–such as those in the cataclysmic battle of the Marne–would become staggering, and deadly new weapons, such as poison gas, would be introduced. Ultimately, Germany’s plans to outmaneuver her enemies to victory came to naught as the battle lines ossified and the winners proved to be those who could produce the most weapons and provide the most soldiers.The Changing Face of War then propels us to the even greater global carnage of World War II. Innovations in armored warfare and airpower, along with technological breakthroughs from radar to the atom bomb, transformed war from simple slaughter to a complex event requiring new expertise–all in the service of savagery, from Pearl Harbor to Dachau to Hiroshima. The further development of nuclear weapons during the Cold War shifts nations from fighting wars to deterring them: The number of active troops shrinks and the influence of the military declines as civilian think tanks set policy and volunteer forces “decouple” the idea of defense from the world of everyday people. War today, van Crevald tells us, is a mix of the ancient and the advanced, as state-of-the-art armies fail to defeat small groups of crudely outfitted guerrilla and terrorists, a pattern that began with Britain’s exit from India and culminating in American misadventures in Vietnam and Iraq, examples of what the author calls a “long, almost unbroken record of failure.”How to learn from the recent past to reshape the military for this new challenge–how to still save, in a sense, the free world–is the ultimate lesson of this big, bold, and cautionary work. The Changing Face of War is sure to become the standard source on this essential subject.

    Chesterton was one of the towering figures of British literature in the early twentieth century. A man of massive size, massive personality, and massive appetite, Chesterton famous personality, dress, and personality gave rise to an eponymous adjective: Chestertonian. Although he is renowned for the Father Brown detective series, Chesterton also wrote volumes of nonfiction. First published in 1917, A Short History of England is exactly that, serving Chesterton's goal of publishing "a popular book of history written from the standpoint of a member of the public." Filled with Chestertonian wit, the fast-moving history includes such gemlike observations as, Henry VIII "was almost as unlucky in his wives as they were in their husband." Of the great late Victorian/Edwardian trio of wits: George Bernard Shaw, Oscar Wilde, and Chesterton himself, it is Chesterton whose body of work -- writing in an unassuming manner, without great pretension -- may well persist for future generations far longer than its charming, genial author ever imagined.