In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films--Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre--most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.

    Over the coming weeks they must brave the stormy waters of the Atlantic in their mission to seek out and destroy British supply ships. But the tide is beginning to turn against the Germans in the war for the North Atlantic. Their targets now travel in convoys, fiercely guarded by Royal Navy destroyers, and when contact is finally made the hunters rapidly become the hunted. As the U-boat is forced to hide beneath the surface of the sea a cat-and-mouse game begins, where the increasing claustrophobia of the submarine becomes an enemy just as frightening as the depth charges that explode around it. Of the 40,000 men who served on German submarines, 30,000 never returned. Written by a survivor of the U-boat fleet, Das Boot is a psychological drama merciless in its intensity, and a classic novel of World War II.

    . . . the kind of book that can be life-changing.” I Am the Messenger is a cryptic journey filled with laughter, fists, and love, which School Library Journal called “unpretentious, well conceived, and appropriately raw” in a starred review. Markus Zusak is the recipient of the Margaret A. Edwards Award for his significant and lasting contribution to writing for teens, and together, these two stories form an extraordinary collection to showcase the intensity and heart inherent in his storytelling.

    When two prostitutes are murdered after a caller has admitted to fantasies of rape, Amy begins to suspect that the man she loves, who lives beneath her flat, may be a murderer. A call to her program informs her that she is next.

    It has been celebrated for its beauty and mystery, its realistic depiction of space travel and dazzling display of visual effects, the breathtaking scope of its story, which reaches across millions of years, and the thought-provoking depth of its meditation on evolution, technology and humanity's encounters with the unknown. 2001 has been described as the most expensive avant-garde movie ever made and as a psychedelic trip, a unique expression of the spirit of the 1960s and as a timeless masterpiece. Peter Krämer's insightful study explores the complex origins of the film, the unique shape it took and the extraordinary impact it made on contemporary audiences. Drawing on new research in the Stanley Kubrick Archive at the University of the Arts London, Krämer challenges many of the widely-held assumptions about the film. He argues that 2001 was Kubrick's attempt to counter the deep pessimism of his previous film, Dr Strangelove (1964), which culminates in the explosion of a nuclear 'doomsday' device, with a more hopeful vision of humanity's future, facilitated by the intervention of mysterious extra-terrestrial artifacts. This study traces the project's development from the first letter Kubrick wrote to his future collaborator Arthur C. Clarke in March 1964 all the way to the dramatic changes Kubrick made to the film shortly before its release by MGM in April 1968. Krämer shows that, despite – or, perhaps, because of – Kubrick's daring last-minute decision to turn the film itself into a mysterious artifact, 2001 was an instant success with both critics and general audiences, and has exerted enormous influence over Hollywood's output of science fiction movies ever since. The book argues that 2001 invites us to enjoy and contemplate its sounds and images over and over again, and, if we are so inclined, to take away from it an important message of hope.

    . . The vicious burns scarring the victims' flesh reveal the agony of their last moments. Each woman was branded with a star, then stabbed through the heart. With every death, a vengeful killer finds a brief, blissful moment of calm. But soon it's time for the bloodshed to start again. . . The Perfect Time. . . Ten years ago, Eva Rayburn and her sorority sisters were celebrating the end of the school year. That party turned into a nightmare Eva can't forget. Now she's trying to start over in her Virginia hometown, but a new nightmare has begun. Every victim is linked to her. And Detective Deacon Garrison isn't sure whether this mysterious woman needs investigating--or protecting. . . To Make His Mark Only Eva's death will bring peace. Only her tortured screams will silence the rage that has been building for ten long years. Because what started that night at the sorority can never be stopped--not until the last victim has been marked for death. . .

    'Our Films' is devoted mainly to his own experiences and contains many interesting anecdotes, but also has observations to offer on trends in Indian films. 'Their Films' deals with some films from abroad that have become landmarks in the history of the cinema from the silent era to the present day.

    Sallis combines murder, treachery and payback in a sinister plot with resonances of 1940s pulp fiction and film noir. Told through a cinematic narrative that weaves back and forth through time and place, the story explores Driver's near existential moral foundations, intercut with moments of bloody violence.

    This book contains the complete novels of Jane Austen.- Lady Susan- Sense and Sensibility- Pride and Prejudice- Mansfield Park- Emma- Persuasion- Northanger Abbey- Love And Friendship And Other Early Works

    Julius Henry Marx.

    

    The plots are all new, with painstaking attention to the mood, tone, and detail of the original stories. Here is a fascinating volume of mysteries for new Sherlock fans, as well as for those who have read all the classics and crave more!The Adventure of the Seven Clocks The Adventure of the Gold Hunter The Adventure of the Wax Gamblers The Adventure of the Highgate Miracle The Adventure of the Black Baronet The Adventure of the Sealed Room The Adventure of the Foulkes Rath The Adventure of the Abbas Ruby The Adventure of the Dark Angles The Adventure of the Two Women The Adventure of the Depthford Horror The Adventure of the Red Widow

    As Elmore Leonard said of him, "Gifford cuts right through to the heart of what makes a good novel readable and entertaining . . . the way Barry Gifford does it, it's high art."

    Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin's horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.

    The Sue Grafton Collection: The Kinsey Millhone Novels (Books A-O)The first 15 books in Sue Grafton's Kinsey Millhone mysteries are now available in one collection! From the sensational blockbuster A is for Alibi to the thrilling case in O is for Outlaw, you won't want to miss a page.